; LilyPond Users
Subject: Re: Parallel music, adding a voice, stem not appearing
On Apr 11, 2016, at 2:23 AM, David Kastrup mailto:d...@gnu.org>
> wrote:
Stanton Sanderson < <mailto:stans...@gmail.com> stans...@gmail.com> writes:
Here is another (perhaps less eleg
> On Apr 11, 2016, at 2:23 AM, David Kastrup wrote:
>
> Stanton Sanderson mailto:stans...@gmail.com>> writes:
>
>> Here is another (perhaps less elegant) solution:
>>
>> rh = \relative c'' {
>> <<
>>\voiceOne
>>{
>> c2.~ | \stemDown \shiftOnn c
>>
Stanton Sanderson writes:
> Here is another (perhaps less elegant) solution:
>
> rh = \relative c'' {
> <<
> \voiceOne
> {
> c2.~ | \stemDown \shiftOnn c
> }
> \\
> \new Voice {
> \voiceTwo
>
Hi Stanton,
You don’t need both \\ and \new Voice. That’s kind of redundant.
Andrew
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> Thanks to anyone who can offer a suggestion.
>
> Joe Srednicki
> <>
> From: Andrew Bernard [mailto:andrew.bern...@gmail.com
> <mailto:andrew.bern...@gmail.com>]
> Sent: Saturday, April 9, 2016 11:13 PM
> To: Joseph N. Srednicki <mailto:jnsredni...@verizon.net>
HI Joseph,
Sorry. That’s what comes from me writing in a hurry.
Why does this work? Because if you use \\ in voices new voices are created and
discarded after. If you use \new Voice you can tie into and out of the first
voice as it is a continuation of the existing voice.
Also observe that due
@gnu.org
Subject: Re: Parallel music, adding a voice, stem not appearing
Hi Jospeh,
An erstwhile organist myself, hopefully I can give you an answer.
For me, while parallel music is described in the NR, for pieces of any length I
find it too hard to untangle what voice is what. Better in my
Hi Jospeh,
An erstwhile organist myself, hopefully I can give you an answer.
For me, while parallel music is described in the NR, for pieces of any length I
find it too hard to untangle what voice is what. Better in my opinion to use
explicit voices outright and be done with it. Then you have a
Hello:
I am using parallel music. Please see the attached two-measure example to
see the issue.
I have used four voices up until this point. However, in the second measure,
I added a temporary voice for the a flat because it comes in as a fifth
voice for two beats.
However, the second m
