[Off topic]
Urs Liska-3 wrote
> The sustain pedal of a real (grand) piano is nothing like the
> MIDI pedal of the same name, but much closer to the MIDI volume pedal
> ;-)
To spare the honour of MIDI, half-damper pedals do exist and they act as a
continuous controller. Whether the sound engin
Am 09.08.2018 um 21:16 schrieb Torsten Hämmerle:
Noeck wrote
Probably, that also means that using separate voices is the appropriate
syntax, isn’t it? Can I make the slur aware of other voices’ notes?
Hi Joram,
Sometimes, decisions whether to use separate voices, temporary parallel
contexts,
Hi Torsten,
thanks for your comprehensive answer which makes perfectly sense to me.
From a player’s perspective, I found it interesting to see the 'voices'
alternating, when I transcribed the no. 5 of the same opus, and to make
the subtle hints more prominent by using colors (sometimes I reused
e
Noeck wrote
> Probably, that also means that using separate voices is the appropriate
> syntax, isn’t it? Can I make the slur aware of other voices’ notes?
Hi Joram,
Sometimes, decisions whether to use separate voices, temporary parallel
contexts, etc., are often more of a technical nature (codin
Thanks, Torsten, for confirming that.
Probably, that also means that using separate voices is the appropriate
syntax, isn’t it? Can I make the slur aware of other voices’ notes?
Best,
Joram
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Hi Joram,
This is all about the transitions between both hands: the downstem notes are
to be played by the left hand.
HTH,
Torsten
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Dear all,
I am trying to transcribe a prelude for piano by Rachmaninoff (Op. 23,
No. 7). A (not so) minimal example is appended below.
The left hand is always the same like in the lowest staff group.
It is not directly part of the question but might hint at some
left-hand/right-hand switches.
I h
