You wrote:
> This is how I have worked with scores. All parts written in main key
> then use transpose in \bookpart output section.
>>
> I've written a few arrangement leadsheets, and being able to use
> transpose like this on performer request is, well, brilliant. A few
> edits, re-engrave, a
This is how I have worked with scores. All parts written in main key then
use transpose in \bookpart output section. This allows midi output for all
parts in same key for audio review and PDF output for instrumentalists in
proper key for their instrument. If you use variables for your parts (e.g.,
Aaron wrote:
>
> You could use multiple \books along with \bookOutputSuffix:
>
Many thanks! I haven't played with that part of this amazing program
yet. Off to explore...
.. m.
On 2021-05-17 5:43 pm, Mark Probert wrote:
Hi.
I'm not quite sure how to ask this, so please bear with me. Right now
I'm having fun doing jazz lead sheets (for which lilypond is a
fantastic tool--lilyjazz is fantastic! thank you!). What I find I'm
doing is creating a "concert" version, then maki
Hi.
I'm not quite sure how to ask this, so please bear with me. Right now
I'm having fun doing jazz lead sheets (for which lilypond is a
fantastic tool--lilyjazz is fantastic! thank you!). What I find I'm
doing is creating a "concert" version, then making a bes version, then
a ees version (I
