Hello,
Le 12/01/2023 à 20:01, NickS a écrit :
Personally I certainly much prefer vector formats, as these scale much
better in documents, are more editable if customisation is required,
and they can easily be batch-converted into raster formats of the
required resolution if needed.
My main u
I also thank you for asking.
Best wishes,
Nick
On Tuesday, 10 January 2023 at 22:23:53 GMT, Jean Abou Samra
wrote:
Hi,
This is a little call for feedback, especially from users of the \epsfile
markup command. (To be clear, I'm not speaking "in the name of the
development
te
ad to hear about this! Both PNG and SVG would be very nice additions.
Best,
Abraham
On Tue, Jan 10, 2023 at 3:23 PM Jean Abou Samra mailto:j...@abou-samra.fr>> wrote:
Hi,
This is a little call for feedback, especially from users of the
\epsfile
markup command. (To be clear,
most users.
>>
>> Glad to hear about this! Both PNG and SVG would be very nice additions.
>>
>> Best,
>> Abraham
>>
>> On Tue, Jan 10, 2023 at 3:23 PM Jean Abou Samra > <mailto:j...@abou-samra.fr>> wrote:
>>
>>Hi,
>>
>
This is a little call for feedback, especially from users of the
\epsfile
markup command. (To be clear, I'm not speaking "in the name of the
development
team", just in my name.)
Over the past year and a half, LilyPond has gained a new output
backend based on th
Le 10/01/2023 à 23:35, Abraham Lee a écrit :
If I had a vote, and if PDF really can be seamlessly converted
Yes, it can.
pdf2svg in.pdf out.svg
(https://manpages.ubuntu.com/manpages/impish/man1/pdf2svg.1.html)
In the opposite direction:
rsvg-convert in.svg -f pdf -o out.pdf
The only cavea
Jean Abou Samra wrote:
> Hi,
>
> This is a little call for feedback, especially from users of the \epsfile
> markup command. (To be clear, I'm not speaking "in the name of the
> development
> team", just in my name.)
>
> Over the past year and a half, Lil
Hi,
This is a little call for feedback, especially from users of the \epsfile
markup command. (To be clear, I'm not speaking "in the name of the
development
team", just in my name.)
Over the past year and a half, LilyPond has gained a new output
backend based on the Cairo g
Jean Abou Samra wrote:
[Robin]
The stroke width I see is 1px (Firefox at 100%). This makes the
stroke dominated by edge effects; the surrounding white dilutes its
colour.
Do the WCAG recommendations recognise this? If not, please don't
apply their levels to this case.
I don't know. I am
Hello Paul,
The documentation does not specify any fonts. It simply uses the and
tags. That means that the fonts used are whatever font your
browser chooses as default font, which on Windows systems appears to be
Courier for monospace and apparently in your case Georgia for the regular
text.
Le 04/01/2022 à 11:35, Thomas Morley a écrit :
Am Di., 4. Jan. 2022 um 11:15 Uhr schrieb Paul McKay :
Hi
Speaking as someone whose eyesight isn't quite as good as it used to be,
Same problem here
I'd like to suggest that anything in a colour is also in bold so that there are
enough pixels fo
Perhaps a good strategy would be to initially enable the feature for
an entire release cycle. This gets folks using it and providing
feedback. Most of the discussion so far has been limited in scope so
it is hard to know if the system works well over the entire manual and
for day-to-day usage.
Le 04/01/2022 à 00:33, David Kastrup a écrit :
Flaming Hakama by Elaine writes:
In this sense, it seems like the place that has the most potential use
for helping people distinguish different data types is where the
syntax is the most complicated and dense, which is in music entry.
The abilit
ally enable the feature for an
entire release cycle. This gets folks using it and providing feedback.
Most of the discussion so far has been limited in scope so it is hard to
know if the system works well over the entire manual and for day-to-day
usage.
I would not be surprised if some creative fo
[Aaron]
On 2022-01-04 11:32 am, Jean Abou Samra wrote:
Always best to consult a lawyer on legal matters.
