Thank you Pierre and Dominic that was the solution.
Jay
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I have gotten this to work in score but not in the part
\version "2.18.0"
horn = \relative c,
{
\clef "bass_8"
\key c \major
\time 4/4
fis,1
\time 3/4
(d'2.)
\bar "|."
}
\score {
\new Staff \horn
\layout {
}
}
the slur from fis1 to the d'2. doesn't work here but did in the full
score
The link is what I wanted the polymetric section didn't 'seem' to
describe what the link showed.
Thanks to all.
Jay
On 2014-05-25 04:50, Phil Holmes wrote:
> Also
>
> http://lilypondblog.org/2014/05/independent-meters/ [2]
>
> --
> Phil Holmes
>
>> - Original Message -
>>
Hi- I did a search and found something about 'translate' but when I
clicked on the link nothing came up and I can't find anything else in
the manuals.
What I need are two staves (or more but for now a duet) with different
time signatures and they will only line up at the ends of each system
(wh
I only clicked on Download and yes it opened or tried to open it in the
browser. There was no other response.
Jay
On 2014-04-06 21:55, Nick Payne wrote:
On 07/04/14 10:16, i...@soundand.com wrote:
I was interested in this too but when i go to download it I get an
image in my browser that i ne
I was interested in this too but when i go to download it I get an image
in my browser that i needed to download Adobe Reader 9x while I have 10x
already and I got nowhere so How does one get around this problem?
Thanks Jay
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don't know what happened to the missing " but it works now thank you
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I copy and pasted from the current manual (online) the piano template,
thinking that since my template didn't work the current manual would
help.
But due to something I don't understand and can't locate because I
don't understand the piano won't compile.
here's my header
\version "2.18.0
\heade
David-
Thanks I'll see if I can grasp it. and I'm using 2.16.1 I
always try to use the stable because the way I compose is odd enough
that I don't want extra notational issues to interfere
Why do you ask?
Thanks
Jay
On 2013-12-28 10:25, David Nalesnik wrote:
> Hi Jay,
>
> On Sat, D
Hello,
I've been using \qBeam at the top of a piece but how to turn it off and
then back on has me stumped.
Please direct me to the correct manual page(s)
Thanks
Jay
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Alas I'm not looking for more normal but I do want it to be explicit
so eliminating the ties by making the chords dotted values takes away
from it.
You using top and bottom voice is interesting I'm not sure I
understand how that is 'better' than what I have done except making it
more separate
Hi-
here's what I've got but I'm not sure it's best practise. Thanks for
feedback in advance
Jay
\version "2.16.1"
\header {
title = "19 Dec for left hand #2"
composer = "Jay Hamilton"
copyright = \markup { \tiny \override #'(baseline-skip . 0.5)
\center-column
{ "CC lic 2.5 som
Kieran-
I am finished with my latest opera "The Map" we're starting a
kickstarter proposal in January or Feb. The director and conductor are
on board, auditions probably in Sept '14.
8 singers, 8 instrumentalists, minimal spoken dialogue fully scored
out.
I did not use lily -book it was/is e
Hi I just tried to put something together with just the S & A parts
into Noteworthy Composer
It's so bad that I doubt there's a point to doing more. I've
attached it but I'm not going to continue as it seems pointless.
Jay
On 2013-12-11 04:46, Janek Warchoł wrote:
Okay, it seems that the
Worked thank you
On 2013-11-23 03:07, Simon Bailey wrote:
On Friday, 22 November 2013 at 19:32, i...@soundand.com wrote:
The conductor of my opera (The Map) has a preference for slash
separators on both sides/edges of the score is there a way to do
this?
untested, try:
\paper {
system-se
The conductor of my opera (The Map) has a preference for slash
separators on both sides/edges of the score is there a way to do this?
Thanks
Jay
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I could try with Noteworthy Composer- however I am sure it will fail
but I'm willing to try.
Jay
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Hi- I was hoping to understand how to get PNG or something I could use
in a html doc. But I don't
Please point me to the most useful page in docs if possible.
Here's the test file
\version "2.16.1"
\header {
title = ""
composer = "Jay Hamilton"
copyright = \markup { \tiny \override #'(b
So I asked the question but instead of an answer you all got way off
track.
Is the answer (or so it seems) no
No one has a tablet that they use Lily on
or
No has tried and doesn't really know.
Drives me mad when the questions don't really get answered.
Could we please stick to the point?
Thanks
J
Hi-
Is anyone using a tablet to run lilypond and if so which one?
Thanks
Jay
www.soundand.com
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ect because it's already some
form of bold. So I need more info or a suggestion, and pointing to the
manual so i know where to look next time is most educational.
Here's the header
\header {
title = "The Map"
subtitle = "What kind of map"
subsubtitle = \ma
Hello- don't know where to look in the manual for a single word made
bold inside a set of words in a \markup
I'm using 2:14 to finish up a major work that's taken 2 years so I
would like to stick with it.
If this is not possible in version 2:14 then I'll do without.
Thanks
Jay
Karol-
Thank you this worked as expected.
David-
the manual for 2.16.0 page 487
\paper variables for page numbering
Default values not listed here are defined in
‘ly/paper-defaults-init.ly’
auto-first-page-number
The page breaking algorithm is affected by the first page number being
odd or ev
Hi-
I'm using version 2.14 to complete a large project.
Looks like from manual that in \paper block I should be able to change
the
page numbering with something like
first-page-number
But so far I've failed to get anything to happen.
