- Original Message -
From: "Hlolli"
To:
Sent: Sunday, February 23, 2014 12:50 PM
Subject: Lyrics in divided voices
Hi, Im writing for a choir and Im diving the basses.
<<
{as8^"div a 2" f f f( e4)} \\
{f8 c c c( c4)}
In the score the notes are just
4)} %\\ remove the "\\" sign
{f8 c c c( c4)}
>>
The lyrics work. But the noteheads are connected, I think it's better for
singers to read divided noteheads rather than combined. Can someone suggest
me a solution to this?
--
View this message in context:
http://lilypond.1
Bertalan Fodor (LilyPondTool) wrote:
It is important for the same voices to remain in the same Voice context.
So if you have this:
\new Voice = "soprano" { c8 d e } and you want to go to S1 and S2, you
should use this construct:
\score {
\new Staff {
\new Voice = "soprano" \re
Or as I just found out, you can override the Voice naming of "1" and
"2", with
\score { \new Staff { \new Voice = "soprano" \relative c' { c8 d e( <<
\context Voice = "soprano" { f) } \\ { d } >> } } }
In this case you don't need the explicite voice set up for the temporary
part.
Bertalan Fo
It is important for the same voices to remain in the same Voice context.
So if you have this:
\new Voice = "soprano" { c8 d e } and you want to go to S1 and S2, you
should use this construct:
\score { \new Staff { \new Voice = "soprano" \relative c' { \voiceOne c8
d e( << { f) } \new Voice =
northofscotland writes:
> I have a question about the best way to produce music when it divides
> for maybe only a few bars in a piece. I often come across this when
> setting SATB vocal works. Straight forward SATB with a single voice
> to a line is simple enough, but I am struggling to find a
have a simple solution. Published music and the products
of eg Sibelius seem to readily produce such results. Any ideas? Thanks
--
View this message in context:
http://old.nabble.com/Divided-voices-tp27240308p27240308.html
Sent from the Gnu - Lilypond - User mailing list