The wife of my cousin is actually a lawyer.
Sadly (but very happily in fact), she gave
birth yesterday, so she will not be in a position
to answer before a while :-)
My layman understa
On 04/01/2022 19:32, Jean Abou Samra wrote:
Forgive my igorance with the inner workings of the
Internet: what does this mean in connection with GDPR
and all that? Am I right that the fact that the
information stored on the user's device serves
a purpose essential to satisfying the very request
of
On 2022-01-04 11:32 am, Jean Abou Samra wrote:
Forgive my igorance with the inner workings of the
Internet: what does this mean in connection with GDPR
and all that? Am I right that the fact that the
information stored on the user's device serves
a purpose essential to satisfying the very request
Hello Jean,
The code Aaron provided is quite nice, but I suggest to rather use a linked
stylesheet like
And then use JS like
document.getElementById("syntax-highlighting") = "highlighting1.css"
This results in less complicated JS and allows for multiple styles.
Cheers,
Valentin
Am Dienstag,
[Aaron]
It is fairly straightforward with CSS and a little JavaScript:
Yeah, that is also what I was starting to muse with
more seriously. Thanks for providing ready-made code.
Forgive my igorance with the inner workings of the
Internet: what does this mean in connection with GDPR
and all that?
On 2022-01-04 10:04 am, Valentin Petzel wrote:
The problem is that we probably want to
remember the set color scheme for longer than just the current page,
so we'd need something like cookies.
Not a problem in the slightest. But not cookies... localStorage [1].
[1]:
https://developer.mozilla
In fact it is sufficient to have multiple stylesheets and load the one you want
to switch to. The problem is that we probably want to remember the set color
scheme for longer than just the current page, so we'd need something like
cookies.
We could also do this without JS by generating multiple
On 04/01/2022 16:23, Aaron Hill wrote:
On 2022-01-04 7:29 am, Erika Pirnes wrote:
Would it be terribly difficult to have a color setting on the
documentation page, so that people can choose between black and color?
It is fairly straightforward with CSS and a little JavaScript:
Is that on the
On 04/01/2022 15:14, J Martin Rushton wrote:
OK, I'll admit I only skimmed it, hence "I've saved the paper to read
later"! I've got Doob's "A Gentle Introduction to TeX" and Oetiker's
"The Not So Short Introduction to LaTeX2e" both of which keep to the
fixed width convention. Again, I'll be hon
On 2022-01-04 7:29 am, Erika Pirnes wrote:
Would it be terribly difficult to have a color setting on the
documentation page, so that people can choose between black and color?
It is fairly straightforward with CSS and a little JavaScript:
Dynamic styles
body { font-size:
I personally find the black text much easier to read than the syntax-highlighed
one in colors. I still have young eyes, but somehow the colored text feels
tiring. Maybe this is just what I am used to, as I am still using the standard
text editor to write my .ly files. Would it be terribly diffic
OK, I'll admit I only skimmed it, hence "I've saved the paper to read
later"! I've got Doob's "A Gentle Introduction to TeX" and Oetiker's
"The Not So Short Introduction to LaTeX2e" both of which keep to the
fixed width convention. Again, I'll be honest, I rarely use them since
I've retired thoug
J Martin Rushton writes:
> Interesting Aaron, but I do note that the paper is from 1983 and didn't
> catch on. I wonder if there is a reason for that? I've saved the
> paper to read later. Personally I don't know of a single language that
> is happy with word processor output as source code, b
Hello Robin,
as far as I know the Lilypond Documentation does not specify the font to be
used for this. So the system defaults to a standard monospace font.
So the font will depend on the system. We could ship a dedicated font with the
documentation, but I'm not sure if we want that.
