Hi Stefan, hi Lukas,
I think it might be reasonable to directly annotate the Slurs instead. This
allows for nice placement, see the appended example.
Cheers,
Valentin
Am Montag, 30. Mai 2022, 08:17:58 CEST schrieb Stefan E. Mueller:
> Hi Lukas,
>
> yes, that is what I need, I can take it from
Hi Lukas,
yes, that is what I need, I can take it from there - many thanks for the
quick response and solution, and the explanations!
Stefan
--
Stefan E. Mueller
stefan.e.muel...@gmx.de
On Sun, 29 May 2022, Lukas-Fabian Moser wrote:
Hi Stefan,
Am 29.05.22 um 22:42 schrieb Stefan E.
Hi Stefan,
Am 29.05.22 um 22:42 schrieb Stefan E. Mueller:
I am not sure yet what the difference between a scheme-function and a
music-function is (the second example seems to work whichever definition
is chosen).
A music function must return music, a scheme function can return more
general exp
Hi Lukas,
many thanks for your quick answer. Obviously, things are more complex
than I thought.
Both of your solutions work for the problem, I tend to be more inclined
towards the second one. But I still have to understand better what is going
on here.
I am not sure yet what the difference betw
Hi Stefan,
please try to always give a compilable examle, otherwise people have to
collect your ideas from your mail bit by bit :).
You could use an event-function; these are made for postfix use (i.e.
after the respective note):
\version "2.22"
ho = #(define-event-function
(spacing
When notating guitar music, I use a slur with a markup to indicate
hammer-ons, pull-offs, slides or bendings, like in this example:
\new Staff {
e''8^(^\markup {\halign #-1.5 ho} f''8)
}
I'd like to define a scheme function for the slur and markup, such that I
can write
\new Staff {
e''8 \ho f'
to strum a chord more quickly but with the hand over the fretboard
>> (producing a more resonant sound quality).
>>
>> Are there established markings for such performance directives? I have
>> searched for guitar notation examples that might indicate something o
t; instrument (producing a drier sound quality), and then in the final measure
> to strum a chord more quickly but with the hand over the fretboard
> (producing a more resonant sound quality).
>
> Are there established markings for such performance directives? I have
> searched for
, and then in
the final measure to strum a chord more quickly but with the hand over
the fretboard (producing a more resonant sound quality).
Are there established markings for such performance directives? I have
searched for guitar notation examples that might indicate something of
this n
Hi Pierre, Federico,
thanks!
--
Orm
Am Dienstag, den 02. Dezember 2014 um 08:58:47 Uhr (+0100) schrieb Pierre
Perol-Schneider:
> Oups, space's missing.
> So, again, try
>
>
> 2014-12-02 7:21 GMT+01:00 Pierre Perol-Schneider <
> pierre.schneider.pa...@gmail.com>:
>
> > Hi Orm, hi Federico,
>
Oups, space's missing.
So, again, try
2014-12-02 7:21 GMT+01:00 Pierre Perol-Schneider <
pierre.schneider.pa...@gmail.com>:
> Hi Orm, hi Federico,
>
> Try :
>
>
>
>
> Cheers,
>
> Pierre
>
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lilypond-user@gnu.org
https://li
Hi Orm, hi Federico,
Try :
Cheers,
Pierre
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Il giorno lun 1 dic 2014 alle 23:20, Orm Finnendahl
ha scritto:
Hi,
in the following example, the "m" is printed above the beam whereas
all other right hand fingerings are notated below the beam. Is this
related to the larger size of the letter "m"? Can someone shed a light
on this and how th
Hi,
in the following example, the "m" is printed above the beam whereas
all other right hand fingerings are notated below the beam. Is this
related to the larger size of the letter "m"? Can someone shed a light
on this and how this could be avoided?
--
Orm
%<---
¿Do you have an example of what that looks like?
2008/2/5, Lukas Mayer <[EMAIL PROTECTED]>:
>
> Is there a funktion for "cross/t handles" ("Quergriff" in German)?
> It is very important but i didn't find it.
>
> Thx
> Lukas Mayer
>
>
>
> ___
> lilypond-u
Is there a funktion for "cross/t handles" ("Quergriff" in German)?
