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Original Message
Subject: Re: Internet-style quoting (was: A request on behalf of Turkish
Music)
Date: 2020-04-14 4:28 pm
From: Carl Sorensen
To: Aaron Hill
Unfortunately, as is shown in the thread that Aaron refers to in his
> On 14 Apr 2020, at 19:27, Adam Good wrote:
>
> ATTN: Hans...
> Going by the chart Emre shared with us, good news, I'm figuring this is not
> using a (near) Pythagorean tuning like AEU 53 ET. I'd call it 48 ET. Once we
> have the glyphs ready this is very easy to put together.
I think it ac
On 2020-04-14 12:17 pm, Werner LEMBERG wrote:
[Carl, could you somehow improve the layout of your responses? If I
view the plain text version of your e-mails, it's completely
impossible to differentiate between quoted material and your reply.
But even in the HTML version I have such difficult
[Carl, could you somehow improve the layout of your responses? If I
view the plain text version of your e-mails, it's completely
impossible to differentiate between quoted material and your reply.
But even in the HTML version I have such difficulties...
What about using the classic '>' delim
From: Adam Good
Date: Tuesday, April 14, 2020 at 11:27 AM
To: Werner LEMBERG
Cc: , Lilypond-user
Subject: Re: A request on behalf of Turkish Music
Hi everyone, I'm finally chiming in here...
On Wed, Apr 8, 2020 at 8:38 AM Werner LEMBERG
mailto:w...@gnu.org>> wrote:
Well,
Hi everyone, I'm finally chiming in here...
On Wed, Apr 8, 2020 at 8:38 AM Werner LEMBERG wrote:
>
> Well, here's the question: Shall we add such glyphs at all? A
> cautionary and a digit can easily be combined on the macro level...
>
In my opinion, the best solution is create glyphs for the a
On 2020-04-09 1:59 pm, Noeck wrote:
Hi,
Am 08.04.20 um 14:38 schrieb Werner LEMBERG:
A combination of makam.ly and this definitions.ily should be easy to
do. But as Werner said, having them in the Emmentaler font (one way
or the other) would be better.
Well, here's the question: Shall we a
Hi,
Am 08.04.20 um 14:38 schrieb Werner LEMBERG:
>
>> A combination of makam.ly and this definitions.ily should be easy to
>> do. But as Werner said, having them in the Emmentaler font (one way
>> or the other) would be better.
>
> Well, here's the question: Shall we add such glyphs at all?
Of c
> On 8 Apr 2020, at 15:57, neyzenemre wrote:
>
> I think so
In LilyPond, engraving and tuning are tied together, but it can only handle
ETs, and only multiples of 12 without a special file regular.ly. So I think,
Adam Good settled for E72, which gives neutral seconds of about the same size
> If a pattern like TFM.LY (Turkish Fol Music) is created, I think it
> will be a more rational and progressive solution like MAKAM.LY. I
> think the use of numbers for every flat and sharp in the work will
> make things more difficult.
I don't understand the last sentence. Please elaborate.
yes
A cautionary and a digit can easily be combined on the macro level...
If a pattern like TFM.LY (Turkish Fol Music) is created, I think it will be
a more rational and progressive solution like MAKAM.LY. I think the use of
numbers for every flat and sharp in the work will make things more
diffic
I think so
--
Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html
> On 8 Apr 2020, at 11:44, neyzenemre wrote:
>
> Turkish Folk Music pitch system is used as revealed by Farabi and has a
> 17-piece pitch system.
From what I can see, it is Pythagorean tuning with comma alterations. Is that
what you use?
> A combination of makam.ly and this definitions.ily should be easy to
> do. But as Werner said, having them in the Emmentaler font (one way
> or the other) would be better.
Well, here's the question: Shall we add such glyphs at all? A
cautionary and a digit can easily be combined on the macro
bravura method is so complex...
I think so
A combination of makam.ly and this definitions.ily should be easy to do.
But as Werner said, having them in the Emmentaler font (one way or the
other) would be better.
--
Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html
? Is it correct that the 'Dort' sharp doesn't have number 4 assigned to it?
* Yes it is correct...
In the scores of Turkish folk music that you consider as typeset in the
highest quality, what font gets used for the digits?
* I use also Makemusic Finale with Turkish Trutype fonts which made by
* Is it correct that the 'Dort' sharp doesn't have number 4 assigned
to it?
- Yes it is correct. I use Makemusic Finale for writing my scores with
special truetype fonts which made by www.neyzen.com
--
Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html
FWIW, SMuFL defines these code points and you can see the style in the
Bravura font. There is a sharp with the number 5, too.
The attachment shows, that they define a fixed glyph combination.
The code in bravura-smufl.ly uses the openlilylib/snippets¹ and it
requires the Bravura font to be instal
AEU is the name of Arel-Ezgi-Uzdilek who are the musicologists. The AEU
divides an octave into 24 unequal ranges. Since a full voice is calculated
as 9 coma, it is thought that there are 53 pitch in the octave.
Turkish Folk Music pitch system is used as revealed by Farabi and has a
17-piece pitch
> On 8 Apr 2020, at 09:42, Emre PINARBAŞI wrote:
>
> Hello. I am Associate Professor Emre Pınarbaşı, one of the lecturers of
> Samsun Ondokuz Mayıs University State Conservatory. I specialize in
> Traditional Turkish Music. I have been writing my notes using Lilypond for
> many years.
>
>
Hello Emre,
> [...] Turkish Folk Music has its own flat and sharps.
>
> How can I add this fonts/graphs to lilypond system
This should be rather easy, I think – however, some information is
missing.
* Is it correct that the 'Dort' sharp doesn't have number 4 assigned
to it?
* In the scores
Hello. I am Associate Professor Emre Pınarbaşı, one of the lecturers of
Samsun Ondokuz Mayıs University State Conservatory. I specialize in
Traditional Turkish Music. I have been writing my notes using Lilypond for
many years.
However, the program should expand the MAKAM.LY content a little more
Hello. I am Associate Professor Emre Pınarbaşı, one of the lecturers of
Samsun Ondokuz Mayıs University State Conservatory. I specialize in
Traditional Turkish Music. I have been writing my notes using Lilypond for
many years.
However, the program should expand the MAKAM.LY content a little more a
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