> > Is there a way to specify a fixed measure width throughout a piece,
> > or more prefereably have all the measures on a line be the same
> > width? Many fake/real books are written out this way, and I would
> > like to be able to duplicate this.
You could put 8 8ths or 16 16ths or whatever it t
Jennifer Clark wrote:
Just last week, I had a job with a local jazz ensemble (I'm a (french)
horn player, so this is pretty uncommon) and had to transpose a couple
parts, so since I was already punching out parts with lilypond, I copied
one piece that was so badly done in finale that I could barel
> Just last week, I had a job with a local jazz ensemble (I'm a (french)
> horn player, so this is pretty uncommon) and had to transpose a couple
> parts, so since I was already punching out parts with lilypond, I copied
> one piece that was so badly done in finale that I could barely read it. I
>
Thanks for your answer, and for the explanation about copyediting, (I
didn't know and I think you are right).
In my message,I was just thinking about the specific hand-written real
books layout that condenses in the same paper both theme and chord
changes and I was thinking about a musical motiv
On 13-Sep-04, at 12:39 PM, D Josiah Boothby wrote:
The workaround Graham pointed out shows that with lilypond, the task
of imitating a convention which seems to be fairly straightforward
shows itself to be fairly difficult to implement.
I wouldn't call it difficult -- unintuitive, perhaps, but no
I wouldn't call it difficult -- unintuitive, perhaps, but not difficult.
Definitely a better way to describe it.
Josiah
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, 4+4 or
16+16 melodic/harmonic structures, and play them immediatly, maybe only
looking at the chord changes, this specific layout is really useful, based on
the music.
Yes and no. It is bad typography, but it is also great copyediting. The
convention of fixed measure widths is one which
Hi!
I think that the problem of mainstream jazz notation cannot be resolved
simply answering that it's bad tipography: is simply a kind of notation
that needs some different layout according to a precise musical
practice: if one has to play in a gig lots of compositions that are
based on 8+8,
On 10-Sep-04, at 1:36 PM, Matthew Schulkind wrote:
Is there a way to specify a fixed measure width throughout a piece, or
more prefereably have all the measures on a line be the same width?
Many fake/real books are written out this way, and I would like to be
able to duplicate this.
As Han said, th
[EMAIL PROTECTED] writes:
> Sorry if this has been answered before, but I could not find it in the archive.
>
> Is there a way to specify a fixed measure width throughout a piece, or
> more prefereably have all the measures on a line be the same width?
> Many fake/real books are written out this w
Sorry if this has been answered before, but I could not find it in the archive.
Is there a way to specify a fixed measure width throughout a piece, or
more prefereably have all the measures on a line be the same width?
Many fake/real books are written out this way, and I would like to be
able to d
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