Re: Place text next to rehearsal mark, or with left edge over barline if there is none

On 13/07/17 20:55, David Wright wrote: > On Tue 11 Jul 2017 at 09:08:07 (-0400), Kieren MacMillan wrote: >> Hi Wol, >> >>> I've seen music - not much admittedly - that actually writes crotchets >>> as tied to a semi-quaver or something on the next beat in order to say >>> "this one-beat note is one

Re: Place text next to rehearsal mark, or with left edge over barline if there is none

On Tue 11 Jul 2017 at 09:08:07 (-0400), Kieren MacMillan wrote: > Hi Wol, > > > I've seen music - not much admittedly - that actually writes crotchets > > as tied to a semi-quaver or something on the next beat in order to say > > "this one-beat note is one beat, not a fraction of a beat!" > > The

Re: Place text next to rehearsal mark, or with left edge over barline if there is none

Hi Wol, > You keep on going on about "the moment" in the music, and I know what > you mean - you mean the point *on the paper* where the note is printed. According to 99% of Western musical notation, that's the point at which the note begins. > To me, "the moment" "obviously" :-) means the mome

Re: Place text next to rehearsal mark, or with left edge over barline if there is none

On 10/07/17 21:18, Kieren MacMillan wrote: >> a tempo mark always belongs *after* a rehearsal mark if they collide > In my opinion, a tempo mark belongs exactly over the moment it affects, and > all other marks need to move (horizontally, vertically, or both) around it. > It struck me, actually,

Re:Place text next to rehearsal mark, or with left edge over barline if there is none

> >>> Since you want the tempo to appear over beat 2, you could try placing > >>> the tempo there, rather than at the downbeat. > >>> > >>> Your desired solution is non-semantic, so it's coding will reflect > that. > >>> > >> Maybe, but placing all related marks one after the other is just as > >>

Re: Place text next to rehearsal mark, or with left edge over barline if there is none

Hi Wol (et al.), > No. I just view a markup block as exactly that - a block. The problem is, given enough horizontal offset, eventually the reader can't tell what's part of the original block and what's a new chunk [based over a new moment]. Vertical stacking doesn't have that potential ambigui

Re: Place text next to rehearsal mark, or with left edge over barline if there is none

On 10/07/17 18:35, Simon Albrecht wrote: > On 10.07.2017 15:41, Wols Lists wrote: >> On 09/07/17 21:20, Simon Albrecht wrote: >>> On 09.07.2017 21:21, Wols Lists wrote: Maybe, but placing all related marks one after the other is just as semantically correct as placing them one on top of t

Re: Place text next to rehearsal mark, or with left edge over barline if there is none

On 10.07.2017 15:41, Wols Lists wrote: On 09/07/17 21:20, Simon Albrecht wrote: On 09.07.2017 21:21, Wols Lists wrote: Maybe, but placing all related marks one after the other is just as semantically correct as placing them one on top of the other ... That’s nonsense, and it is for the same re

Re: Place text next to rehearsal mark, or with left edge over barline if there is none

On 10/07/17 14:58, Karlin High wrote: > On 7/10/2017 8:41 AM, Wols Lists wrote: >> given that they typically go up to a rehearsal mark somewhere near S or P, >> and I've known AA and beyond > > This sounds like over 26 rehearsal marks. And elsewhere this thread says > the audience's ideal paper

Re: Place text next to rehearsal mark, or with left edge over barline if there is none

E-ink displays are supposed to be just like normal paper, aren't they? On 07/10/2017 03:43 PM, Wols Lists wrote: On 10/07/17 14:28, Karlin High wrote: On 7/9/2017 2:16 PM, Wols Lists wrote: But out in the park, it was hard to stop the music blowing everywhere That DOES sound like a problem.

