In message <[EMAIL PROTECTED]>, James
Moore <[EMAIL PROTECTED]> writes
If you own the copyright on a piece of intellectual property, you have the
ability to grant a license to use it, in much the same way you can grant
licenses to use any type of property that you own.
This is from an American poi
Did I miss anything ? It might be true that
I ought to be more explicit about what people are allowed to do with these
scores, but I don't think I'm giving away anything serious here. The music
is copyrighted, one cannot just play it nor record it without my consent,
The score is freely
On Fri, 17 Dec 2004 23:27:38 +0100
[EMAIL PROTECTED] wrote:
> In other word, by making the music available, I just remove the hurdle
> of having to retranscribe it by ear. I just make my music easier to find,
Thank you for doing that. I liked very much the style, the drive,
the feeling and of the
Well, since I started this argument by putting my scores online,
please let me explain my own little rationale...
- I'm no Mozart, I'm no Beatle. I don't think that the music
I write will ever be valuable enough for the score edition
business to make any sense for me.
- The only intere
On Friday 17 December 2004 21.32, David Raleigh Arnold wrote:
> On Friday 17 December 2004 02:14 pm, Erik Sandberg wrote:
> > On Friday 17 December 2004 17.49, David Raleigh Arnold wrote:
> > > On Friday 17 December 2004 05:46 am, Erik Sandberg wrote:
> > >
> > > No. So what if it did? What prote
> > The copyright *is* the license, which belongs exclusively
> > to the copyright holder. That's the whole idea of a copyright. Don't
> > attempt to share it with all and sundry, only with BMI/ASCAP or the like
> if
> > you want. A user license would amount to assigning it.
>
> Sorry, I didn't
On Friday 17 December 2004 17.49, David Raleigh Arnold wrote:
> On Friday 17 December 2004 05:46 am, Erik Sandberg wrote:
> > On Friday 17 December 2004 01.24, David Raleigh Arnold wrote:
> > >
> > > A license *might* protect some evildoer ripping you off but it won't
> > > protect you, You don't
On Friday 17 December 2004 01.24, David Raleigh Arnold wrote:
> On Thursday 16 December 2004 05:16 pm, Erik Sandberg wrote:
> > On Thursday 16 December 2004 22.10, [EMAIL PROTECTED] wrote:
> > > (This does not mean that the music is not copyrighted, or that it is
> > > not subject to execution righ
On Thursday 16 December 2004 05:16 pm, Erik Sandberg wrote:
> On Thursday 16 December 2004 22.10, [EMAIL PROTECTED] wrote:
> > I used Lilypond to write "The Legend of the Toad", which will be
> > commercially available mid January in a recording by Roby Lakatos,
> > and for which a demo which can b
Great music with great musicians. I especially liked hearing the
cimbalom in such musical context. The music is beatiful. It is pleasure
for me to be together on this list with musicians of this talent. To
include the score is a great idea also, it is very good to hear what a
difference there i
On Thursday 16 December 2004 22.10, [EMAIL PROTECTED] wrote:
> I used Lilypond to write "The Legend of the Toad", which will be
> commercially available mid January in a recording by Roby Lakatos,
> and for which a demo which can be downloaded from
>
> http://www.thelegendofthetoad.com
>
> as well
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