Jacques Menu Muzhic writes:
>> Le 17 août 2016 à 21:26, David Kastrup a écrit:
>>
>> Johan Vromans writes:
>>
>>> David Kastrup wrote:
>>>
... the change to let
c:5 exclude the third was introduced as late as version 2.19.28).
>>>
>>> Does that mean that there are no (regression)
BTW, how are such regression tests devised and organized?
JM
> Le 17 août 2016 à 21:26, David Kastrup a écrit :
>
> Johan Vromans writes:
>
>> David Kastrup wrote:
>>
>>> ... the change to let
>>> c:5 exclude the third was introduced as late as version 2.19.28).
>>
>> Does that mean that t
Johan Vromans writes:
> David Kastrup wrote:
>
>> ... the change to let
>> c:5 exclude the third was introduced as late as version 2.19.28).
>
> Does that mean that there are no (regression)tests for musicxml2ly?
Probably not enough.
--
David Kastrup
_
David Kastrup wrote:
> ... the change to let
> c:5 exclude the third was introduced as late as version 2.19.28).
Does that mean that there are no (regression)tests for musicxml2ly?
___
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On Wed, 17 Aug 2016 14:15:02 +0200
David Kastrup wrote:
> Well, musicxml2ly.py presumably also generates a \version header, and
> running convert-ly on the resulting file possibly fixes a number of
> those problems (even though it complicates the rules, the change to let
> c:5 exclude the third w
Johan Vromans writes:
> Johan Vromans wrote:
>
>> is translated into
>>
>> d:m5
>>
>> and apparently not understood -- lilypond renders it as a major D chord
>> without warning.
>
> The code in musicxml2ly.py does, indeed, generate :m5 for minor.
>
> Surprisingly, the NR, A.2 Common chord mo
Johan Vromans wrote:
> is translated into
>
> d:m5
>
> and apparently not understood -- lilypond renders it as a major D chord
> without warning.
The code in musicxml2ly.py does, indeed, generate :m5 for minor.
Surprisingly, the NR, A.2 Common chord modifiers, reads:
Major Major third,
Hi,
In the attached XML, the minor D chord
D
minor
is translated into
d:m5
and apparently not understood -- lilypond renders it as a major D chord
without warning.
Dm(maj7) becomes d:maj7m5.
A similar thing happens to half-diminished chords
