2013/3/14 Jim Long :
> On Thu, Mar 14, 2013 at 02:09:37AM +0100, Thomas Morley wrote:
>>
>> Hi Jim,
>>
>> below some code, which should do what you want.
>
> Wow, Harm, this is truly outstanding, more than I could have
> hoped for.
Glad I could help
> I'll play with this some more, but at first g
+100!
Eluze
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On Thu, Mar 14, 2013 at 02:09:37AM +0100, Thomas Morley wrote:
>
> Hi Jim,
>
> below some code, which should do what you want.
Wow, Harm, this is truly outstanding, more than I could have
hoped for. I'll play with this some more, but at first glance,
it performs well in three different staff si
2013/3/13 Jim Long :
> I'm not content with my skills in engraving coda jumps. I suspect
> Lilypond could do better if I knew how to code it.
>
> My current method is to use a rehearsal mark to concatenate some
> text and a Coda glyph, and then apply a trial-end-error X-offset
> until it lines up
fter the glyph are only to compensate for the
(missing in the 1st case) gap between the glyph and the preceding/following
text - they should only be adapted if you're changing the \fontsize and
\magnify the glyph (this is also the way to solve your 3rd question)
Eluze
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"to coda"
\hspace #1
\raise #1 \musicglyph #"scripts.coda"
\hspace #-.5
\with-color #white
"to coda"
}
Eluze
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View this message in context:
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I'm not content with my skills in engraving coda jumps. I suspect
Lilypond could do better if I knew how to code it.
My current method is to use a rehearsal mark to concatenate some
text and a Coda glyph, and then apply a trial-end-error X-offset
until it lines up the way I want it to, and then w