It is very important but i didn't find it.
Thx
Lukas Mayer
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Hello Allan,
there is the possibility to set up a makro in order to get the required
barre notation. At the beginning of your file (after the /version line)
you insert the following lines:
barre = #(def-music-function (barre location str music) (string?
ly:music?)
(let ((spanned-mus
Hi all, I am having a little trouble engraving some classical guitar
sheets. I am trying to edit some sheets and they have the notation
showed at the jpg attached. I search lilypond documentation and
haven´t found anything like that ( the C3 above the sheet ). Does
someone can help me with that ?
Jannik Jeppesen wrote:
Hi again.
That is probably what I was looking for.
Can you tell me what exactly this meens?
---
\with{\override VerticalAxisGroup #'minimum-Y-extent = #'(-1.2 . 8.0)}
\lyricmode {
If you remove that line, you will notice that the chord names
are printed just edge to e
Popular question today! Bertalan Fodor just answered the same question
in another thread. Look at the example called "lyric-hyphen-retain.ly"
in the Regression Tests document.
/Mats
Jannik Jeppesen wrote:
Hi...
I added the code, and it helped. But can I somehow change the space
between the
Am 15. März 2006, 23:15 Uhr (+0100) schrieb Jannik Jeppesen:
> Hi...
> I added the code, and it helped. But can I somehow change the space between
> the diagrams by using the code ragged-right = ##t?
No, you can't use ragged-right for that purpose. You have to insert
some padding between the diag
Hi...
I added the code, and it helped. But can I somehow change the space between
the diagrams by using the code ragged-right = ##t?
So you say that it is impollible to have 2 diagrams in one line, with
only
one cm space between
And in the next line have four diagrams with also one cm space
Jannik Jeppesen wrote:
Ok one more question...
Why is there less space between chord name and diagram in the G
chords, that there is in the other chords when it now is specified
with the following code? As I see it it also is in C an B that
meens every second line any idea?
Ma
> So you say that it is impollible to have 2 diagrams in one line, with only
> one cm space between
> And in the next line have four diagrams with also one cm space between?
> Thats what I am looking for... Very sad, if it is not possible...
Try putting this somewhere into your layout definition:
Ok one more question...
Why is there less space between chord name and diagram in the G chords, that
there is in the other chords when it now is specified with the following
code? As I see it it also is in C an B that meens every second line
any idea?
\with{\override VerticalAx
To: "Jannik Jeppesen" <[EMAIL PROTECTED]>
Cc:
Sent: Wednesday, March 15, 2006 8:46 PM
Subject: Re: Guitar notation
Jannik Jeppesen wrote:
Hi again.
That is probably what I was looking for.
Can you tell me what exactly this meens?
---
\with{\override VerticalAxisGro
Hi again.
That is probably what I was looking for.
Can you tell me what exactly this meens?
---
\with{\override VerticalAxisGroup #'minimum-Y-extent = #'(-1.2 . 8.0)}
\lyricmode {
---
And then please look at my following file. (Sorry it is so long, just to let
you get an idea of my prob)
1.
Jannik Jeppesen wrote:
I will use my EPS files to the following.
I am making a guitar book, and shall make 2 pages with fret diagrams:
how to make open chords,
how to make barré chords
So i want it to say the chord name, and then the diagram under it, and
nothing else.
Could anyone help me
I will use my EPS files to the following.
I am making a guitar book, and shall make 2 pages with fret diagrams:
how to make open chords,
how to make barré chords
So i want it to say the chord name, and then the diagram under it, and
nothing else.
Could anyone help me getting started on this?
It's possible to have a stand-alone \markup{...} in a .ly file, so one
possibility would be to make a .ly file with
\markup{ \fret-diagram #"6-x;5-x;4-o;3-2;2-3;1-2;"
\fret-diagram #"6-x;5-x;4-o;3-1;2-1;1-3;"
...
}
For your second question, did you read the section on Arpeggio?
/Mats
Quo
Hi all..
How do I whrite
A score with only fret diagrams?
I can only figure out to use the "^\markup
\fret-diagram" command...
And Is it possible to whrite arrows to show
strumming on the guitar?