Re: Place text next to rehearsal mark, or with left edge over barline if there is none

On 10/07/17 14:28, Karlin High wrote: > On 7/9/2017 2:16 PM, Wols Lists wrote: >> But out in the park, it was hard to stop the music blowing everywhere > That DOES sound like a problem. I've read of people using electronic > displays such as tablets or e-readers for displaying sheet music. > Ide

Re: Place text next to rehearsal mark, or with left edge over barline if there is none

On 09/07/17 21:20, Simon Albrecht wrote: > On 09.07.2017 21:21, Wols Lists wrote: >> On 09/07/17 20:06, Flaming Hakama by Elaine wrote: >>> > How can I move the texts to be next to the rehearsal mark >>> (without >>> manual adjustments)? >>> >>> Well, you are asking for a manual change (d

Re: Place text next to rehearsal mark, or with left edge over barline if there is none

On 07/09/2017 11:07 PM, Thomas Morley wrote: Hi, please always post an (minimal) example demonstrating the problem. I wasted some minutes to reproduce your first problem. But I was annoyed not being able to do so. Hence I decided to try solving the problem instead of continuing finding an code-e

Re: Place text next to rehearsal mark, or with left edge over barline if there is none

2017-07-09 18:24 GMT+02:00 : > As you can see on the screenshot, both texts are misaligned. The first one, > a \tempo, is placed *under* the rehearsal mark instead of next to it. The > second one, the name of a song, is too far too the right, since it's > attached to the note instead of the barlin

Re: Place text next to rehearsal mark, or with left edge over barline if there is none

On 09.07.2017 21:21, Wols Lists wrote: On 09/07/17 20:06, Flaming Hakama by Elaine wrote: > How can I move the texts to be next to the rehearsal mark (without manual adjustments)? Well, you are asking for a manual change (due to a non-standard placement of tempo), so please expect all

Re: Place text next to rehearsal mark, or with left edge over barline if there is none

I guess I'll just have to go with EditionEngraver. The main reason I didn't use it before was that I couldn't figure out how to install it, but I managed to figure that out. On 07/09/2017 07:38 PM, Simon Albrecht wrote: On 09.07.2017 18:24, caag...@gmail.com wrote: As you can see on the scree

Re: Place text next to rehearsal mark, or with left edge over barline if there is none

On 09/07/17 20:06, Flaming Hakama by Elaine wrote: > > > Le 9 juil. 2017 à 18:24, caag...@gmail.com > a écrit : > > > > As you can see on the screenshot, both texts are misaligned. The > first one, a \tempo, is placed *under* the rehearsal mark instea

Re: Place text next to rehearsal mark, or with left edge over barline if there is none

On Sun 09 Jul 2017 at 12:06:05 (-0700), Flaming Hakama by Elaine wrote: > > Le 9 juil. 2017 à 18:24, caag...@gmail.com a écrit : > > > > As you can see on the screenshot, both texts are misaligned. The first > one, a \tempo, is placed *under* the rehearsal mark instead of next to it. > > > Anothe

Re: Place text next to rehearsal mark, or with left edge over barline if there is none

On 09/07/17 19:28, Simon Albrecht wrote: > On 09.07.2017 20:01, Wols Lists wrote: >> On 09/07/17 18:38, Simon Albrecht wrote: >>> On 09.07.2017 18:24, caag...@gmail.com wrote: As you can see on the screenshot, both texts are misaligned. >>> That’s your opinion. >> See below. The result can EAS

Re: Place text next to rehearsal mark, or with left edge over barline if there is none

On Sun 09 Jul 2017 at 20:28:56 (+0200), Simon Albrecht wrote: > On 09.07.2017 20:01, Wols Lists wrote: > >On 09/07/17 18:38, Simon Albrecht wrote: > >>On 09.07.2017 18:24, caag...@gmail.com wrote: > >>>As you can see on the screenshot, both texts are misaligned. > >>That’s your opinion. > >See belo

Re:Place text next to rehearsal mark, or with left edge over barline if there is none

> Le 9 juil. 2017 à 18:24, caag...@gmail.com a écrit : > > As you can see on the screenshot, both texts are misaligned. The first one, a \tempo, is placed *under* the rehearsal mark instead of next to it. Another perspective is that the tempo is placed at the point of the tempo change, rather tha

Re: Place text next to rehearsal mark, or with left edge over barline if there is none

On 09.07.2017 20:01, Wols Lists wrote: On 09/07/17 18:38, Simon Albrecht wrote: On 09.07.2017 18:24, caag...@gmail.com wrote: As you can see on the screenshot, both texts are misaligned. That’s your opinion. See below. The result can EASILY be unplayable music ... What an exaggeration. The

Re: Place text next to rehearsal mark, or with left edge over barline if there is none

On 09/07/17 18:38, Simon Albrecht wrote: > On 09.07.2017 18:24, caag...@gmail.com wrote: >> As you can see on the screenshot, both texts are misaligned. > > That’s your opinion. See below. The result can EASILY be unplayable music ... > >> The first one, a \tempo, is placed *under* the rehearsal

