input to lyrics.
to be honest, i tried it, and i'm back now to "normal" input with one file
for every voice/lyric/dynamics/...
but maybe your aproach will find approvers!
regards
Eluze
--
View this message in context:
http://old.nabble.com/Mixing-notation-and-lyric-entry-tp30
nd can fix the ones I do make
>> > faster if the lyrics are close to the notation. As it is now, I have
>> > to re-enter (cut, paste & edit) the lyrics in a separate \lyricmode
>> > block. Any suggestions for how to write the \withLyrics function? Or
>> > is
g clean solution I haven't found yet?
> >
> > Thanks,
> > Mike
> >
> >
>
> imo it is a question of synchronising & visualising the input of 2 ore more
> "voices" (in a general way)
>
> one way is to put both in a table, the first r
zed files (in vertical scrolling); that
way you could have the melody in the left and the lyric text in the right
window (which are both included somewhere in your main score).
(of course you can also use one line per measure)
hope these ideas are helpful!
Eluze
--
The following does what I want but requires explicit variables that have to
be manually concatenated. There's got to be a way to reduce the overhead.
After all, Scheme is the most powerful language in the known universe,
right?
\include "english-solfa.ly" % english.ly modified to include solfa s
2010/12/15 Michael Ellis >
> Jan Warchol wrote "I don't know how it could be done, and i strongly
> recommend not doing
> this. Separating different types of content is in my opinion very
> beneficial"
> I agree that separating content is useful. As you point out, it allows one
> to easily recom
Jan Warchol wrote "I don't know how it could be done, and i strongly
recommend not doing
this. Separating different types of content is in my opinion very
beneficial"
I agree that separating content is useful. As you point out, it allows one
to easily recombine it in various formats. It's just t
Hi,
2010/12/14 Michael Ellis :
> Is there a clean way to enter a phrase followed by the corresponding notes
> in a \relative block? The example given in the docs,
>
> {
> \time 3/4
> \relative c' { c2 e4 g2. }
> \addlyrics { play the game }
> }
>
> is fine for a small example, but it gets m
> "Michael" == Michael Ellis writes:
Michael> Any suggestions for how to write the \withLyrics function?
Michael> Or is there an existing clean solution I haven't found yet?
I always used to wish for that, and then I figured out how to use
point-and-click and I don't need it any more
Is there a clean way to enter a phrase followed by the corresponding notes
in a \relative block? The example given in the docs,
{
\time 3/4
\relative c' { c2 e4 g2. }
\addlyrics { play the game }
}
is fine for a small example, but it gets messy for longer music. I
do a lot of transcribin
On September 13, 2004 11:12 am, Mats Bengtsson wrote:
> In most scores, such a melisma (that you sing one syllable to several
> notes) is typeset with a slur or possibly a beam over the corresponding
> notes. LilyPond knows about these conventions, but if you want a
> melisma without a correspondin
Aaron Dalton wrote:
I am brand new to Lilypond and am having a heck of a time getting lyrics to
render properly. I have 2 questions:
1) I want to line up the words "Agnus Dei" under a certain set of notes. So
far the only way I have been able to properly align the syllables "De-i" is
using 3
I am brand new to Lilypond and am having a heck of a time getting lyrics to
render properly. I have 2 questions:
1) I want to line up the words "Agnus Dei" under a certain set of notes. So
far the only way I have been able to properly align the syllables "De-i" is
using 3 dashes (see source b
[EMAIL PROTECTED] writes:
> Is there a simple solution for forcing punctuation to appear at the end
> of a melisma? I have only been able to do this by specifying the
> note/time value of each syllable; not only is the method cumbersome,
> but it also produces incomplete melismas. (I am using v2
[EMAIL PROTECTED] writes:
> Is there a simple solution for forcing punctuation to appear at the end
> of a melisma? I have only been able to do this by specifying the
No.
> note/time value of each syllable; not only is the method cumbersome,
> but it also produces incomplete melismas. (I am us
Is there a simple solution for forcing punctuation to appear at the end
of a melisma? I have only been able to do this by specifying the
note/time value of each syllable; not only is the method cumbersome,
but it also produces incomplete melismas. (I am using v2.1.8 with Mac
OS 10.2.8, installe
16 matches
Mail list logo
