I might just be adding to the noise level, but my quick-n-dirty workaround
to multiple verses that follow refrains is to paste in a bunch of empty
quotes - one pair per syllable. And once you have the set for verse 2
(verse 1 will have the refrain, of course), you just paste the whole set of
quote
Thanks for the detailed analysis! Trevor might want to modify the
LM based on this -- I'm not certain if he knew how \book worked
when he wrote the sections... I know that *I* didn't (and still
don't) know how it works, and I'm the one who is theoretically
editing his work. (that's why I always c
On Sun, 03 Feb 2008 22:59:17 +0100
Mats Bengtsson <[EMAIL PROTECTED]> wrote:
> ... there's no need to use
> \book here. If you just remove the "\book {" and matching "}", you will
> get exactly the same result. If there's any information left in the
> current manual that indicates that you nee
Quoting NJW <[EMAIL PROTECTED]>:
The solution (that is, one solution ;-) ) is to put it in a book. The
prospect of using the \book command seemed a bit too advanced, but is
actually quite straightforward. Use of \paper in the \book is analogous to
\layout in \score.
\book {
\score {
}
\new Lyrics \lyricsto refrainB {
\refrainwordsB
}
>>
>>
}
\new Lyrics \lyricsto verse {
\versewords
}
>>
}
}
HTH
Trevor D
> -Original Message-
> From: [EMAIL PROTECTED]
> [mai
With apologies for replying to myself, but hoping this will help someone
following on.
> This piece has a solo verse, followed by four-part refrain,
> with differences in lyrics and rhythms in all four parts.
The solution (that is, one solution ;-) ) is to put it in a book. The
prospect of us
This problem has occupied me for about three weeks! I have progressed quite
easily from single-staff through four-part choral music with lyrics, but
they have all been quite straightforward.
This piece has a solo verse, followed by four-part refrain, with differences
in lyrics and rhythms in all
