Hi Abraham thanks for your help
Stephen
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Stephen,
On Wed, Oct 29, 2014 at 4:21 PM, Stephen MacNeil [via Lilypond]
wrote:
> Hi Abraham,
>
> Thanks for all the help. I do like your code it works really nice. As
> for the voices
>
> >And just so you know, the << { ... }\\{ ... } >> implicitly applies
> >\voiceOne and \voiceTwo, so thos
Hi Abraham,
Thanks for all the help. I do like your code it works really nice. As for
the voices
>And just so you know, the << { ... }\\{ ... } >> implicitly applies
>\voiceOne and \voiceTwo, so those are unnecessary.
I did realize that however i read a post somewhere saying that if you
explici
Hi Abraham and Rale, thanks for the reply. As a classical guitarist I can
say the function that Abraham mentions (Can slurs be
made to start/end on arbitrary chord notes?), would be ideal. perhaps a
work around on the tie function. Something like this would also work. I
think.
\acciaccatura d'8 c
This is an interesting problem... It begs the question, "Can slurs be
made to start/end on arbitrary chord notes?" It appears that they
cannot, but can they be made to do so? I don't think I'd personally
have too much use for the functionality, but it appears that it might
be useful.
Regards,
well I think this is the best I can do
\version "2.18.2"
\relative c'{
\time 6/8
<<{ \voiceOne \stemUp <\tweak Flag.transparent ##t e g>8}\\{\voiceTwo
\slurDown \stemUp \shape #'((0.2 . 0) (0 . 0) (0 . 0) (0 . 0.3)) Slur
\override Slur.positions = #'(0 . 0) \acciaccatura d'8 c }>> |
}
\rel
