Mats Bengtsson wrote:
Daniel Ashton wrote:
Is there a way to lengthen the measure when using this technique? The
hairpins so produced appear to be short and fat. I would like to
extend the measure so that the hairpins look more natural.
Just set the minumum-length property of the hairpin:
\p
On Tuesday 25 February 2003 01:14 pm, Daniel Ashton wrote:
> Graham Percival wrote:
> > OK... doesn't your skips example work? I'm not certain what your
> > question is... does this: | <{d2.( )c4} {s4\< \!s4 s4\> \!s4}>|
> > work?
>
> Excellent! You showed me how to combine the skips with real
Daniel Ashton wrote:
...
Is there a way to lengthen the measure when using this technique? The
hairpins so produced appear to be short and fat. I would like to extend
the measure so that the hairpins look more natural.
Just set the minumum-length property of the hairpin:
\property Staff.Hairpi
Graham Percival wrote:
> OK... doesn't your skips example work? I'm not certain what your
> question is... does this: | <{d2.( )c4} {s4\< \!s4 s4\> \!s4}>| work?
Excellent! You showed me how to combine the skips with real notes,
which gives me the control I was seeking. This is also useful whe
On Fri, 21 Feb 2003 12:27:22 -0500
Daniel Ashton <[EMAIL PROTECTED]> wrote:
> I need to set cresc/decresc hairpins to begin and end in the middle of a
> measure.
>
>| d2.( )c4 |
>
> I want the vocalist to crescendo to beat 3, then decrescendo to the end
> of the bar.
>
> Using skips, I thi
Greetings,
I need to set cresc/decresc hairpins to begin and end in the middle of a
measure.
For example, in this measure
| d2.( )c4 |
I want the vocalist to crescendo to beat 3, then decrescendo to the end
of the bar.
Using skips, I think I would write it like this:
| s4\< \!s4 s4\> \
