Rodolfo,
Rodolfo Zitellini wrote:
Apart from layout and co. I am also curious if anyone has experience
in making printer proofs and printing lilypond output with high res
offset printers, ad this will likley be the publisher's output.
Having worked for an offset-litho printers for many, man
On Wed, Mar 31, 2010 at 7:41 PM, Aaron Dalton wrote:
> My master's thesis is a modern edition of a book of 16th-century madrigals.
> It is comprised of two parts: the first is all the discursive stuff, and
> then the second is the text, scores, and apparatus. I simply have a single
> .lytex file
On 01/04/2010 2:58 AM, Dmytro O. Redchuk wrote:
> У ср, 2010-03-31 у 13:41 -0400, Aaron Dalton пише:
>> \clearpage
>> \addcontentsline{toc}{subsection}{1. Amor, che sol dei cor leggiadri ha cura}
>> \label{madrigal01}
>> \lilypondfile{/home/aaron/svn/scores/out/01-3-01.ly}
>>
>> In my case all the
У ср, 2010-03-31 у 13:41 -0400, Aaron Dalton пише:
> \clearpage
> \addcontentsline{toc}{subsection}{1. Amor, che sol dei cor leggiadri ha cura}
> \label{madrigal01}
> \lilypondfile{/home/aaron/svn/scores/out/01-3-01.ly}
>
> In my case all the scores are in one place, so I simply \input this file
My master's thesis is a modern edition of a book of 16th-century
madrigals. It is comprised of two parts: the first is all the discursive
stuff, and then the second is the text, scores, and apparatus. I simply
have a single .lytex file with entries like the following for each
madrigal:
\cle
hello,
There was a similar thread a few days/weeks ago albeit on a much smaller
scale. I cannot find the thread but I still have the URL that one of the
people who emailed into this thread gave with his example of Latex with
Lilypond
http://music2.louisiana.edu/Gratis/
There is an example P
Hi Mike,
> LilyPond's native facilities for setting pure text are very crude. I
> think that you will need to use LaTeX, or some similar system based on
> TeX, to get good layout of your text. I have used LaTeX/AMSTeX quite a
> bit to set mathematical works. You have probably already noticed
> l