Cheers,
V
Interesting Aaron, but I do note that the paper is from 1983 and didn't
catch on. I wonder if there is a reason for that? I've saved the
paper to read later. Personally I don't know of a single language that
is happy with word processor output as source code, but then I may be
proved wrong. Knu
On 2022-01-04 4:19 am, J Martin Rushton wrote:
Sorry to disagree, but fixed pitch is _so_ much easier to lay out in an
editor. Documentation flows nicely with variable pitch and fancy
hidden formats, but for code (and Lily's input is a programming
language) you just want the plain line-by-line A
Paul,
Sorry to disagree, but fixed pitch is _so_ much easier to lay out in an
editor. Documentation flows nicely with variable pitch and fancy
hidden formats, but for code (and Lily's input is a programming
language) you just want the plain line-by-line ASCII. It is, as you
say, industry standard
'Hear hear' to these recent posts from Thomas, Paul and the two Davids!
I don't object to the fixed width, but the code font has always been
spindly compared to the rest of the documentation text. I find this
makes it harder to read anyway.
The stroke width I see is 1px (Firefox at 100%).
Am Di., 4. Jan. 2022 um 11:15 Uhr schrieb Paul McKay :
>
> Hi
> Speaking as someone whose eyesight isn't quite as good as it used to be,
Same problem here
> I'd like to suggest that anything in a colour is also in bold so that there
> are enough pixels for me to see what the colour is.
I'd go e
Hi
Speaking as someone whose eyesight isn't quite as good as it used to be,
I'd like to suggest that anything in a colour is also in bold so that there
are enough pixels for me to see what the colour is.
And this seems the appropriate place to ask why the examples are all in
fixed pitch Courier in
Flaming Hakama by Elaine writes:
> In this sense, it seems like the place that has the most potential use
> for helping people distinguish different data types is where the
> syntax is the most complicated and dense, which is in music entry.
>
> The ability to quickly distinguish articulations, d
e
> > > to the documentation reading experience, user feedback would
> > > be appreciated. You can browse a syntax-highlighted version
> > > of the notation manual here:
> > >
> > > http://abou-samra.fr/highlighting-demo/notation/index.html
> >
Jean Abou Samra writes:
> Hi all,
>
> There is an ongoing proposal to add syntax highlighting
> in LilyPond's documentation. Since it is a notable change
> to the documentation reading experience, user feedback would
> be appreciated. You can browse a syntax-highlighted ve
the list at
> lilypond-user-ow...@gnu.org
> When replying, please edit your Subject line so it is more specific
> than "Re: Contents of lilypond-user digest..."
> Today's Topics:
> 1. Re: Feedback wanted: syntax highlighting in the LilyPond
>
On 02/01/2022 16:32, Jean Abou Samra wrote:
I am colorblind (which BTW means that it's hard to distinguish certain
colors, not that everything is gray).
Sorry if I gave a wrong impression. I didn't
mean that everything actually looked gray, just
that it was the extreme imaginary case encompa
Le 02/01/2022 à 17:01, Knute Snortum a écrit :
On Sun, Jan 2, 2022 at 7:10 AM Jean Abou Samra wrote:
...
[Marc]
It will be necessary to keep an uncolored version for men (in
principle women do not have this problem) who do not see well certain
colors.
This is taken care of -- the colors have
On 02/01/2022 09:34, Marc Lanoiselée via LilyPond user discussion wrote:
It will be necessary to keep an uncolored version for men (in principle
women do not have this problem) who do not see well certain colors.
In principle (and practice) women DO suffer this problem. It's caused by
a defect
On Sun, Jan 2, 2022 at 7:10 AM Jean Abou Samra wrote:
>
...
> [Marc]
> > It will be necessary to keep an uncolored version for men (in
> > principle women do not have this problem) who do not see well certain
> > colors.
>
>
> This is taken care of -- the colors have been
> chosen to have enough c
Le 02/01/2022 à 10:16, Valentin Petzel a écrit :
Hello Jean,
What I’ve done here is:
1) Make any macro that has a structural character bold. This helps in quickly
understanding the basic structure of the document. \tuplet is just a simple
music function with no real structural importance, so it
and sorry that you will have 1001
conflicting opinions on how to progress!
Good luck.
