This seems a bit related:
https://lists.gnu.org/archive/html/lilypond-auto/2014-04/msg00064.html
And this:
http://notat.io/viewtopic.php?t=170
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At 19:23 16/11/2016 +0100, Joram Noeck wrote:
Still, I would not over-interpret Behind Bars. If Gould states it
explicitly: ok, but the examples are also done with some program, I
guess. In case there is a detail she does not care enough, there can
be cases where she accepts the program's defau
m
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Hi,
I think we had some discussion about this on this list in the last 5 (?)
years.
My aesthetic feeling would like to centre-align them.
Still, I would not over-interpret Behind Bars. If Gould states it
explicitly: ok, but the examples are also done with some program, I
guess. In case there is
On Wed, 2016-11-16 at 14:03 +0100, Karol Majewski wrote:
> In traditional engraving note heads are aligned to their left. Take a
> look at this excerpt from Monnlight Sonata by Henle Verlag.
I've looked at my own copy of the same piece - different edition - and
the notes are aligned just as you sa
HI David,
But if you want to override it:
<<
{
\once \override Voice.NoteColumn.force-hshift = #0.1 % value by trial and
error
d'4 b'2.\rest
}
\\
{ b1 }
>>
Andrew
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Hi David,
I would have thought this is correct.
Andrew
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In traditional engraving note heads are aligned to their left. Take a look at
this excerpt from Monnlight Sonata by Henle Verlag.
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\version "2.19.48"
\language "english"
<< { d'4 b'2.\rest }
\\
{ b1 }
>>
The above bar occurs in a piece I have set in Lilypond and that I am
currently correcting.
The crotchet d in the upper voice and the semibreve b in the lower
appear to be vertically aligned at their left edges, a
