Simon,
I agree, and would have written that myself. In fact, as the middle voice is
mostly played with the right hand, I'd have moved that to the upper staff as
well.
But I'm trying to reproduce what the composer (Ivor Gurney) and his editor
(Gerald Finzi I think) published, rather than modern
On 19.12.2016 11:51, Peter Toye wrote:
I'm trying to engrave the attached score fragment, but can't work out
how to get it right. I agree with LP that it's not beautiful, but
that's what the composer wrote.
The method used in that engraving is nice, but difficult to get right
and rarely used.
Thanks Rutger. That looks brilliant.
I find that the main problem with Lilypond is working out exactly which
property of which object to tweak. Presumably this comes with experience.
Regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com___
lilypond
>>
>>
}
On 19-12-16 12:04, Urs Liska wrote:
What about the attached?
This makes the lower voice \voiceTwo, the middle voice \voiceFour and
keeps all the stems downward.
Additionally one would have to move the inner voice a little bit to the
right so it doesn't touch the lower
Peter Toye:
> Problems engraving some unbeautiful music I'm trying to engrave the
> attached score fragment, but can't work out how to get it right. I
> agree with LP that it's not beautiful, but that's what the composer wrote.
>
> The snippet below is as far as I&
I'm trying to engrave the attached score fragment, but can't work out how to
get it right. I agree with LP that it's not beautiful, but that's what the
composer wrote.
The snippet below is as far as I've got, but there are too many clashes (not
surprising). So the cross-staff chords aren't work