On 2022-01-01 23:45, Jean Abou Samra wrote:
Hi all,
There is an ongoing proposal to add syntax highlighting
in LilyPond's documentation. Since it is a notable change
to the documentation reading experience
user feedback would
be appreciated. You can browse a syntax-highlighted version
of the notation manual here:
http://abou-samra.fr/highlighting-demo/notation/index.html
For comparison, this is the current notation manual:
https://lilypond.org/doc/v2.23/Documentation/notation/index.html
The
Here are the appended images. That’s the problem if you quickly send the mail
because you need to do something.
Cheers,
Valentin
signature.asc
Description: This is a digitally signed message part.
Hello Jean,
What I’ve done here is:
1) Make any macro that has a structural character bold. This helps in quickly
understanding the basic structure of the document. \tuplet is just a simple
music function with no real structural importance, so it is not bold. Of
course it is arguable if someth
Le 02/01/2022 à 01:06, David Kastrup a écrit :
Jean Abou Samra writes:
Hi all,
There is an ongoing proposal to add syntax highlighting
in LilyPond's documentation. Since it is a notable change
to the documentation reading experience, user feedback would
be appreciated. You can bro
om
Calvin Ransom
From: lilypond-user on behalf
of Valentin Petzel
Sent: Saturday, January 1, 2022 5:53 PM
To: Jean Abou Samra; lilypond-user@gnu.org
Cc: David Kastrup; Lilypond-User Mailing List
Subject: Re: Feedback wanted: syntax highlighting in th
Jean Abou Samra writes:
> Hi all,
>
> There is an ongoing proposal to add syntax highlighting
> in LilyPond's documentation. Since it is a notable change
> to the documentation reading experience, user feedback would
> be appreciated. You can browse a syntax-highlighted ve
Hi all,
There is an ongoing proposal to add syntax highlighting
in LilyPond's documentation. Since it is a notable change
to the documentation reading experience, user feedback would
be appreciated. You can browse a syntax-highlighted version
of the notation manual here:
http://abou-sam
Hi,
The measure counter currently understands a
compressed MM rest as a single measure:
\version "2.23.3"
\new Voice \with {
\consists Measure_counter_engraver
}
\compressMMRests {
\startMeasureCount
c'1
R1*5
c'1
c'1
\stopMeasureCount
}
This has been registered as an issue in
the tracker:
htt
setting.
Also, some changes to the config dialog were necessary for that.
I'd like to hear your feedback:
Are those features usable, intuitive, ...
Thanks for any comment!
Here is a pre-release:
https://github.com/OOoLilyPond/OOoLilyPond/releases/tag/1.0.1-4
direct download:
https://git
s-and-experimental-features
Now there is batch processing with search-and-replace, splitting up objects
into separate images for each system... and some more things.
I'd like to hear your feedback (useful? comprehensible? something missing?
any bugs left? ...) - you can reply here on the list
Hi Andrew,
Thanks on both counts, I didn't realize there wasn't supposed to be a slur
there at all. If there isn't one in Beethoven's manuscript I won't add one
either. My intention is to just engrave an urtext version.
You are right that A4 is just too small. I'm still not sure what to do.
Actua
Hi Michiel,
The Artaria engraving of about 1819 is freely available at IMSLP. This is
very beautifully done, a model of excellence. Possibly better than finding
the MS because I suspect it contains many corrections.
http://imslp.org/wiki/Piano_Sonata_No.29,_Op.106_(Beethoven,_Ludwig_van)
No slur
Hi Michael,
The Henle Verlag edition has no slur over this section. What source are you
engraving from?
Aside from that if you need to shape slurs the best tool is the \shapeII
function in the openlilylib library. If you need help setting it up, just
mail me.
Fingerings? Unless the composer wrot
mpo indication
or if it's fine being a minor markup note...wish I had the original
manuscript).
Any other feedback would be appreciated too!
Regards,
Michiel
Let's Deliver
http://letsdeliver.com/
m...@letsdeliver.com
___
lilypond-user mailing
> Maybe that would be a candidate for a pull request ;-)
Yep.