Re: Place text next to rehearsal mark, or with left edge over barline if there is none

On 09.07.2017 18:24, caag...@gmail.com wrote: As you can see on the screenshot, both texts are misaligned. That’s your opinion. The first one, a \tempo, is placed *under* the rehearsal mark instead of next to it. Well, both are placed exactly according to standard conventions: the center o

Re: Place text next to rehearsal mark, or with left edge over barline if there is none

On 07/09/2017 06:29 PM, Jacques Menu Muzhic wrote: > Hello caagr98, > > The second score in the example below can help you solve the first issue. > > JM. That makes them aligned vertically, which I'm not too bothered about. It doesn't help with horizontal alignment, though On 07/09/2017 06:30

Re: Place text next to rehearsal mark, or with left edge over barline if there is none

On 09/07/17 17:24, caag...@gmail.com wrote: > As you can see on the screenshot, both texts are misaligned. The first > one, a \tempo, is placed *under* the rehearsal mark instead of next to > it. The second one, the name of a song, is too far too the right, since > it's attached to the note instead

Re: Place text next to rehearsal mark, or with left edge over barline if there is none

And this one for the second issue: \version "2.19.44" \paper { % First page spacing after header markup-system-spacing.padding = #6 % Subsequent page spacing after header top-system-spacing.minimum-distance = #18 % Spacing in between systems system-system-spacing.minimum-distance

Re: Place text next to rehearsal mark, or with left edge over barline if there is none

Hello caagr98, The second score in the example below can help you solve the first issue. JM. \version "2.17.19" { \markLengthOn \mark\default \tempo "This is a really long tempo mark" c''4 d'' e'' f'' \mark\default \tempo 4=60 g'' 1 } \score { << \new MarkLine { \m

Place text next to rehearsal mark, or with left edge over barline if there is none

As you can see on the screenshot, both texts are misaligned. The first one, a \tempo, is placed *under* the rehearsal mark instead of next to it. The second one, the name of a song, is too far too the right, since it's attached to the note instead of the barline (it's a <>^""). How can I move

Re: Extract notes from chords, with silence when there are none

On Thu, 17 Sep 2015, Gilles THIBAULT wrote: > So Chris, the last change you have to make in the code is to change > > line 73 (in \extractNote definition) > (extract-note music n)) > > by > > (extract-note (event-chord-wrap! music) n)) Assuming you mean me... I just found a message I thought I'd

Re: Extract notes from chords, with silence when there are none

> Wrap the whole expression in event-chord-wrap! before handling it. The > LSR issue is probably from before issue 2240 changed the representation > of single notes. > No, it is because "chord.ly" deals only with chords and keeps notes unchanged. But yes, event-chord-wrap! is a quick way here to

Re: Extract notes from chords, with silence when there are none

msk...@ansuz.sooke.bc.ca writes: > On Thu, 17 Sep 2015, msk...@ansuz.sooke.bc.ca wrote: >> On my first few attempt to load this page the server didn't respond, but >> it seems to work now, and yes, that looks like it does what I want. > > I spoke too soon: the code doesn't handle single notes (no

Re: Extract notes from chords, with silence when there are none

On Thu, 17 Sep 2015, msk...@ansuz.sooke.bc.ca wrote: > On my first few attempt to load this page the server didn't respond, but > it seems to work now, and yes, that looks like it does what I want. I spoke too soon: the code doesn't handle single notes (non-chords), so it's not a complete solutio

Re: Extract notes from chords, with silence when there are none

On Wed, 16 Sep 2015, Thomas Morley wrote: > Is my recent coding here: > http://www.lilypondforum.de/index.php?topic=2080.msg11479#msg11479 > of any help? On my first few attempt to load this page the server didn't respond, but it seems to work now, and yes, that looks like it does what I want. Tha

RE : Extract notes from chords, with silence when there are none

Provenance : Courrier pour Windows 10 > That's right. I just want any two notes that play simultaneously to be > returned by separate index values into the extraction function, and any > other index values to return something that will be silent (either a skip > or a rest). I don't want t

Re: Extract notes from chords, with silence when there are none

2015-09-16 17:20 GMT+02:00 : > On Wed, 16 Sep 2015, David Kastrup wrote: >> > Just to clarify, in the case of 3-voice music, how would you expect it to >> > deal with a 2 note chord? >> > >> > One note to Treble, one to Bass, or one in Treble, one in Alto, or... what? >> >> As I read him, he does

