On Wed, 09 Jul 2014 12:52:13 +0100
Richard Shann wrote:
> Hi list,
>
> With notation like
> \version "2.18.0"
> \chordmode {
> c/g
> }
> I can get chord names with /G at the end to indicate a G added
> below the root of the chord.
> With the notation
> \new ChordNames
> {
> 1
> }
On Wed, 09 Jul 2014 12:52:13 +0100
Richard Shann wrote:
> Hi list,
>
> With notation like
> \version "2.18.0"
> \chordmode {
> c/g
> }
> I can get chord names with /G at the end to indicate a G added
> below the root of the chord.
> With the notation
> \new ChordNames
> {
> 1
> }
Richard Shann writes:
> Thank you for this. With that I have now got as far as the attached
> sample in trying to typeset a jazz chord sheet (the chords are just
> nonsense but most of the needed elements are there now).
> Attached is the sort of sheet I'm trying to use LilyPond to improve on.
>
Richard Shann writes:
> Hi list,
>
> With notation like
> \version "2.18.0"
> \chordmode {
> c/g
> }
> I can get chord names with /G at the end to indicate a G added below the
> root of the chord.
> With the notation
> \new ChordNames
> {
> 1
> }
>
> I can get the chord symbol C ty
On Wed, 2014-07-09 at 17:53 +0200, David Kastrup wrote:
> > {... the actual chords }
> >>>
>
> Sigh. No minimal working example. At any rate, you probably would
> just
> want \override TimeSignature ... in the context mod since there is no
> grob called ChordNames.
sorry - and you are quite
Richard Shann writes:
> On Thu, 2014-07-10 at 11:11 +0200, David Kastrup wrote:
>> > \override TimeSignature #'style = #'numeric
>>
>> > Do I have something wrong here still?
>>
>> There is no #'numeric time signature style, only #'numbered. But you
>> may invoke it using \numericTimeS
On Thu, 2014-07-10 at 11:11 +0200, David Kastrup wrote:
> > \override TimeSignature #'style = #'numeric
>
> > Do I have something wrong here still?
>
> There is no #'numeric time signature style, only #'numbered. But you
> may invoke it using \numericTimeSignature if you like.
Hmm, I g
Richard Shann writes:
> On Wed, 2014-07-09 at 17:53 +0200, David Kastrup wrote:
>> Richard Shann writes:
>>
>> > Thank you for this. With that I have now got as far as the attached
> [...]
>> Sigh. No minimal working example.
> I've created a minimal example now, the numeric time signature ha
2014-07-09 13:52 GMT+02:00 Richard Shann :
> Hi list,
>
> With notation like
> \version "2.18.0"
> \chordmode {
> c/g
> }
> I can get chord names with /G at the end to indicate a G added below the
> root of the chord.
> With the notation
> \new ChordNames
> {
> 1
> }
>
> I can get the
On Wed, 2014-07-09 at 17:53 +0200, David Kastrup wrote:
> Richard Shann writes:
>
> > Thank you for this. With that I have now got as far as the attached
[...]
> Sigh. No minimal working example.
I've created a minimal example now, the numeric time signature has
appeared, but with a warning:
w
Thank you for this. With that I have now got as far as the attached
sample in trying to typeset a jazz chord sheet (the chords are just
nonsense but most of the needed elements are there now).
Attached is the sort of sheet I'm trying to use LilyPond to improve on.
I think I have most of the element
Thanks - that's very neat. And, of course, these solutions can be
transposed at a stroke.
Richard
On Wed, 2014-07-09 at 18:06 +0200, Thomas Morley wrote:
> 2014-07-09 13:52 GMT+02:00 Richard Shann :
> > Hi list,
> >
> > With notation like
> > \version "2.18.0"
> > \chordmode {
> > c/g
> > }
> >
Hi list,
With notation like
\version "2.18.0"
\chordmode {
c/g
}
I can get chord names with /G at the end to indicate a G added below the
root of the chord.
With the notation
\new ChordNames
{
1
}
I can get the chord symbol C typeset, but is there any way to get the
C/G symbol type
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