On Sun, Nov 23, 2014 at 10:33 PM, Peter Chubb
wrote:
> My point I think is that the structure is the structure of the voice,
> not the structure of the staff. Which is why, BTW, the MIDI repeats
> don't unfold.
>
> Visibly the structure voice shows the repeats, but the repeats aren't
> actually
> "Michael" == Michael Ellis writes:
Michael> On Sun, Nov 23, 2014 at 4:46 PM,
Michael> wrote:
>> What's more, is there a reason to have the structure in a different
>> voice?
Michael> Good question. For me, it's mostly about the DRY principle
Michael> (don't repeat yourself). I'm in the p
On Sun, Nov 23, 2014 at 4:46 PM, wrote:
> What's more, is there a reason to have the structure in a different
> voice?
>
>
>
Good question. For me, it's mostly about the DRY principle (don't repeat
yourself). I'm in the process of writing a program that tries to maximize
one's opportunities t
> "Michael" == Michael Ellis writes:
>>
>>
>> Well, in this case you don't have any conflicting music in the two
>> Voice contexts (because the \structure isn't a printed music
>> voice). So you can simply leave out the \voiceXXX commands and
>> you're ready.
What's more, is there a reas
On Sat, Nov 22, 2014 at 11:16 AM, Urs Liska wrote:
>
>
> Well, in this case you don't have any conflicting music in the two Voice
> contexts (because the \structure isn't a printed music voice).
> So you can simply leave out the \voiceXXX commands and you're ready.
>
> using \voiceOne and \voiceT
Am 22.11.2014 17:12, schrieb Michael Ellis:
I have another question that's somewhat related. If my example
contained notes above the middle line, you would notice that the stem
directions would still be up because I designated \music as \voiceOne
and \structure as \VoiceTwo.
music = \r
On Wed, Nov 19, 2014 at 10:54 AM, Michael Ellis
wrote:
>
>
>
> I find it advantageous when working with multiple voices to keep
> 'structural' information (meter, tempo, etc.) in a separate voice that gets
> combined with the other voices as illustrated in the image and code below.
> In this ex
I find it advantageous when working with multiple voices to keep
'structural' information (meter, tempo, etc.) in a separate voice that gets
combined with the other voices as illustrated in the image and code below.
In this example, the pdf layout is correct and the MIDI output honors the
tempo c