>> Joram
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Am 16. April 2015 01:24:59 MESZ, schrieb Noeck :
>Hi Urs,
>
>> So please go to https://github.com/openlilylib/lily-fonts, clone that
>> and look for the documentation and right script file there.
>
>This works nicely.
>
>> The catalog is necessary because this lists the available fonts and
>> the
Hi Urs,
> So please go to https://github.com/openlilylib/lily-fonts, clone that
> and look for the documentation and right script file there.
This works nicely.
> The catalog is necessary because this lists the available fonts and
> their versions. By comparison with the catalog on the server th
Am 15.04.2015 um 21:25 schrieb Noeck:
Dear Urs,
Yes, I wouldn't have thought of that possibility. Of course the
function should fallback to not trying to include a stylesheet then.
Fixed in
https://github.com/openlilylib/openlilylib/commit/37b6fef70eae3ecaa804fea03e0d711e931468f7
Thanks!
Dear Urs,
>> Yes, I wouldn't have thought of that possibility. Of course the
>> function should fallback to not trying to include a stylesheet then.
>
> Fixed in
> https://github.com/openlilylib/openlilylib/commit/37b6fef70eae3ecaa804fea03e0d711e931468f7
Thanks!
> Hm, did you try it out?
and
Am 15.04.2015 um 20:04 schrieb Urs Liska:
That's ok, but I would argue that this is too complicated if
\useNotationFont MyFont
could also work out-of-the box.
Yes, I wouldn't have thought of that possibility. Of course the
function should fallback to not trying to include a stylesheet then.
Am 15.04.2015 um 18:55 schrieb Noeck:
Hi Urs and Abraham,
thanks for your replies. I already assumed that this is mostly not new
to you, but I didn't know which parts of it.
...
3. If I have a font in my LP installation … I can not use it
automatically with the library – I have to add a f
Hi Urs and Abraham,
thanks for your replies. I already assumed that this is mostly not new
to you, but I didn't know which parts of it.
>> 1. set-global-staff-size ...
ok
>> 2. ... different stylesheets … for a simple font/style change … and one for
>> the complete “Henle impression”?
>
> Th
updated fonts.
>
> Best
> Urs
>
> > Thanks a lot for your work!
> >
> > Cheers,
> > Joram
> >
>
- Abraham
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Feedback-on-lilypondblog-article-tp174518p174523.html
Sent from the User m
Hi Joram,
thank you for the feedback. It is warmly welcomed although most of it
isn't really new to me. But if I didn't document it in places where
you'd find the information it is my fault ;-)
Am 14.04.2015 um 19:54 schrieb Noeck:
Hi Urs, Abraham, Kieren, et al,
I trie
Hi Urs, Abraham, Kieren, et al,
I tried be interfaces described here:
http://lilypondblog.org/2015/03/managing-alternative-fonts-with-lilypond/
It is a very nice idea, it works for me now and I am really excited how
easy it is. The whole library approach is something I am looking forward
to.
I re
Hi all,
I've invested quite some energy to create new ways of managing and using
Abraham's great alternative fonts with LilyPond, and I'm nearly ready to
release that work.
Therefore I need some assistance by others to help testing, discussing
and improving the interface and functionality. a
Could you please send me (directly) an updated example so I can forward it?
Thanks
Urs
Am 22. Oktober 2014 18:33:45 MESZ, schrieb Abraham Lee
:
>All,
>
>
>It was brought to my attention that there were some printing issues
>with the Beethoven font (white spots would appear at certain
>overlapp
All,
It was brought to my attention that there were some printing issues
with the Beethoven font (white spots would appear at certain
overlapping lines). These are now fixed and updated on
fonts.openlilylib.org. I have also added .WOFF font files, though I'm
not really sure how to use them,
Am 21.10.2014 12:59, schrieb Kieren MacMillan:
Hi Urs,
That's an excellent complement to your already impressive collection of fonts.
I can't stress enough how this should be able to increase LilyPond's acceptance
on the long run!