Re: Extract notes from chords, with silence when there are none

On Wed, 16 Sep 2015, David Kastrup wrote: > > Just to clarify, in the case of 3-voice music, how would you expect it to > > deal with a 2 note chord? > > > > One note to Treble, one to Bass, or one in Treble, one in Alto, or... what? > > As I read him, he does not care. First note anywhere, second

Re: Extract notes from chords, with silence when there are none

Chris Yate writes: > Just to clarify, in the case of 3-voice music, how would you expect it to > deal with a 2 note chord? > > One note to Treble, one to Bass, or one in Treble, one in Alto, or... what? As I read him, he does not care. First note anywhere, second note anywhere else, skip in the

Re: Extract notes from chords, with silence when there are none

Just to clarify, in the case of 3-voice music, how would you expect it to deal with a 2 note chord? One note to Treble, one to Bass, or one in Treble, one in Alto, or... what? Chris On 16 September 2015 at 13:07, wrote: > I'd like to take a passage of music that contains chords with differing

Extract notes from chords, with silence when there are none

I'd like to take a passage of music that contains chords with differing numbers of notes, and some single notes, and extract it into separate monophonic streams such that their union is the original passage. The application is to generate microtonal MIDI using pitch bend, which can only practicall

Re: Remove empty staves: whole group or none

Frank Steinmetzger writes: > Hello List > > I have a score here with two groups, the choir and soloists, i.e.: > > \new StaffGroup << > > \new ChoirStaff << > % Choir staves >>> > > \new ChoirStaff << > % Soloist staves >>> > >>> > > I want to hide empty staves to save some space, but

Remove empty staves: whole group or none

Hello List I have a score here with two groups, the choir and soloists, i.e.: \new StaffGroup << \new ChoirStaff << % Choir staves >> \new ChoirStaff << % Soloist staves >> >> I want to hide empty staves to save some space, but ideally I'd like to either hide a whole group or

Re: Error: \override DynamicTextSpanner.style = #'none

Ah yes thank you! -- View this message in context: http://lilypond.1069038.n5.nabble.com/Error-override-DynamicTextSpanner-style-none-tp145439p145442.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list

Re: Error: \override DynamicTextSpanner.style = #'none

xtSpanner.style = #'none \crescTextCresc c1\< | d | b | c\! } tarting lilypond 2.16.2 [lily-df2a164d.ly]... Processing `/home/shmk/Desktop/lily-df2a164d.ly' Parsing... /home/shmk/Desktop/lily-df2a164d.ly:30:37: error: syntax error, unexpected '=', expecting SCM_F

Re: Error: \override DynamicTextSpanner.style = #'none

\override DynamicTextSpanner.style = #'none this looks like 2.17... and later syntax! Eluse -- View this message in context: http://lilypond.1069038.n5.nabble.com/Error-override-DynamicTextSpanner-style-none-tp145439p145440.html Sent from the User mailing list archive at Nabbl

Error: \override DynamicTextSpanner.style = #'none

I am wanting to override the DynamicTextSpanner and I pulled the example straight from the lilypond website and it won't compile. Running 2.16.2 \paper { } \layout { } \header { } % begin verbatim \relative c'' { \override DynamicTextSpanner.style = #'none \cresc

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The following is an automatic acknowledgement of your email sent to [EMAIL PROTECTED] If you are submitting a technical support request, within one business day you should receive another email with an assigned technical support request tracking number. If your request is not for technical supp

Re: None

Kevin Cheng wrote: Does Lilypond do split hands? What do you mean? Take a look at the examples in http://lilypond.org/stable/input/test/out-www/test.html to get an idea of some of the capabilities of Lilypond. Also, how come Lilypond doesn't convert: Mariage D'Amour.mid properly. It doesn't look r

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Does Lilypond do split hands? Also, how come Lilypond doesn't convert: Mariage D'Amour.mid properly. It doesn't look right. http://www.7era.com/marklight/newmarklight/markmusic/mindmusic/mariage-d-amour.mid __ Do You Yahoo!? Everything you'll ever

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    I am a regular user of TeX, using the implementation AsTeX, and the editor WinEdt (version 1.41 d), which works fine. Could you tell me if it is possible to run  lilypond on my computer by adding a few files (.sty or others), without downloading the whole program? I am reluctant to install it