On Thu, Aug 3, 2023 at 12:24 PM Valentin Petzel wrote:
> Hello Knute,
>
> there is no need to move timing, simply omit the barlines. Moving Timing
> translator will mean you’ll loose bar numbering too.
>
I removed the \cadenzaOn and Off, and the Timing_translator, and used \omit
Staff.BarLline a
Hello Knute,
there is no need to move timing, simply omit the barlines. Moving Timing
translator will mean you’ll loose bar numbering too.
Cheers,
Valentin
Am Donnerstag, 3. August 2023, 19:04:26 CEST schrieb Knute Snortum:
> On Thu, Aug 3, 2023 at 9:47 AM Knute Snortum wrote:
> > On Thu, Aug
My solution works. Try it.
On Thu, Aug 3, 2023, 1:05 PM Knute Snortum wrote:
> On Thu, Aug 3, 2023 at 9:47 AM Knute Snortum wrote:
>
>> On Thu, Aug 3, 2023 at 8:31 AM Kieren MacMillan <
>> kie...@kierenmacmillan.info> wrote:
>>
>>> Hi Knute,
>>>
>>> > Now the only thing that remains is that one
On Thu, Aug 3, 2023 at 9:47 AM Knute Snortum wrote:
> On Thu, Aug 3, 2023 at 8:31 AM Kieren MacMillan <
> kie...@kierenmacmillan.info> wrote:
>
>> Hi Knute,
>>
>> > Now the only thing that remains is that one of the left hand bars lines
>> is too close to the notes.
>>
>> Maybe
>>
>> R2. \once
On Thu, Aug 3, 2023 at 8:31 AM Kieren MacMillan
wrote:
> Hi Knute,
>
> > Now the only thing that remains is that one of the left hand bars lines
> is too close to the notes.
>
> Maybe
>
> R2. \once \override Score.BarLine.extra-offset = #'(-1 . 0) \once
> \override Score.Clef.extra-offset = #'(
Hi Knute,
> Now the only thing that remains is that one of the left hand bars lines is
> too close to the notes.
Maybe
R2. \once \override Score.BarLine.extra-offset = #'(-1 . 0) \once \override
Score.Clef.extra-offset = #'(-1 . 0) |
?
Hope that helps,
Kieren.
_
\clef bass <<{\once \override NoteColumn.force-hshift = 1 af,4 \stemDown
q }\\{\hideNotes f f f }>> |
that will get you the rest of the way. adjust as necessary.
regards,
Shane Brandes
On Thu, Aug 3, 2023 at 10:56 AM Knute Snortum wrote:
> This doesn't seem to have an effect:
>
> \clef bass \
This doesn't seem to have an effect:
\clef bass \once \override NoteColumn.force-hshift = 1 af,4 q |
Perhaps because of strict spacing = ##t?
--
Knute Snortum
On Thu, Aug 3, 2023 at 7:25 AM Fernando Gil wrote:
> Perhaps using \once \override NoteColumn.force-hshift = 1 to push the note
> to
Perhaps using \once \override NoteColumn.force-hshift = 1 to push the note
to the right?
El jue, 3 ago 2023 a las 8:58, Knute Snortum ()
escribió:
> We are so close! I used
>
> \override Score.SpacingSpanner.strict-note-spacing = ##t
> \newSpacingSection
>
> to start the strict spacing and
>
We are so close! I used
\override Score.SpacingSpanner.strict-note-spacing = ##t
\newSpacingSection
to start the strict spacing and
\override Score.SpacingSpanner.strict-note-spacing = ##f
\newSpacingSection
to stop it. Now the only thing that remains is that one of the left hand
bars
Dear Knute,
Substituting the following for the score context may result in more of
what you are looking for.
\context {
\Score
\remove Timing_translator
\override SpacingSpanner.strict-note-spacing = ##t
}
% ...
}
However, it will probably not be ideal to have the entire
I have this all the time in the New Complexity School music I engrave.
The way I approach it is to give up the idea of grace notes and make the
RH a tuplet say 30:18 or whatever (sorry I have not counted it) and then
reduce the size of the notes to grace note size, and if you need a slash
you c
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