Hi Jean,
thank you for that font showcase! I’ll take a closer look at Profondo. However,
its overly long bass clef looks quite unappealing to me. I wouldn’t use any of
the others, as far as I can tell.
About what pairs with what is certainly more of a matter of taste. I find
Emmentaler’s trill
Le 24/10/2020 à 11:47, Martín Rincón Botero a écrit :
Hello all,
a few months ago in some forum I found the following snippet of a
beautiful G clef (I think by Pierre Perol-Schneider) that I've been
extensively using since then. Right now in the NR we have \clef G,
\clef treble, \clef "G2" a
Thank you Simon for your answer. As much as I applaud the efforts for making
Lilypond work with other fonts, I find it a pity that more glyphs can’t be
included in the core. It’s not rare to find alternative or “extra” glyphs in
other fonts either (Maestro, Opus, etc.), so this wouldn’t be the f
Hi Martín,
On 24.10.20 11:47, Martín Rincón Botero wrote:
I wish Perol-Schneider's clef could be considered for inclusion into
standard Lilypond, possibly named as "G2" (which would actually
produce a "second" G clef) or as \clef varG.
two things here: there has been a lot of work to making
Hello all,
a few months ago in some forum I found the following snippet of a beautiful
G clef (I think by Pierre Perol-Schneider) that I've been extensively using
since then. Right now in the NR we have \clef G, \clef treble, \clef "G2"
and \clef violin, all producing what seems to be the exact sa
