On Thu, Apr 16, 2009 at 10:21:42AM +0200, Marc Hohl wrote:
> As a guitarist, I would call this chord B5/A, because it without the
> third, it isn't really
> a minor chord - but this depends on the context.
>
> Just a thought.
It's not me who found out the chord name, anyway you are right, yes.
First, currently the output has "Bm" for my chord, but actually I would
like to have it as 'Bm \super "omit3"/A'. (No, I don't really mind about
the midi output. :) )
As a guitarist, I would call this chord B5/A, because it without the
third, it isn't really
a minor chord - but this
On 4/15/09 10:51 AM, "Miklos Vajna" wrote:
> Hi,
>
> Here is a sample:
>
>
> \version "2.12.1"
>
> \score {
> <<
> \chords {
> e1:sus4 g e:m b:m
> }
> \relative c'
> {
> e8.
> ^\markup \fret-diagram
On Wed, Apr 15, 2009 at 09:18:21PM +0200, Robin Bannister
wrote:
> Like this? (verbatim)
>
> replaceCN = #(define-music-function (parser location new) (markup?)
> #{\once \override ChordNames.ChordName #'stencil =
> #(lambda (grob) (grob-interpret-markup grob $new)) #})
>
> BmsusA =
Miklos Vajna wrote:
First, currently the output has "Bm" for my chord,
but actually I would like to have it as 'Bm \super "omit3"/A'.
Like this? (verbatim)
replaceCN = #(define-music-function (parser location new) (markup?)
#{\once \override ChordNames.ChordName #'stencil =
#(lambda (g
Hi,
Here is a sample:
\version "2.12.1"
\score {
<<
\chords {
e1:sus4 g e:m b:m
}
\relative c'
{
e8.
^\markup \fret-diagram #"f:2;6-o;5-o;4-2-2;3-2-3;2-o;1-o;"
e16( e8) e8 e16 d e8 r4 | e
