On 13 May 2013, at 17:06 , Sarah k Alawami wrote:
Ok. so do I have to put the right keys in at least not everything in
g major after the transpose line? I did read the manual but me being
a singer and I can only transpost by ear it kind of makes thing
sharder. I used to be able to do this
OK, it makes sense to get the keys right for the individual parts. I
for myself play bass-clarinet, I would flip when I got a concert pitch
part to play, I'm used to read the transposed version. But please read
my remarks on \transpose of earlier today.
If they want parts remember you alrea
Thanks. I was going off of the templet on the site. The whole song with out
repeats is 23 measures long, with repeats it's double that I think. I'm not
performing this
Here is a recording of the harpsichord part I was to orchestrate.. It jumps all
over the place and I'm not aloud to change the
Hi Sarah,
You sure have come a long way, but I think it is already a nice result.
What I see:
- line 17: the opening bracket is still before the \relative instead
of after. That causes a problem that the musical expression seen by
the \relative is only the next statement, that is the \key g
lo. I know this. but when I rewrite the measure to include what would have been
equivalent, that is what I wanted them to play no bar check errors. at least
not for the grace notes. Maybe it's operator error but as of now since I'm
reaching the dead line I cannot change the score.
On May 13, 2
On 2013-05-13 07:44, Sarah k Alawami wrote:
Hello to the list.
I notice that some of my grace notes are also causing the bar check errors
Just a reminder:
Grace notes are musical ornaments, printed in a smaller font, that take
up no additional logical time in a measure.
// Anders
--
Engl
Hello to the list.
I notice that some of my grace notes are also causing the bar check errors but
most of them I think are happening at the end dog repeats where there's an
incomplete measure as it was filling time so you can go back and repeat the
anicrusis.
Over all thats all I'm noting, t
Hi Sarah,
in the lines 114 and 169 your braces are still not right, they should be
after the \relative c command and not before.
In line 315 and 366, there is a closing brace missing (I suppose).
With these changes, LilyPond is able to compile it and the time
signatures are right (12/8). But the
I think I got it. I still have errors in the score lay out because I was trying
to add instruments that were not there in the firs place lol! but can someone
plz make sure at least the time sig is right?
Take care and be blessed.
final score.ly
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In the mean time I'
You horn music goes wrong because the opening bracket is in line 169
instead of directly after the \relative and \transpose. And before
that another one is missing. I think in the bassoon, same problem with
\relative there.
Sorry, I don't have enough time now to look at it in detail
Re
s the file.
final score.ly
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On May 11, 2013, at 1:07 PM, Phil Holmes wrote:
> - Original Message - From: "Sarah k Alawami"
> To: "lilly pond discuss discuss"
> Sent: Saturday, May 11, 2013 6:32 PM
> Subject: Re: odd bar check
l Holmes wrote:
> - Original Message - From: "Sarah k Alawami"
> To: "lilly pond discuss discuss"
> Sent: Saturday, May 11, 2013 6:32 PM
> Subject: Re: odd bar check errors
>
>
>> What I mean is I want them to go back and repeat the measure once
- Original Message -
From: "Sarah k Alawami"
To: "lilly pond discuss discuss"
Sent: Saturday, May 11, 2013 6:32 PM
Subject: Re: odd bar check errors
What I mean is I want them to go back and repeat the measure once more or
at least that section. so it shoul
"Mark Stephen Mrotek" writes:
> Sarah:
>
> I notice that although you indicate 12/8 in the "global" command the
> score prints with "C" or 4/4. I am not sure how to fix this yet I am
> sure that it effects the bar checks.
fluteMusic = \relative c' \key g \major
\global
\repeat volt
Yeah I've been trying to do that eliminating a bunch of errors along the way.
bit by bit. I'll check on that later. and see where the closing right brace
should be.
Ty.
On May 11, 2013, at 10:12 AM, Wim van Dommelen wrote:
> Hi Sarah,
>
> Remember that error-messages do have a function. Th
Uh? Odd? Did I mess up in the \global veritable some ware? That just does not
make sense. 4/4 does not equal 12/8 unless you want to count everything as
triplets. I hope I did not brake anything.
On May 11, 2013, at 9:50 AM, Mark Stephen Mrotek wrote:
> Sarah:
>
> I notice that although you i
What I mean is I want them to go back and repeat the measure once more or at
least that section. so it should be instead \repeat percent 2 {what ever that
music was} instead of what never Ihad?
I still get confused with the braces but math was not and never will be my
strong point.
Most of th
Hi Sarah,
Remember that error-messages do have a function. The program
communicates to you that it cannot follow.
Your problems start in line 14 by forgetting the opening bracket { of
the \relative. But I can only guess where the closing bracket should
be. The bracket don't add-up to
Sarah:
I notice that although you indicate 12/8 in the "global" command the score
prints with "C" or 4/4. I am not sure how to fix this yet I am sure that it
effects the bar checks.
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bou
- Original Message -
From: "Sarah k Alawami"
To: "lilly pond discuss discuss"
Sent: Saturday, May 11, 2013 5:25 PM
Subject: odd bar check errors
(replying again to make my reply easier for Sarah to read)
There's a few problems with braces { } and double bracket << >> placing,
which w
- Original Message -
From: "Sarah k Alawami"
To: "lilly pond discuss discuss"
Sent: Saturday, May 11, 2013 5:25 PM
Subject: odd bar check errors
Ok. I'm in 12/8 and i put that in the \global veritable and put the \blobal
veritable in every part of this score that I'm working on for t
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