I have taken your suggestions, and am sending you a patch which adds
the what-beat command (renamed to LilyPond-what-beat) to LilyPond-mode
in Emacs. I have made sure it handles the examples in the tutorial,
and have documented the few cases it fails (see the comments at the
top of lilypond-what-b
[EMAIL PROTECTED] writes:
> lilypond --parse-position-only 14 file.ly
>
> which would then output some position dependent information, like:
>
> '((staff 1) (bar 1) (beats-before 8 16 16))
>
> The parsing of such a file (which is fast IFAIK) should then be stopped to the
> given position. I
On Wed, 07 Jul 2004 11:02:23 -0400 [EMAIL PROTECTED] wrote:
>
> Jan Nieuwenhuizen <[EMAIL PROTECTED]> writes:
>
> > [flup to mailing list]
Before going to comments, I suggest that the use of the lilypond parser could be
extended. As an example, for file file.ly:
'{ c8 d16 e16 f4 }'
Jan Nieuwenhuizen <[EMAIL PROTECTED]> writes:
> [flup to mailing list]
>
> >> %% foe
> >> | a4 b8
> >> | c16( d f)
> >> | c4-2 d
> >
> > OK. Is there a BNF grammar I can examine? I'm not sure just what
> > other kinds of exotic stuff 'what-beat' would have to recognize.
>
> No.
[flup to mailing list]
>> %% foe
>> | a4 b8
>> | c16( d f)
>> | c4-2 d
>
> OK. Is there a BNF grammar I can examine? I'm not sure just what
> other kinds of exotic stuff 'what-beat' would have to recognize.
No. The specification is in lily/parser.yy, but you can get most impor
> Since no one else has attacked this problem, I figured I'd take a
> whack at it. My results are appended to this message.
Great.
> Hence 'C-c b' displays the current beat in the minibuffer; displayed
> as a ratio. i.e. if it shows 3/8, it means there are the equivalent of
> 3 eighth notes betw
[EMAIL PROTECTED] writes:
> Hello, I have used Lilypond just last week to create a few musical
> scores (pop music with a chordline, melody line, and lyrics).
>
> Anyway I have some comments regarding usage, mainly the problems I
> encountered. I can possibly fix them given some encouragement...m
Han-Wen Nienhuys <[EMAIL PROTECTED]> writes:
> [EMAIL PROTECTED] writes:
>> > > ---> I believe you can specify durations for syllables...could I
>> > > specify the rhythm of a melody in the \lyrics context, and then just
>> > > have the melody provide the pitches?
>> >
>> > yes.
>>
>> ?? really?
[EMAIL PROTECTED] writes:
> > > ---> I believe you can specify durations for syllables...could I
> > > specify the rhythm of a melody in the \lyrics context, and then just
> > > have the melody provide the pitches?
> >
> > yes.
>
> ?? really? how?
sorry, late at night, and poor reading. No, this
> "svoboda" == svoboda <[EMAIL PROTECTED]> writes:
>> > ---> Is there a way to intersperse the lyrics and melody? Right now
>> > lyrics are in a /lyrics context separate from the melody, so I have to
>> > check by hand that the lyrics matches up to the melody.
I have the same pro
Han-Wen Nienhuys <[EMAIL PROTECTED]> writes:
> [EMAIL PROTECTED] writes:
> > -> Another problem is enterying lyrics to a melody, often the lyric
> > syllables don't match up to the melody notes, and I have to tweak the
> > melody or lyrics. Any attempts to solve this problem? I have several
> >
On Tuesday 22 June 2004 00.21, Han-Wen Nienhuys wrote:
> [EMAIL PROTECTED] writes:
> > One could attack this problem with another Emacs patch...which would
> > give you the absolute octave for any note under the cursor. Again, has
> > anyone attacked this problem, or should I tackle it?
Just in ca
[EMAIL PROTECTED] writes:
> simply indicate on the modeline just what beat the cursor is on...or
> rather how many beats lie between the cursor and the previous | or {.
Brilliant idea! I'm not aware of efforts in this direction.
> One could attack this problem with another Emacs patch...which wo
> -> Another problem is enterying lyrics to a melody, often the lyric
> syllables don't match up to the melody notes, and I have to tweak the
> melody or lyrics. Any attempts to solve this problem? I have several
> possible solutions, but don't know what is good/possible/easy.
You must call each
Hello, I have used Lilypond just last week to create a few musical
scores (pop music with a chordline, melody line, and lyrics).
Anyway I have some comments regarding usage, mainly the problems I
encountered. I can possibly fix them given some encouragement...mainly
I want to know if anything has
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