All for now...
\Jannik
___
lilypond-user
I cannot speak for others, but for myself I can say the resason is - I
didn't check all that thoroughly before asking the question. Mia Culpa
The queston was rather why they found it so hard to find the
information in the manual. ;-)
/Mats
_
You know the old joke:
How do you make a guitarist play quieter and slower? Give him sheet music.
From: "Thomas Scharkowski" <[EMAIL PROTECTED]>
To: lilypond-user@gnu.org
Subject: Re: Guitar notation
Date: Thu, 17 Nov 2005 13:02:59 +0100
>
> > ...plus you need to ch
Thomas Scharkowski wrote:
...plus you need to change the clef to a treble cleff with an "8"
beneath the loop - but I haven't found that clef yet.
I can't understand why several people ask this question.
Because they are guitarists?
:-)
SCNR
The queston was rather why they fo
Well look at that, there it is right at the top of page 85 in the PDF. My
apologies Mats - I'll change my template.
\clef "G_8"
From: Mats Bengtsson <[EMAIL PROTECTED]>
To: Vaylor Trucks <[EMAIL PROTECTED]>
CC: [EMAIL PROTECTED], lilypond-user@gnu.org
Subject: Re
>
> > ...plus you need to change the clef to a treble cleff with an "8"
> > beneath the loop - but I haven't found that clef yet.
>
> I can't understand why several people ask this question.
Because they are guitarists?
:-)
SCNR
Thomas (guitarist)
_
...plus you need to change the clef to a treble cleff with an "8"
beneath the loop - but I haven't found that clef yet.
I can't understand why several people ask this question. It's included
as an
example in the section entitled "Clef", can you propose any way to make
it even easier to find?
dnesday, November 16, 2005 10:54 PM
Subject: RE: Guitar notation
Here is the template I use for a combination chords / standard / tab
staff - with the A minor pentatonic scale starting on the 5th fret.
\version "2.6.0"
\header
{
title = "A minor pentatonic scale"
7;
\context Staff << \gtr >>
}
...plus you need to change the clef to a treble cleff with an "8" beneath
the loop - but I haven't found that clef yet.
From: "Jannik Jeppesen" <[EMAIL PROTECTED]>
To:
Subject: Guitar notation
Date: Wed, 16 Nov 2005
see the manual, section 7.5.
here another working example:
%%
\version "2.7.10"
pentatonic = \relative c
{
a\6 c\6 d\5 e\5 g\4 a\4 c\3 d\3 e\2 g\2 a c
% alternatively this also works:
% \set TabStaff.minimumFret = #5
% a c d e g a c d e
{
a1:m
}
% - SCORE -
\score
{
<<
\context ChordNames = chords \chordline
\context Staff = guitar \guitar
\context TabStaff = guitar \guitartab
>>
\layout { }
\midi { \tempo 4=120 }
}
From: &qu
Hi.
Is there anyone who can send me an example on a a blues scale with tab
starting on 5. fret? (or somthing similar)
I really cant figure out how to tell lilypond exactly where to specify the
tab...
Please.
Jannik
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lilypond-user mailing
Did you look in the section on Clefs in the manual?
/Mats
Kai Gorlich wrote:
Hi all,
first of all many thanks for this great software.
In classcial guitar notation the clef C bears an 8 directly attached to it to
show that the instrument is noted an octave lower than it sounds. Is there
Hi all,
first of all many thanks for this great software.
In classcial guitar notation the clef C bears an 8 directly attached to it to
show that the instrument is noted an octave lower than it sounds. Is there a
clef in the repository?
I managed to work out the fingering but is there a way
On 28-May-05, at 6:54 AM, Allan Spagnol Comar wrote:
Hi All, I am a newby lilypond user and a classical guitar player, I
was looking for guitar bar notation and I didn't find anywere; I find
the textspanner that Is almost what I want, but textspanner seams to
have just - - - - notation and bor
Hi All, I am a newby lilypond user and a classical guitar player, I
was looking for guitar bar notation and I didn't find anywere; I find
the textspanner that Is almost what I want, but textspanner seams to
have just - - - - notation and bor bar should be a continue line.
does someone know another
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