Hi Werner!
Attached is a lilypond source that shows how to use postscript
to crop parts from a lilypond page.
Obviously you still need to find a way to pass the right corner
coordinates to the postscript code ...
Knut
\version "2.21.0"
\pointAndClickOff
#(set-global-staff-size 18)
#(set-defa
>> I have to typeset a bunch of snippets that contain ties and slurs
>> either from a (not typeset) bar at the left or to a bar to the
>> right (see attached example). What is the recommended way to do
>> that gracefully?
>
> I'm still not sure what you're after and/or the wished workflow.
See
Am Do., 18. Juli 2019 um 07:38 Uhr schrieb Werner LEMBERG :
>
>
> Folks,
>
>
> I have to typeset a bunch of snippets that contain ties and slurs
> either from a (not typeset) bar at the left or to a bar to the right
> (see attached example). What is the recommended way to do that
> gracefully?
>
>
>> What I imagine is a possibility to specify `front matter' and
>> `back matter' that gets processed but not displayed, for example
>>
>>\relative c' {
>> \frontmatter { f4( }
>> g a b c
>> \backmatter { d) }
>>}
>>
>> which should be handled as
>>
>>\relative c' {
>>
Hi Werner,
What I imagine is a possibility to specify `front matter' and
`back matter' that gets processed but not displayed, for example
\relative c' {
\frontmatter { f4( }
g a b c
\backmatter { d) }
}
which should be handled as
\relative c' {
\partial 4 f4( \brea
> You mean you just want the slurs to extend before and after the
> notes?
Yes, but ...
> Any reason you can't use \shapeII from openlilylib?
... I don't want to have a manual solution – but thanks for the
suggestion.
What I imagine is a possibility to specify `front matter' and
`back matter'
You mean you just want the slurs to extend before and after the notes?
Any reason you can't use \shapeII from openlilylib?
Andrew
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> You are absolutely right, this is just LilyPond's sloppiness. In
> general, tie formatting is ugly in many cases, and i'm thinking about
> a complete redesign of tie formatting since summer 2011 (yep, 1.5
> years now). I have many examples and half the design written, but
> little time to finis
Hi,
On Mon, Mar 18, 2013 at 5:44 PM, Noeck wrote:
> 2.) For notes outside the staff (on ledger lines, like c’) there is in
> my opinion no reason to place ties below the note heads. I would prefer
> to have them placed like for the d or b example, because currently ties
> are almost undistinguish
David,
If the composer has written them it is not to me to leave them out. Sensical
or not-so-sensical.
As I'm restoring an old manuscript I feel I'm bound to what I find. It is
difficult enough to recreate the score with only parts in different
handwriting available.
But I have to agree on the
Hi Erik,
As I see it you create the two voices as if nothing special was
needed.
Then create a third voice, with identical notes as the second voice.
These remain hidden, but the ties are visible.
Am I correct?
Essentially, with one [very small] correction: the third Voice
context doesn't
"Erik Appeldoorn" writes:
> Thanks Nick,
>
> Interesting to see how your solution differs from the one Kieren and Carl
> offered. More than one way to reach the goal. Nice.
Disagree. Seems rather like more than one trick to reach the goal.
>From a user interface perspective, I find both solutio
Millan [mailto:kieren_macmil...@sympatico.ca]
> Sent: zaterdag 7 november 2009 1:31
> To: Erik Appeldoorn
> Cc: lilypond user group; Carl Sorensen
> Subject: Re: slurs and ties
>
> Hi Erik,
>
> > I WANT TO CREATE NICE SCORES!!!
>
> Well, aren't you glad you&#x
eldoorn
> Cc: lilypond-user@gnu.org
> Subject: Re: slurs and ties
>
> Erik Appeldoorn wrote:
> >
> > Attached a jpg snipped of score parts I want to reproduce with
> > lilypond. (Took me 30 secs to make using Sibelius)
> >
> > But after a day of trying I c
Erik Appeldoorn wrote:
Attached a jpg snipped of score parts I want to reproduce with
lilypond. (Took me 30 secs to make using Sibelius)
But after a day of trying I can’t figure it out.
I have looked into the LSR and tried to adapt the following snippet
without any success.
Making an obje
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