Am 17.08.2010 um 05:30 schrieb Carl Sorensen:
On 8/16/10 3:30 PM, "Patrick Schmidt" wrote:
Dear LilyPonders,
while trying to typeset some vocal music I encountered some
difficulties with \autoBeamOff:
1) \autoBeamOff has no effect on other voices when used in a global
vari
On 8/16/10 3:30 PM, "Patrick Schmidt" wrote:
> Dear LilyPonders,
>
> while trying to typeset some vocal music I encountered some
> difficulties with \autoBeamOff:
>
> 1) \autoBeamOff has no effect on other voices when used in a global
> variable/ghos
Dear LilyPonders,
while trying to typeset some vocal music I encountered some
difficulties with \autoBeamOff:
1) \autoBeamOff has no effect on other voices when used in a global
variable/ghost voice. It has to be turned on explicitly for each
voice. This is probably intentional but AFAIK
Reinhold Kainhofer wrote on 28 December 2007 08:45
>
> Am Donnerstag, 27. Dezember 2007 schrieb Trevor Daniels:
> > Hi Reinhold
> >
> > As the two types of bar have different
> sub-beats there is
> > no way to do this automatically with just a
> single setting,
> > AFAIK - every time the sub-be
Am Donnerstag, 27. Dezember 2007 schrieb Trevor Daniels:
> Hi Reinhold
>
> As the two types of bar have different sub-beats there is
> no way to do this automatically with just a single setting,
> AFAIK - every time the sub-beating changes the new
> beatLength will have to be indicated - just as if
)
Three = \set Score.beatLength = #(ly:make-moment 3 16)
\relative c'' {
\autoBeamOff
\time 3/8
\key g \major
d8[ c16( b a g)] |
\Three g8.[ fis16( e d)] |
\Two d8[ c16( b a g)] |
% Two measures later:
b'16.([ c32) d16] g[( d b])
}
although personally I would have a
Hi,
I have a score in 3/8 time with \autoBeamOff. Now, some measures have one
eight and then four 16th (all connected by one beam), while others have a
dotted eight and then three 16th (again, all connected by one beam).
However, while in the first case all the 16th are connected by a second
I recommend you to read the section on "Changing defaults", to learn about
different ways of setting properties. In this particular case, you also
have to
figure out exactly what the macro \autoBeamOff does. See section "Default
files" to learn how to find the file ...\ly
Just a convenience thing - is there anywhere in my Lilypond file
where I can put \autoBeamOff which applies globally? If I put it at
the start of the \score block, I get a funny extra staff, and
otherwise I have to put it in each of the staves. (My \global only
contains time and tempo
On 30-May-05, at 9:15 PM, Marcus Brinkmann wrote:
if autoBeamOff is used, and stemNeutral, is it true that the note b
will always get the stem down?
No.
http://lsr.dsi.unimi.it/LSR/Item?id=3
My feeling is that the stem of the note on the middle line could
adjust itself more dynamically to
Hi,
if autoBeamOff is used, and stemNeutral, is it true that the note b
will always get the stem down? Here are two examples which don't look
so good in my opinion:
{ \autoBeamOff g'4 a' b' a' | d''4 d'' a' b' }
Result (stem direction Down
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