Re: Chromatic clash in two voices

2017-05-06 Thread Lukas-Fabian Moser
> > If you could, how would you distinguish it from a 6/4 measure? > At most by suggestive spacing, I think - if at all. But that does not matter when you're scientifically editing manuscript musical examples - when doing so I'd like to replicate even those features of the author's writing habits

Re: Chromatic clash in two voices

2017-05-06 Thread Thomas Morley
2017-05-06 16:18 GMT+02:00 Knute Snortum : > If you could, how would you distinguish it from a 6/4 measure? > > > --- > Knute Snortum > (via Gmail) > > On Fri, May 5, 2017 at 9:33 AM, Lukas-Fabian Moser wrote: >> >> In a situation like >> >> \version "2.19.44" >> >> \new Staff << >> \new Voice {

Re: Chromatic clash in two voices

2017-05-06 Thread Knute Snortum
If you could, how would you distinguish it from a 6/4 measure? --- Knute Snortum (via Gmail) On Fri, May 5, 2017 at 9:33 AM, Lukas-Fabian Moser wrote: > In a situation like > > \version "2.19.44" > > \new Staff << > \new Voice { > \voiceOne b'!1 > } > \new Voice { > \voiceTwo bes

Chromatic clash in two voices

2017-05-05 Thread Lukas-Fabian Moser
In a situation like \version "2.19.44" \new Staff << \new Voice { \voiceOne b'!1 } \new Voice { \voiceTwo bes'!2 } >> Lilypond puts the two accidentals first, then the to note heads side by side ("flat-natural-notehead-notehead"). Is there a way to obtain the ordering "flat-noteh