Dear Peter,
I only spent one hour on it and I have not been able to make it working as
I need. It is not clear to me the value I have to set to set the instrument
range from c, to b,.
But I think that when I will have more time I should be able to modify your
code for that.
* * *
By the way th
"Peter Gentry" writes:
> Gianmaria
>
>
>
> I have modified the procedure to use pitch-tones to define the
> instrument range. It makes little difference to the result.
>
>
>
> I haven’t looked at the possibility of rebuilding the pitch just using
> pitch-tones (yet)
You would not want to d
Gianmaria
I have modified the procedure to use pitch-tones to define the instrument
range. It makes little difference to the result.
I haven’t looked at the possibility of rebuilding the pitch just using
pitch-tones (yet)
Have you had any luck yet?
\version "2.19.15"
% -
On 26/06/17 22:56, Peter Gentry wrote:
dak@lola:/usr/local/tmp/lilypond$ lilypond scheme-sandbox GNU LilyPond 2.19.59
Processing `/usr/local/share/lilypond/2.19.59/ly/scheme-sandbox.ly'
Parsing...
guile> (apply - (map ly:pitch-tones (list #{ eis #} #{ fes #})))
1/2
guile>
--
David Kastrup
A
"Peter Gentry" writes:
> Apologies you must think me some kind of retarded idiot.
It's not uncommon for my attempts at joking to bounce.
> I must learn to think a bit before mistyping rubbish but at 76 these
> niceties seem a lost cause.
I've given up much earlier than that.
--
David Kastrup
Apologies you must think me some kind of retarded idiot. I must learn to
think a bit before mistyping rubbish but at 76 these niceties seem a lost
cause.
Yes yes yes there is a problem with the tone tone semitone tone tone tone
semitone notation and the octave note alteration calculation.
"Peter Gentry" writes:
> A semi tone difference is indeed noticeable but surely there is no
> semitone between e sharp and f flat?
There is.
> It’s the same key on the piano!
It isn't.
> Where is the semitone?
e sharp (a white key) is a semitone above f flat (another white key) and
your prop
Thank you Peter and David for your help. I'll make some tests in the
followings hours.
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2017-06-26 23:56 GMT+02:00 Peter Gentry :
>
>
> -Original Message-
> From: David Kastrup [mailto:d...@gnu.org]
> Sent: 26 June 2017 15:31
> To: Peter Gentry
> Cc: Lilypond
> Subject: Re: : Re: transpose range
>
> "Peter Gentry" writes:
>
Hi,
On Jun 26, 2017 4:57 PM, "Peter Gentry"
wrote:
-Original Message-
From: David Kastrup [mailto:d...@gnu.org]
Sent: 26 June 2017 15:31
To: Peter Gentry
Cc: Lilypond
Subject: Re: : Re: transpose range
"Peter Gentry" writes:
> From: David Kastrup [mailto:d
-Original Message-
From: David Kastrup [mailto:d...@gnu.org]
Sent: 26 June 2017 15:31
To: Peter Gentry
Cc: Lilypond
Subject: Re: : Re: transpose range
"Peter Gentry" writes:
> From: David Kastrup [mailto:d...@gnu.org]
>
> "Peter Gentry" writes:
&g
"Peter Gentry" writes:
> From: David Kastrup [mailto:d...@gnu.org]
>
> "Peter Gentry" writes:
>>
>> The numeric pitch (op) is calculated by (define op (+ (* 14 o) (* n
>> 2) (/ a 2))) “op is a unique number representing the pitch of the
>> note”
>
>> Uh, that's pretty bad since it sees eis as e
-Original Message-
From: David Kastrup [mailto:d...@gnu.org]
Sent: 26 June 2017 13:43
To: Peter Gentry
Cc: 'Gianmaria Lari' ; Lilypond
Subject: Re: : Re: transpose range
"Peter Gentry" writes:
> You will need to modify the attach file (instrument_ranges.ly
"Peter Gentry" writes:
> You will need to modify the attach file (instrument_ranges.ly) since you are
> only interested in one instrument.
>
>
>
> A numeric pitch can be constructed from three components of the lilypond
> pitch p
>
>
>
> 1.The octave o obtained from (ly:pitch-octave p
ck
I hope this helps.
From: Gianmaria Lari [mailto:gianmarial...@gmail.com]
Sent: 25 June 2017 16:25
To: Peter Gentry
Cc: Lilypond
Subject: Re: : Re: transpose range
Yes, I'm very much interested. I will use it with left hand bass note for
standard bass accordion notation; for that w
Yes there is a way but it has disadvantages.
Often the result is awkward jumps. I indicate changed notes by note head
style and colour so that it is easier to edit the results.
If you are still interested let me know and I will send you the scheme
procedure and an example. I allow for diff
You need to split the music expression, I cannot think of a different
solution because
\transpose c e, \music
would be too low.
2017-06-25 10:29 GMT+02:00 Gianmaria Lari :
> The result of a transpose operation sometimes generate notes that are too
> high (or too low) for my needs. In this case
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