I might just be adding to the noise level, but my quick-n-dirty workaround
to multiple verses that follow refrains is to paste in a bunch of empty
quotes - one pair per syllable. And once you have the set for verse 2
(verse 1 will have the refrain, of course), you just paste the whole set of
quote
Thanks for the detailed analysis! Trevor might want to modify the
LM based on this -- I'm not certain if he knew how \book worked
when he wrote the sections... I know that *I* didn't (and still
don't) know how it works, and I'm the one who is theoretically
editing his work. (that's why I always c
On Sun, 03 Feb 2008 22:59:17 +0100
Mats Bengtsson <[EMAIL PROTECTED]> wrote:
> ... there's no need to use
> \book here. If you just remove the "\book {" and matching "}", you will
> get exactly the same result. If there's any information left in the
> current manual that indicates that you nee
Quoting NJW <[EMAIL PROTECTED]>:
The solution (that is, one solution ;-) ) is to put it in a book. The
prospect of using the \book command seemed a bit too advanced, but is
actually quite straightforward. Use of \paper in the \book is analogous to
\layout in \score.
\book {
\score {
Hi Nick
I saw your later note about using book, but it can be done
in straightforward Lily, although maybe 'straightforward' is
not the right word! Using book is probably easier. The
problem you had is the quite tricky positioning of the
sequential and simultaneous sections. I'll explain here
With apologies for replying to myself, but hoping this will help someone
following on.
> This piece has a solo verse, followed by four-part refrain,
> with differences in lyrics and rhythms in all four parts.
The solution (that is, one solution ;-) ) is to put it in a book. The
prospect of us
