Thanks to everyone who responded.
"Mark Stephen Mrotek" writes:
>
> When I write polyphony for the piano I use
> <<
> { %here pitches for top voice
> }
> \\
> { %here pitches for bottom voice
> }
> >>
Yes, your solution works and I have used it in the past.
I was trying to figure out h
ivan.k.kuznet...@gmail.com writes:
> Attached is the beginning of an arrangement for
> voice and guitar. The guitar part is two part counterpoint
> in which I would like to control where the steps go up or
> down.
>
> (1) In the guitar part, even though I have \voiceOne marked with \stemUp
> and
On 16/03/13 15:15, Mark Stephen Mrotek wrote:
Ivan:
When I write polyphony for the piano I use << { %here pitches for top voice
} \\ { %here pitches for bottom voice} >>. Lilypond seems to take care of
the stem directions.
I reset you example using this format. Some notes of the voices might n
Ivan:
When I write polyphony for the piano I use << { %here pitches for top voice
} \\ { %here pitches for bottom voice} >>. Lilypond seems to take care of
the stem directions.
I reset you example using this format. Some notes of the voices might need
to be adjusted.
\version "2.16.0"
\include
