Sorry, rubbish. Not standard musical praxis. Think about it – you would often
have to have all notes on the right or left. One never sees this.
The dispostiion of notes either side of the stem is for clarity of reading to
avoid overlap. Pure and simple.
But … there are contemporary composers w
On Sat, 2016-04-09 at 00:13 +0200, Simon Albrecht wrote:
> Don’t forget to always edit the subject line :-)
> Replying to individual e-mails instead of digests would be even better,
> since this will allow sorting by thread.
>
> Best, Simon
My apologies. Sometimes I remember. But 'always' is m
On 08.04.2016 22:38, Alberto Simões wrote:
Hi
This is not exactly a Lilypond doubt...
but imagine a chord, in a left hand piano piece, with
Lilypond will eventually put c and g at the left of the note stem, and
d and a at the right (what it does exactly is not relevant for the
question).
Hi
This is not exactly a Lilypond doubt...
but imagine a chord, in a left hand piano piece, with
Lilypond will eventually put c and g at the left of the note stem, and d
and a at the right (what it does exactly is not relevant for the question).
The question is:
is the side of the note rel