+1 x 2
BTW: I don’t think I saw a response from you about A
Hi Urs,
> That's an excellent complement to your already impressive collection of
> fonts. I can't stress enough how this should be able to increase LilyPond's
> acceptance on the long run!
+1 x 2
BTW: I don’t think I saw a response from you about Abraham’s Henle example
(http://fonts.openlil
Am 20.10.2014 19:02, schrieb Abraham Lee:
I've got another font done that looks more like a hand-copyist
style--very consistent, not extravagant or embellished like LilyJAZZ,
designed for clarity. I've attached a small sample image to give you a
taste of what I mean :)
That's an excellent co
Well, I can't say that it was intended for any particular purpose, other than
to look like a hand copyist's writing, but that was clever!
Regards,
Abraham
Sent from my iPhone
> On Oct 20, 2014, at 9:58 PM, Werner LEMBERG wrote:
>
>
>> The snippet portrayed in the image is from a piece called
> The snippet portrayed in the image is from a piece called
> Nálada. You probably noticed it as an example score I've used to
> showcase some other other fonts. I call this font "Improviso".
In case it's a font intended for songbooks, you might call it
`Lalala' :-)
Werner
_
Glad you like it! The snippet portrayed in the image is from a piece called
Nálada. You probably noticed it as an example score I've used to showcase some
other other fonts. I call this font "Improviso".
Regards,
Abraham
Sent from my iPhone
> On Oct 20, 2014, at 9:07 PM, Henning Hraban Ramm w
Am 2014-10-20 um 23:02 schrieb Abraham Lee :
> Personally, I agree with your comment about LilyJAZZ. While there is a
> certain personality behind it, I don't think I'd use it for a large score.
> However, I think there are lots of people who would, so that's cool! I've got
> another font done
Abraham,
How wonderful it was to experiment with these new fonts.
In particular, I enjoyed the documentation. It was exceptionally clear how
to use them (including the 2.18 patch, though I ended up upgrading to 2.19
anyway.) The .ily files that demonstrated the fine tuning were really
helpful a
Hi Abraham,
> YES!, this can be done quite easily. As I explained on my personal
> website (the link is found near the bottom of fonts.openlilylib.org),
>
> https://sites.google.com/site/tisimst/Home/custom-font-how-to#localized-font-changes
>
That's great! That's what I meant for this kind of
Joram,
On Mon, Oct 13, 2014 at 4:14 PM, Noeck wrote:
Is it possible to switch the music font for a staff or even a measure
with your approach? Or does it only work in the \paper environment.
It would be cool for comparisons of fonts in the same file like here
(using oll):
\version "2.18.0"
Hi Abraham,
I have another topic or question:
Is it possible to switch the music font for a staff or even a measure
with your approach? Or does it only work in the \paper environment.
It would be cool for comparisons of fonts in the same file like here
(using oll):
\version "2.18.0"
\include "
Hi Abraham,
thanks for all your efforts to help here. Thanks for your font file. I
didn’t say it before, but the tuplet number was just a first test. My
aim was to imitate all the Bravura style consistently (including bass
figure numbers, analysis numbers and symbols etc. – everything that is
not
On Mon, Oct 13, 2014 at 11:05 AM, Abraham Lee
wrote:
On Mon, Oct 13, 2014 at 2:01 AM, Martin Tarenskeen
wrote:
Hi,
When I use the LilyJAZZ fonts and style, the ' is missing in titles
and texts. I don't mind if not every exotic unicode character in the
world is supported in every font, but
On Mon, Oct 13, 2014 at 2:01 AM, Martin Tarenskeen
wrote:
Hi,
When I use the LilyJAZZ fonts and style, the ' is missing in titles
and texts. I don't mind if not every exotic unicode character in the
world is supported in every font, but in this case it's difficult to
find Jazz titles and ly
Joram,
Here's the tuplet number font file. See what you think! Install it like
a normal font and then you can do this:
\transpose c c'
{
% default (Century Schoolbook)
\tuplet 3/2 { a8 a a }
% bold (Century Schoolbook) - closer to Bravura
\override TupletNumber.font-series = #'bold
\tuple
Joram,
On Sun, Oct 12, 2014 at 10:04 AM, Noeck wrote:
Hi Abraham,
thanks for your reply.
