Mats Bengtsson ee.kth.se> writes:
> One possible trick is to move the mark engraver from the score level to each
> stave and then include the ordinary rehearsal marks as well as the
> fermata above
> the system only in the top stave of the score and the downwards fermata
> only in
> the bottom
One possible trick is to move the mark engraver from the score level to each
stave and then include the ordinary rehearsal marks as well as the
fermata above
the system only in the top stave of the score and the downwards fermata
only in
the bottom stave of the score. Example:
\version "2.10.0
Fermatas over and under the last bar in a (conductors-) score have kind of the
opposite meaning of 'attacca' in the scores where I have seen it. At least it
marks the end of a logical musical theme/temper, typically at the end of a
movement.
My solution looks like this:
endFermata =
#(define-m
Graham Percival gmail.com> writes:
> Please read section 8.1.3 Text marks.
>
> Cheers,
> - Graham
Thanks Graham - sorry to have missed that. The section does not deal with the
issue of getting the second fermata under the last double bar though.
Jonathan
___
Jonathan Henkelman wrote:
I am trying to typeset a piece of music that has a fermata above and below the
final double barline. I have come across the \mark command in the manual, but
am having difficulty getting it to work when there are no notes after it.
Does anyone have any hints on how to
I am trying to typeset a piece of music that has a fermata above and below the
final double barline. I have come across the \mark command in the manual, but
am having difficulty getting it to work when there are no notes after it.
Does anyone have any hints on how to typeset this? Does anyone
