On Fri, 12 Jun 2015 01:44:53 +1000
"Andrew Bernard" wrote:
> Greetings Knute,
>
>
>
> This is a very good question indeed. Actually, not having a
> copy of the reference Behind Bars, I am not sure what is the
> standard rule for this situation, but is it not the case that
> lilypond is doing
rimary column:
>
> <<
>
> { 4 }
>
> \\
>
> { \once \override NoteColumn.force-hshift = #-1 cs''4 }
>
> >>
>
>
> [image: Inline image 2]
>
>
> 2. Move the d to the other voice, which doesn't require an override:
>
>
>
Knute,
On Thu, Jun 11, 2015 at 9:26 AM, Knute Snortum [via Lilypond] <
ml-node+s1069038n177722...@n5.nabble.com> wrote:
> I have a situations where there is a tight chord played with two voices.
> In the example, there is a c and a c-shard played at the same time, but
> LilyPond is merging the no
Greetings Knute,
This is a very good question indeed. Actually, not having a copy of the
reference Behind Bars, I am not sure what is the standard rule for this
situation, but is it not the case that lilypond is doing the right thing here,
hard though it may be to read? Could you draw how yo