\version "2.19.14"
\transpose c c'
{
% default (Century Schoolbook)
\tuplet 3/2 { a8 a a }
% bold (Century Schoolbook) - closer to Bravura
\override TupletNumber.font-series = #'bold
\tuplet 3/
Hi Abraham,
thanks for your reply.
>> Does your machinery allow to take these numbers
>> from Bravura for example and put it in a normal text font?
>
> By default, the tuplet numbers come from whatever is set to be the
> \roman font.
\version "2.19.14"
\transpose c c'
{
% default (Century Sc
Noeck,
On Fri, Oct 10, 2014 at 6:14 PM, Noeck wrote:
- Polskie Wydawnictwo Muzyc music font
As you are often asking for scores with a nice font, I recently found
scores printed by the Polish publisher Polskie Wydawnictwo Muzyc
(PWM).
This is the only scan, I found in the same style:
http://j
his thread to any feedback anyone has about
> the fonts and ANYTHING related to them. I think it would also be neat
> for users to also share success stories from using them. I want it all,
> the brags and the drags.
>
> I look forward to hearing from
On Fri, Oct 10, 2014 at 6:23 AM, Abraham Lee wrote:
>
> And I'm glad you like Scorlatti! Care to share any of your recent works
> with it?
>
Here is a Scorlatti font example with your style sheet (voice and string
quartet):
http://scottmillercomposer.com/scores/britten/
And I have a recording!
Hi Abraham,
Am 10.10.2014 um 12:17 schrieb Abraham Lee:
> do we tend to engrave more often at a staff-height other than the
> default 20pt?
I would say: yes. I use a variety of staff sizes, usually between 16 and
20. Especially for songs and choir scores 20 is a bit too large, imo.
Just for me t
ote:
>
>> On Oct 9, 2014, at 8:39 AM, Abraham Lee wrote:
>>
>> Greetings, fellow users!
>>
>> With the advent of the new music fonts and the accompanying website, I just
>> thought I'd open up this thread to any feedback anyone has about the fonts
&g
Scott,
Very interesting... If they're used to Finale's output, then this isn't too
surprising, since Finale's Maestro font and Profondo are based on the same
glyph set, only Profondo is a heavier version.
And I'm glad you like Scorlatti! Care to share any of your recent works with it?
Regards
total). And you have a compliment from a
> non-LP/Frescobaldi user. The director of my church's chancel choir
> specifically mentioned the beauty and legibility of a score I engraved with
> Haydn :-)
>
> You rock!
>
>> On 10/09/2014 11:01 AM, lilypond-user-requ...
gt; 2014-10-10 9:05 GMT+02:00 Pierre Perol-Schneider
> :
>> Hi Abraham,
>>
>> 2014-10-09 15:39 GMT+02:00 Abraham Lee :
>>
>>> I just thought I'd open up this thread to any feedback anyone has about the
>>> fonts and ANYTHING related to them.
&
gt;
>> I just thought I'd open up this thread to any feedback anyone has about
>> the fonts and ANYTHING related to them.
>>
>
> Just one question.
> For each font you add this note : "You'll need to add the argument if you
> are working at staff-height o
Hi Abraham,
2014-10-09 15:39 GMT+02:00 Abraham Lee :
> I just thought I'd open up this thread to any feedback anyone has about
> the fonts and ANYTHING related to them.
>
Just one question.
For each font you add this note : "You'll need to add the argument if you
are
with Haydn :-)
You rock!
On 10/09/2014 11:01 AM, lilypond-user-requ...@gnu.org wrote:
Feedback Request for Music Fonts
--
"There is only love, and then oblivion. Love is all we have
to set against hatred." (paraphrased) Ian McEwan
Guy Stalnaker
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