Conor Cook wrote Monday, February 16, 2015 5:14 PM
> I had been using \include "satb.ly," so I had to recreate the \score
> {}, but it was good practice to combine \lyrics and multiple parts to
> one staff.
Perhaps you had other reasons for recreating the \score { }, but
if it was just to add a
That works quite nicely. Thank you!
I had been using \include "satb.ly," so I had to recreate the \score
{}, but it was good practice to combine \lyrics and multiple parts to
one staff.
~Conor
On Thu, Feb 12, 2015 at 6:32 PM, Kieren MacMillan
wrote:
> Hi Conor,
>
>> In the particular score I a
On Thu, 12 Feb 2015 19:32:30 -0500
Kieren MacMillan wrote:
> In general, the \global variable should contain everything that you want
> in every Voice — like time signatures, tonalities, etc.
Yes, but it's very unfortunate this does not work for \repeats when
generating MIDI with \unfoldRepeats
Hi Conor,
> In the particular score I am working on, I have only this one mark (it's
> about 30 measures long total).
> What would an example of your suggestion look like, as I can see your concern
> applying down the road.
Snippet included below.
1. In both scores, the breath mark appears in
Kieren,
In the particular score I am working on, I have only this one mark (it's about
30 measures long total).
What would an example of your suggestion look like, as I can see your concern
applying down the road.
~Conor
—
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On Thu, Feb 12, 2015 at 4:44 PM, Kieren
}
}
%< -------- SNIP
HTH,
Abraham
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Hi Conor,
> That is beautiful, both in its coding simplicity and in the final product!
Unless you’re planning to have *all* of your marks (including \mark \default,
etc.) above every staff — which is not a usual engraving convention — why not
just put the caesura in a global variable that is la
ngraver"
> }
> }
>
> This will mean that you need to put the "\mark ..." in each staff you want
> it to appear, though.
>
> HTH,
> Abraham
>
>
>
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though.
HTH,
Abraham
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Is it possible to place a caesura, contained in a rehearsal mark, over
every staff of a system (like in a choral score, since parts will not
be extracted)? I know that this is not how rehearsal marks are
supposed to work, so is there another way to achieve this? In an
archived thread, David Kastr
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