Thanks very much, Phil. Your appreciation means a lot! My head is
still a bit fuzzy, too. I'm looking forward to to those deeper
thoughts and working with you to make solfege-resources useful to as
many people as possible.
Cheers,
Mike
On Sat, Jan 1, 2011 at 8:35 AM, Phil Hézaine wrote:
> L
Le 31/12/2010 20:33, Michael Ellis a écrit :
> Hi Phil,
> The problem is pretty well solved. I'm just cleaning up a few things
> in my scripts today.
>
> I don't have all the answers yet regarding copyrights. Margaret
> Greentree's site seems to claim copyrights only to the PDF images and
> thos
Hi Phil,
The problem is pretty well solved. I'm just cleaning up a few things
in my scripts today.
I don't have all the answers yet regarding copyrights. Margaret
Greentree's site seems to claim copyrights only to the PDF images and
those are freely shared for non-commercial use. So I'm not qui
Le 31/12/2010 00:26, Alexander Kobel a écrit :
> On 2010-12-30 22:44, Michael J. O'Donnell wrote:
>> Annoyance: the expressive part needs skips of the durations
>> corresponding to the notes in between the expressive marks. Someday, I
>> hope that LilyPond will have the facility to mark temporal po
On 2010-12-30 22:44, Michael J. O'Donnell wrote:
> Annoyance: the expressive part needs skips of the durations
> corresponding to the notes in between the expressive marks. Someday, I
> hope that LilyPond will have the facility to mark temporal points in
> various parts so that they can be aligned
Hi Michael,
That's a good idea and I'd do exactly that if I were transcribing the
chorales by hand. Fortunately, Margaret Greentree (jsbchorales.net)
has already done the hard work of entering all the notes for 404
chorales, but she did it in Finale, so I'm starting from LilyPond
converted from he
In similar situations, I like to create LilyPond variables whose values
are the notes only for each part, and a separate variable whose value is
the expressive marks that go on all parts together, including fermatas,
dynamic markings, ...
Then, I can create a full score with the expressive mar
