>> The pitch to use for \transposition should correspond to the real
>> sound heard when a c' written on the staff is played by the
>> transposing instrument. This pitch is entered in absolute mode, so an
>> instrument that produces a real sound which is one tone higher than
>> the printed music s
The LPNR:
The pitch to use for |\transposition| should correspond to the real
sound heard when a |c'| written on the staff is played by the
transposing instrument. This pitch is entered in absolute mode, so an
instrument that produces a real sound which is one tone higher than
the printed m
Jacques Menu writes:
>> Le 1 mai 2019 à 10:01, David Kastrup a écrit :
>>
>> Jacques Menu writes:
>>
>>> Unfortunately, \transposition can only be used when the notes are written
>>> in «
>>> instrument » pitch, not concert pitch.
>>
>> Says who?
>
> The LPNR:
>
> The pitch to use for \tran
> Le 1 mai 2019 à 10:01, David Kastrup a écrit :
>
> Jacques Menu writes:
>
>> Unfortunately, \transposition can only be used when the notes are written in
>> «
>> instrument » pitch, not concert pitch.
>
> Says who?
The LPNR:
The pitch to use for \transposition should correspond to the r
Hi,
Am 01.05.19 um 09:55 schrieb Jacques Menu:
Unfortunately, \transposition can only be used when the notes are
written in « instrument » pitch, not concert pitch. BTW, it could be
better named as something like \transposingInstrument, it seems.
I started by writing the code to obtain the sa
Jacques Menu writes:
> Unfortunately, \transposition can only be used when the notes are written in «
> instrument » pitch, not concert pitch.
Says who?
> BTW, it could be better named as something like
> \transposingInstrument, it seems.
Why?
> I started by writing the code to obtain the sam
Unfortunately, \transposition can only be used when the notes are written in «
instrument » pitch, not concert pitch. BTW, it could be better named as
something like \transposingInstrument, it seems.
I started by writing the code to obtain the same score as the manuscript I’m
using, where the f
David Kastrup writes:
> Jacques Menu writes:
>
>> Thanks Lukas and Aaron for your help.
>>
>> In fact, my use case is merely to listen to the MIDI file from within
>> Frescobaldi, to ear-proof the score. I don’t have any MIDI equipment,
>> and organ sound is fine for that purpose.
>>
>> I got th
Jacques Menu writes:
> Thanks Lukas and Aaron for your help.
>
> In fact, my use case is merely to listen to the MIDI file from within
> Frescobaldi, to ear-proof the score. I don’t have any MIDI equipment,
> and organ sound is fine for that purpose.
>
> I got the surprise that transposing a voic
Hi Aaron,
just a question: Did you set "\transposition a"?
(http://lilypond.org/doc/v2.19/Documentation/notation/displaying-pitches.html#instrument-transpositions)
HTH
Jan-Peter
Am 30.04.19 um 09:33 schrieb Jacques Menu:
> Thanks Lukas and Aaron for your help.
>
> In fact, my use case is merely
Thanks Lukas and Aaron for your help.
In fact, my use case is merely to listen to the MIDI file from within
Frescobaldi, to ear-proof the score. I don’t have any MIDI equipment, and organ
sound is fine for that purpose.
I got the surprise that transposing a voice for the oboe d’amore in A, in
On 2019-04-29 9:28 am, Jacques Menu wrote:
Hello,
I find oboe and french horn, but no oboe d’amore in A.6 MIDI
instruments.
Which other setting can I use for this instrument in A?
General MIDI does not define such an instrument in the standard, and
neither did GS nor XG. In fact, the reed
Hi Jacques,
I find oboe and french horn, but no oboe d’amore in A.6 MIDI instruments.
Which other setting can I use for this instrument in A? There’s no clarinet in
A either.
To be honest, I fail to see the relation between the transposition of an
instrument and the MIDI instruments to be u
Hello,
I find oboe and french horn, but no oboe d’amore in A.6 MIDI instruments.
Which other setting can I use for this instrument in A? There’s no clarinet in
A either.
Thanks for your help!
JM
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