On 25 Sep 2009, at 07:11, Joseph Wakeling wrote:
Joe, can you come up with a short description and a minimal
example, so
Valentin can add it to the tracker?
Will do. Sorry for not replying earlier to your kind offer of help --
I'm going through a bit of a busy patch -- but will get to work
Carl Sorensen wrote:
> Joe, can you come up with a short description and a minimal example, so
> Valentin can add it to the tracker?
Will do. Sorry for not replying earlier to your kind offer of help --
I'm going through a bit of a busy patch -- but will get to work on this
ASAP. :-)
Best wishe
On 9/24/09 1:29 PM, "Valentin Villenave" wrote:
> On Tue, Sep 22, 2009 at 3:00 PM, Carl Sorensen wrote:
>> If you get the chromatic transposition working properly, I'll commit to
>> helping you get it embedded in LilyPond.
>
> Carl, please consider yourself my personal beacon of light in suc
On Tue, Sep 22, 2009 at 3:00 PM, Carl Sorensen wrote:
> If you get the chromatic transposition working properly, I'll commit to
> helping you get it embedded in LilyPond.
Carl, please consider yourself my personal beacon of light in such
discussions :-)
Could you give me a hint as to whether thi
On 22 Sep 2009, at 15:00, Carl Sorensen wrote:
If you get the chromatic transposition working properly, I'll commit
to
helping you get it embedded in LilyPond.
My impression is that this works properly, only that LilyPond does not
have the capacity to treat # and b as operators that can be
On 9/21/09 5:09 PM, "Joseph Wakeling" wrote:
> As I mentioned a little while back, I'm working on a specialist notation
> section on contemporary music for the Notation Reference. And, as I
> also mentioned, I'm going to be trying to implement and/or motivate some
> feature development to sup
On 22 Sep 2009, at 13:44, Joseph Wakeling wrote:
So I think you need to add a choice of glyph. LilyPond is too
primitive
to treat # and b and other accidentals as operators acting on all
intervals.
Well, the point is that a glyph for 5/4 sharp is nonsensical. A
contemporary music player wou
Hans Aberg wrote:
> I think LilyPond, once it has found the correct scale degree, computes
> the interval offset. As there is none for this particular offset, it
> typesets nothing. It should report at least a warning, though. The value
> stored inside should though be correct.
Yes, I think this i
On 22 Sep 2009, at 11:49, Joseph Wakeling wrote:
The correct accidental is a # plus a !/4. It then does not change the
scale degree. This will also be correct in if the sharp and
microtonal
accents are relative a tuning system other than E12.
No, it's a DOUBLE-sharp plus a 1/4, ...
Yes, s
Hans Aberg wrote:
> The correct accidental is a # plus a !/4. It then does not change the
> scale degree. This will also be correct in if the sharp and microtonal
> accents are relative a tuning system other than E12.
No, it's a DOUBLE-sharp plus a 1/4, which quite obviously does not exist.
> In
On 22 Sep 2009, at 11:16, Joseph Wakeling wrote:
Hans Aberg wrote:
What you see is that
(i) without naturalizeMusic, transposition fails: transposition
alone
leaves the final pitch being 'g+5/4' which has no accidental
I think is just a bug. Somehow the sharp drops out.
It's not
Hans Aberg wrote:
>> What you see is that
>>
>> (i) without naturalizeMusic, transposition fails: transposition alone
>> leaves the final pitch being 'g+5/4' which has no accidental
>
> I think is just a bug. Somehow the sharp drops out.
It's not so much a bug as a notational impossibilit
On 22 Sep 2009, at 01:09, Joseph Wakeling wrote:
Currently Lilypond's transposition is tonal only, with the 'smart
transpose' snippet providing a Scheme function to minimise accidental
use. Unfortunately this function is incompatible with quarter-tone
notation.
Discussing with Graham Breed, I
Joseph Wakeling wrote:
> Currently Lilypond's transposition is tonal only, with the 'smart
> transpose' snippet providing a Scheme function to minimise accidental
> use. Unfortunately this function is incompatible with quarter-tone
> notation. The attached snippet shows the problem. A quarter-to
Hello all,
As I mentioned a little while back, I'm working on a specialist notation
section on contemporary music for the Notation Reference. And, as I
also mentioned, I'm going to be trying to implement and/or motivate some
feature development to support this.
The first feature I'm looking to g
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