Il 28/03/21 14:51, Jean Abou Samra ha scritto:
Le 28/03/2021 à 11:43, Mario Moles a écrit :
Hi!
You know how to make notation like Ancient_notation.png?
Thanks
See this snippet:
https://lsr.di.unimi.it/LSR/Item?id=678
Best,
Jean
Thank you so match!
Le 28/03/2021 à 11:43, Mario Moles a écrit :
Hi!
You know how to make notation like Ancient_notation.png?
Thanks
See this snippet:
https://lsr.di.unimi.it/LSR/Item?id=678
Best,
Jean
Hi!
You know how to make notation like Ancient_notation.png?
Thanks
Hi,
Weird scenario, and unfortunately I can't hate on the composersince
it's my work and my misbehavior! ;-)
So I have a section of a piece for tenor and orchestra that is in 4/4 but
the singer has cadenza figures for sections, while the orchestra is
resting. So the structure is 4/4 Orchestra
On 6/03/13 7:07 AM, Shane Brandes wrote:
Thanks all,
I managed to finish it. You can see the results with the original and
Lilypond version at http://www.proportionallime.com/nonlime/lilypond/
Very pleased with the results.
Shane
Nice work. That's a very beautiful German fraktur font. What is
Thanks all,
I managed to finish it. You can see the results with the original and
Lilypond version at http://www.proportionallime.com/nonlime/lilypond/
Very pleased with the results.
Shane
On Tue, Mar 5, 2013 at 12:44 AM, Marek Klein wrote:
> Hello,
>
> 2013/3/5 Shane Brandes
>>
>>I am work
Hello,
2013/3/5 Shane Brandes
>I am working on typesetting some very old hymns that were set in
> mensural notation. The trouble is that when trying to replicate the
> equal spacing (basically like letters out of a typewriter one right
> after the next) one can set the score timing off, but
Hi Lilyponders,
I am working on typesetting some very old hymns that were set in
mensural notation. The trouble is that when trying to replicate the
equal spacing (basically like letters out of a typewriter one right
after the next) one can set the score timing off, but then the systems
trails
> 2008/3/31, Robert Memering <[EMAIL PROTECTED]>:
> > Am Samstag, 29. März 2008 17:02 schrieb Karl Hammar:
> >
> > > Ok, this is what I have hacked together
>
> If nobody has a better idea, could you consider adding it to the LSR?
> We really lack snippets of this kind...
It would be better if
2008/3/31, Robert Memering <[EMAIL PROTECTED]>:
> Am Samstag, 29. März 2008 17:02 schrieb Karl Hammar:
>
> > Ok, this is what I have hacked together
If nobody has a better idea, could you consider adding it to the LSR?
We really lack snippets of this kind...
> However, just for the sake of peo
Am Samstag, 29. März 2008 17:02 schrieb Karl Hammar:
> Karl:
> > Anyone know how to do the minor calor ligature (se circled part in
> > attachment).
>
> ...
>
> Ok, this is what I have hacked together
> (tag: nor = modern notes, men = mensural score, part = mensural parts)
>
> fakeLiga = {
> \onc
Karl:
> Anyone know how to do the minor calor ligature (se circled part in
> attachment).
...
Ok, this is what I have hacked together
(tag: nor = modern notes, men = mensural score, part = mensural parts)
fakeLiga = {
\once\override Staff.HorizontalBracket #'bracket-flare = #'( 0 . 0 )
\once
-
This is a multipart MIME message.
Anyone know how to do the minor calor ligature (se circled part in
attachment).
A naive try is
g1 f e d2. c4 \[ b,1 a, \] g,
r\longa
g1 f e \[ d1 c2. \] b,4 a,1 g,
Another one would be
\[ d1 c*3/4 \]
but how could I make the c black?
Regards,
/Karl
<>___
As a little help, there is an LSR snippet that takes given notes and
applies
the same rhythm to them (i.e. it applies certain durations to the passed
notes), so I suppose it should be able to adjust it to your needs:
http://lsr.dsi.unimi.it/LSR/Item?id=346
You have that, too
http://lsr.dsi.u
Am Donnerstag, 21. Februar 2008 schrieb Kieren MacMillan:
> Hi Till,
>
> > So this is no easy way to scale all notes to the same duration.
>
> No, but a Scheme-savvy person (Mats? or you, Till?) should be able to
> whip up something like
>
> unifyDuration = #(define-music-function (parser location
Hi Till,
So this is no easy way to scale all notes to the same duration.
