On 07/11/11 16:57, Matthew Collett wrote:
On 7/11/2011, at 9:50 am, Bill Mooney wrote:
In this file (below) I have tried to follow your example using predefined
expressions - not having the music etc explicitly in the score statement.
Everything works as expected until I started adding more un
On 07/11/11 17:14, eluze wrote:
hi Bill
I will have to do more to get the idea of 'contexts' firmly placed in
my head! :)
don't try to hard with this 'buggy' context!
Still no obvious reason why barcheck numbers are so unusual...
can't see what you mean - example!?
Eluze
Hello again,
F
hi Bill
I will have to do more to get the idea of 'contexts' firmly placed in my
head! :)
don't try to hard with this 'buggy' context!
Still no obvious reason why barcheck numbers are so unusual...
can't see what you mean - example!?
Eluze
___
On 7/11/2011, at 9:50 am, Bill Mooney wrote:
> In this file (below) I have tried to follow your example using predefined
> expressions - not having the music etc explicitly in the score statement.
> Everything works as expected until I started adding more unsung/sung sections
> when the subseque
On 07/11/11 10:32, eluze wrote:
see
http://old.nabble.com/wrong-alignment-when-repeating-music-with-different-text-on-one-line-ts32622828.html#a32622828
for a related problem. this has not been treated as a bug report.
at least there seems to be a solution to this: use explicitly named
contexts
see
http://old.nabble.com/wrong-alignment-when-repeating-music-with-different-text-on-one-line-ts32622828.html#a32622828
for a related problem. this has not been treated as a bug report.
at least there seems to be a solution to this: use explicitly named
contexts before actually filling voi
Hi Matthew,
You wrote:-
+++
But this seems to work as expected:
\new Staff << {
\new Voice = "unsung" \relative {
a'1
\new Voice = "sung" {
b4. b8 b4. b8
}
e1 f1
}
}
\new Ly
Hello,
Thanks for all you input. That the different 'nesting' with \lyricsto
achieves a correct result is good to know, unfortunately time
constraints forced me to go the hard way to get the score ready in
time ;-)
Thanks to you all and Cheers,
Christian
Greetings Christian,
After reading your post and the replies from Matthew Collett, David
Kastrup, and Peekay Ex, I thought I would try to simplify what I think
you're trying to do.
The following gives two lines of music, one showing a trivial example,
and the other showing my attempt to do the
Hello,
On Thu, Nov 3, 2011 at 9:50 PM, David Kastrup wrote:
> Matthew Collett writes:
>
>> For a variant on the \lyricsto wierdness:
...
>
> My guess would be that when the inner contexts disappear, a
> corresponding iterator gets rewired and then typesets the e1 as lyrics
> to the f1 (or vice
Matthew Collett writes:
> For a variant on the \lyricsto wierdness:
>
> \new Staff {
> \new Voice = "unsung" \relative {
> a'1
> <<
> \new Voice = "sung" {
> b4. b8 b4. b8
> }
> \new Lyrics \lyricsto "sung"
On 4/11/2011, at 4:04 am, Christian Eitner wrote:
> \version "2.14.2"
>
> \new Staff {
> \new Voice = "melody" \relative {
> a'1
> <<
> \context Voice = "melody" {
> b4. b8 b4. b8
> }
> \context Lyrics = "ly
Hello,
Please ignore my previous post. It seems that without \lyricsto, I'm
stuck to entering the lyrics' durations manually. *Sigh* :-)
Cheers,
Christian
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Hello,
Continuing from a previous example, I have been instructed to use
'associatedVoice' instead of \lyricsto to avoid problem with the
continuation of the melody after the lyrics have ended.
But now I run into a peculiar problem: If more complex melodies are
used, the alignment of lyrics does
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