So perhaps it's a # set something?
Thanks
Jay
___
Hello-
i just tried to do the
override BreathingSign#text =
markup { fontsize #8 { musicglyph
#"comma" } }
in a
version
"2.16.1"
and it would compile but the breathe didn't get bigger.
Will or can this work in 2.16.1?
Or is there a different thing that
will?
I was excited that
After starting a rather large, to me, flurry a bit ago.. I was
going to -today- install 2.16 but due to having a large opera in 2.14
and never successfully converting I want and was told it was possible to
have both.
Win7
But I don't know how to do it..
Thanks
Jay
_
Perfect thank you
Jay
On 2012-12-18 14:29, Xavier Scheuer wrote:
> On 18 December 2012 22:18, wrote:
>
>> I'm
missing something but am too stupid to figure out what From the link
that Paul provides I get print-page-number #f somewhere in the paper
block should remove the page numbers but
I'm missing something but am too stupid to figure out what
From
the link that Paul provides I get
print-page-number #f
somewhere in
the paper block should remove the page numbers but here's my paper block
and there's got to be something I've left out because it doesn't do
anything.
#
I'm sure it's possible to remove page numbers from a score but I
can't find it in the snippets or manual
I've been assuming that it's
something like remove page number in context in Score but I can't find
it
Thanks
jay
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Hello
using version 2.14.1 this is only place I can put the remove
bar_number that will allow the piece to compile however I still have bar
numbers. So what am I doing wrong?
score {
new Staff melody
layout
{
context {
Staff
remove "Time_signature_engraver"
remove
"Bar_engraver"
remove "Bar_
Hello-
I 'think' I copied the info out of the 2.16 manual for the
score below but both my editor and Frescobaldi won't compile it and both
say they can't find errors.
It looks weird to me but that's because I
am not used to the 'new' format for this bu
Hi- please direct me to..
I can't find how to underline a
single word in the lyrics
I'd settle for italic if that's the only
possibility but I couldn't find either in manual or repository.
using
stable version
thanks
jay
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Hello-
I am forcing accidentals in a modal piece. Time signature is
21/8 so the measures are long.
I wanted to do a multi-measure hairpin
(decrescendo) but the hairpin stopped at the end of the first measure at
the forced accidental (!).
1] is there a way around this?
2] is this a
bug or
blems. We recommend that everybody upgrade to this version.
>
> Cheers,
> - Graham
>
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--
Pietro Cerutti
The FreeBSD Pro
On Mon, March 14, 2011 6:57 pm, Bernardo Barros wrote:
> we have a decimal system and you want to represent a numeral system
> based on 12 or 24 like [0, 1, 2, 3, 4, 5, 6, 7, 8, 9, A, B].
> You should propose a system base on 12 or 24 then.
>
> In computer science they use the hexadecimal system b
On Mon, March 14, 2011 6:02 pm, Bernardo Barros wrote:
> 2011/3/14 Marc Weber :
>> Second: You're wrong. By giving pitches numbers you'll naturally feel
>> than the distance 2-5 is the same as 8-11 and 27-30 and 45-48.
>
> And how would you represent quarter-tones? 5.5? And other kinds of
> tonal
Since I don't use the number engraver I'm not sure how that looks (meaning
after you've used 5 fingers what do the numbers mean?) but reading the
section on fingering gives you numbers adjacent to the notes (or above or
below) and if you need numbers higher than 5? I use markups.
Jay
On Fri, 21 Ja
Hello-,
I expect the lyrics syllables to go with each note in the triplet
figure but it won't in the following example- what has changed since I
last did this?
Thanks-Jay
\version "2.12.3"
\header {
title = "example"
composer = "Jay Hamilton"
copyright = \markup { \tiny \override #'
Gilles asked for an attachment I don't exactly know what to attach so
I've attached the latest pdf output.
This is close but nothing I've tried gets the 1st set of 8ths to be \slurDown
\version "2.12.2"
\header {
title = "Nested Curves"
}
melody = \relative c'
{
\clef bass
\
Kieren-
I did read both and the lsr example and I just tried your ^ which I
had tried before in a slightly different way.
However nothing produces what I am trying to get. And your latest did
not change my example the phrase still goes up. as do the slurs. As it
did in the previous example
Kieren-
I copy/pasted your suggestion into the piece and the slurs/phrases all are up.
Explanation-
all of the notes are one phrase
each group of four 8ths are slurred. In the original the slurs are
under the 8ths and the phrase mark is above.
Jay
Quoting Kieren MacMillan :
Hi Jay,
I wo
I would have expected something like this to work
e''8-1^\markup {\bold "#8"} \slurDown
(
\slurNeutral
(f-2 e f) fis-3 (f-2 fis f\))
but it won't compile. So I'm still not understanding that section or
I'm placing the \slur in the wrong place.
Jay
Quoting James Bailey :
See section 5.4.
version 12.2
I would like to have the slurs in the following \slurDown and the long
phrase Neutral or up but the LSR example is confusing as it uses many
voices and I can't get it to usefully work for me.
e''8-1^\markup {\bold "#8"} \ ((f-2 e f) fis-3 (f-2 fis f\))
The slurs and phrase mar
--- Begin Message ---
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--- Begin Message ---
Currently the default behavior for \key is to put the key
change before the barline. I'm quite sure however that the
correct notation is to have the key change after the
barline.
Yes, I know I can shift the barline and the key signature.
But shouldn't the default behavior be
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