No, but a Scheme-savvy person (Mats? or you, Till?) should be able to
whip up something like
unifyDuration = #(define-music-function (parser location music duration)
(ly:music? numbe
ration of a breve, i.e. a quarter note.
>
>
>/Mats
>
Oh yes, so true, I ignored that! I somehow thought you *set* somthing with
the asterisk
to a certain duration, but in fact you multiply! So this is no easy way to
scale all notes
to the same duration.
Till
--
View this
Benedict Singer schrieb:
Oh wow, this looks even easier than the scheme function I was going to
write to scale everything. Is this in the lsr?
No, I didn't yet do anything, I send an example of tight spacing to the
list some times.
If not, perhaps the cadenza settings could be put in and it co
This is very badly tested, but
\header {
texidoc = "
In packed mode, pack notes as tight as possible. This makes
sense mostly in combination with raggedright mode: the notes
are then printed at minimum distance. This is mostly useful
for ancient notation, but may also b
w.
>
> This is very badly tested, but
>
> \header {
> texidoc = "
> In packed mode, pack notes as tight as possible. This makes
> sense mostly in combination with raggedright mode: the notes
> are then printed at minimum distance. This is mostly use
till wrote:
2. There is a lot of threads here on the list. You can play with all sorts
of spacing but nothing is yet really convincing. The most simple workaround
appears to be to scale all note durations to a singe duration, eg. 1/8,
which can be achieved by appending the note duration: a\bre
acked mode, pack notes as tight as possible. This makes
sense mostly in combination with raggedright mode: the notes
are then printed at minimum distance. This is mostly useful
for ancient notation, but may also be useful for some flavours
of contemporary music. If
Benedict Singer-2 wrote:
>
> Hi all,
>
> I'm working on transcribing several ancient hymn tunes in ancient
> notation, and I've run across a few issues, listed below. I've been using
> Petrucci note heads and a clef, and mensural time signatures (and rests,
Hi all,
I'm working on transcribing several ancient hymn tunes in ancient notation, and
I've run across a few issues, listed below. I've been using Petrucci note heads
and a clef, and mensural time signatures (and rests, I believe).
1) Is there an easy way to reorder th
Essayez ceci:
http://lilypond.org/doc/v2.10/Documentation/user/lilypond/Ancient-notation#Ancient-notation
Gordon+
--
Fr. Gordon Gilbert
Penetanguishene, ON
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo
Interesting. I had not seen this before, but a quick Google search
suggests that it is not unknown for chant to be printed in black and
red. Just for reference, it seems that, based on the documentation,
this was changed in Lilypond between 2.4 and 2.6.
Thanks,
Joe
On 27/03/07, Mats Bengtsson
I don't really know anything about gregorian chant notation, but if you
refer to
section 7.7.11 Gregorian chant contexts, it mentions "Editio Vaticana"
and I guess that the inspiration to use colored staves comes either from
that edition
or from original manuscripts.
If you want them in black,
When using some ancient notations the staves are coloured red, as in
section 7.7 of the user guide. Why is this and is it possible to set
it to black?
Thanks,
Joe
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/list
e one from LSR. In
this specific
case, I guess that the ancient-font.ly example from Tips and Tricks
provides a
working (or at least better working) version of the example you are
working with.
/Mats
Cameron Horsburgh wrote:
Hi folks,
There are a couple of files in the LSR that use an
Hi folks,
There are a couple of files in the LSR that use ancient notation.
However, some of the fonts seem to be missing:
...
c
d
ancient-fonts.ly:42:8: warning: none of note heads
noteheads.svaticana.reverse-plica' or
noteheads.uvaticana.reverse-plica&#
Hi folks,
I am getting programming errors on the following file which is based
on an example from the LSR:
%
\version "2.10.10"
\include "gregorian-init.ly"
\score {
\context VaticanaVoice {
{
\[ a \episemInitium \pes b \flexa a \episemFinis \]
}
}
}
%
which result
Hello, very good work !
Aancient notation ligature is ok in 2.7.33-2
Thanks
Regards.
--
martial
http://cathemline.org
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
I'm not sure I understand what you mean. Could you please send an
example of what you have tried that looked so horrible and describe
more clearly what you want to obtain.
(Send it to the mailing list, of course).
/Mats
Andrew Hankinson wrote:
Hi all,
I just started with Lilypond and was wonde
Hi all,
I just started with Lilypond and was wondering if this is possible:
I'm currently entering a some music in gregorian neumes (from the 1947
ed. Liber Usualis)
Often flats are given a few notes before the actual sounding pitch, but
I can't seem to find the code to actually insert a flat
34 matches
Mail list logo
