Werner,
:-)>
The problem with ligatures is that they have 3 meanings - ties,
bowing/breathing marks and phrasing marks. And sometimes a note will have all
three. But this is getting a bit off-topic.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Tuesda
> Well, just look at a Mahler score. He was one of the great
> conductors, and the strings are full of bowing marks. How many of
> them are followed by conductors these days I don't know.
Well, just look at a Richard Strauss score :-) His scores are full of
legatos in the strings which are de
Contents of lilypond-user digest..."
> Today's Topics:
> 1. Re: Piano pedalling in (conductor) scores (Kieren MacMillan)
> 2. Re: Piano pedalling in (conductor) scores (Kieren MacMillan)
> 3. Re: Piano pedalling i
Hi all,
well that kicked off more of a discussion than I expected :D I'm just
going to roll all the replies into one mail.
On Mon, 30 May 2022 at 13:50, Andrew Bernard wrote:
> Well the Beethoven 5th Piano Concerto has pedalling in it. At least the
> first edition by B&H.
I'd expect it in a con
> Cc: Simon Bailey , Lilypond-User Mailing List
>
> Subject: Re: Piano pedalling in (conductor) scores
> Message-ID: <87sforuq1n@fencepost.gnu.org>
> Content-Type: text/plain; charset=utf-8
> Kieren MacMillan writes:
>> Hi Simon,
>>> when prepa
Hi Kira,
> If it’s for a whole section, either it’s the composer or the orchestra
> librarian. Who cares of the conductor changes it, that’s their choice.
> If it’s for a single player like a keyboardist, I would be inclined to leave
> more open to the player - I am a keyboardist with relative
Well, someone has to put that info in. If it’s for a whole section, either
it’s the composer or the orchestra librarian. Who cares of the conductor
changes it, that’s their choice.
If it’s for a single player like a keyboardist, I would be inclined to
leave more open to the player - I am a keyboar
Hi David,
> It's a matter of efficiency for sections expected to sightread large
> parts of their material to work with performance-ready information even
> if it results from arbitrary choices.
Literally every orchestra and ensemble I’ve ever worked with as composer or
arranger — which now numb
Kieren MacMillan writes:
> Hi David,
>
>> I disagree. There is no point in cluttering the conductor's part with
>> stuff like fingerings (only relevant to the player) and bowing
>> directions (section leader material).
>
> Actually, we agree completely: I believe there’s no point in
> cluttering
Hi David,
> I disagree. There is no point in cluttering the conductor's part with
> stuff like fingerings (only relevant to the player) and bowing
> directions (section leader material).
Actually, we agree completely: I believe there’s no point in cluttering
performers’ parts with fingerings (e
Kieren MacMillan writes:
> Hi Simon,
>
>> when preparing a conductor's score that also includes a piano (as an
>> ensemble, not soloist) part, do you also include the pedalling
>> information for the piano?
>
> IMO, a conductor’s score should contain essentially all the
> information in the perfo
Hi Simon,
I’d say this probably depends how intrusive the pedalling indications are to
the score. If you get clear advantages from doing so then it would be
reasonable to do it, it you do not there is no real reason to do it. Generally
omitting information from a conductors score is not somethi
Hi Simon,
> when preparing a conductor's score that also includes a piano (as an
> ensemble, not soloist) part, do you also include the pedalling information
> for the piano?
IMO, a conductor’s score should contain essentially all the information in the
performers’ parts, although possibly in
Well the Beethoven 5th Piano Concerto has pedalling in it. At least the
first edition by B&H.
Simon Bailey wrote on 30/05/2022 9:48 PM:
I realise that this is not necessarily a lilypond question per se,
more of a general question for the professional copyists here: when
preparing a conductor
Hi,
I realise that this is not necessarily a lilypond question per se, more of
a general question for the professional copyists here: when preparing a
conductor's score that also includes a piano (as an ensemble, not soloist)
part, do you also include the pedalling information for the piano? How
u
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