Thanks all, I see now how I missed explicitly instantiating the voices. If
interpreted as three voices, would you consider the third voice (the
double-stemmed) quarter-note value?
On Feb 1, 2012, at 5:07 PM, David Kastrup wrote:
> Thomas Morley writes:
>
>> I am interpreting the upper staff
On 02/02/12 08:23, Hans Aikema wrote:
Hi Joey,
On 1-2-2012 21:45, Thomas Morley wrote:
Hi Joey,
2012/2/1 Joey Di Nardo
Thanks Thomas, worked like a charm.
Thomas Morley writes:
>I am interpreting the upper staff as two voices, one with the half
>note and the other with a series of eights in 7/8.
> This is what I've coded for the measure (inside a relative c'):
>
>
>
> |%4
> \time 7/8
> <<
> \voiceOne {
>
Hi Joey,
On 1-2-2012 21:45, Thomas Morley wrote:
Hi Joey,
2012/2/1 Joey Di Nardo
Thanks Thomas, worked like a charm.
I have another question if you don't mind. I'm t
Hi Joey,
2012/2/1 Joey Di Nardo :
> Hi all, sorry I've been posting so much, just encountering a bunch of little
> griefs that I can't find the answers to in the IR or snippets.
>
> My staccatos and marcatos appear under the stem when I compile using
> \autochange. When I take it away, everythin
Hi all, sorry I've been posting so much, just encountering a bunch of little
griefs that I can't find the answers to in the IR or snippets.
My staccatos and marcatos appear under the stem when I compile using
\autochange. When I take it away, everything compiles correctly.
I'm assuming this mig