Hi,
maaachseven wrote:
>
> Hello,
>
> Is there a way to automatically position note text opposite the note's
> stem direction? I can do it manually with \markup using the direction
> indicators ^ and _ , but I'm hoping there is a way to automate it. I
> thought the default direction indicator
Hi,
using a beam-stencil-override, I'd wish to adjust the stem-length within the
beam-stencil-override. The following (boiled down) function works fine in
most cases, even with kneed-beams. But when using it in a cross-staff
example with kneed-beams, I've noticed a problem: Some stems are affecte
Hi David
David Nalesnik-2 wrote:
>
> 2011/11/1 David Nalesnik
> (...)
> If you set 'stem-end-position in the course of an override of
> 'stencil, it works in both cases:
> (...)
>
I tried to make an automated definition (first attachment) and to integrate
it in the grow-beam-var-de
Hi David,
David Nalesnik-2 wrote:
>
> Hi Harm,
>
> On Mon, Oct 24, 2011 at 4:09 PM, Thomas Morley <
> thomasmorle...@googlemail.com> wrote:
> (...)
>> Values like "0" or values greater than the stem-count are faking
>> \override
>> Beam #'grow-direction = #LEFT (RIGHT). (This is not very elegan
Hi,
the attached file is a first attempt to make feathered beams more variable.
p.e.:
http://old.nabble.com/file/p32705102/beam15.png
Thanks to David Nalesnik, who answered several questions about the details
of beams.
Some problems persist:
The function is limited up to 64th notes. (I'm sure
Hi,
the following function should rebuild a beam.
\version "2.14.2"
#(set-global-staff-size 20)
#(define (test-stencil grob)
(let* ((beam (ly:beam::print grob))
(beam-extent-x (ly:stencil-extent beam X))
(beam-length-x (interval-length beam-extent-x))
(single
Hi David,
David Nalesnik-2 wrote:
>
> Hi Harm,
>
> On Sun, Oct 16, 2011 at 2:36 PM, Thomas Morley <
> thomasmorle...@googlemail.com> wrote:
>>
>>
>> I regarded the gap-property, but \once\override Beam #'gap = #15 seems to
>> do nothing, so I dropped that thought.
>>
>
> You have to do this i
Hi,
trying to override Beam-stencil I need to read out the number of beams, the
space between the beams and the thickness of the whole beam (shown by the
red bracket). Of course I need only two of this values to detemine the
third, but I only managed to get the thickness of a single Beam.
http:/
Hi,
trying to hack Beam stencil, I need to read out the slope of the original
Beam. I thought reading out the y-extent, the x-extent and using the
quotient would do the job. But I was wrong: this quotient can't be negativ.
Here's my test-code:
\version "2.14.2"
#(define (test grob)
(let*
dogwoodnc wrote:
>
> Thanks for the suggestions; however, I'm still confused. I tried the
> suggestions, as far as I understood them, but am still having the same
> issues -- the first ending is still in a different staff from the second
> ending. I'd really like them in the same staff.
>
> I
David Nalesnik-2 wrote:
>
> On Fri, Sep 16, 2011 at 3:49 PM, Thomas Morley <
> thomasmorle...@googlemail.com> wrote:
>
>>
>>
>> 2011/9/16 David Nalesnik
>>
>>>
>>> Hi, Harm --
>>>
>>> On Thu, Sep 15, 2011 at 6
Hi David;
David Nalesnik-2 wrote:
>
> Hi Harm,
>
> It seems that you have to treat SystemStartBracket as a broken spanner in
> this case..
> Hi, again --
>
Thanks for the hint, I didn't know that. Following this advice further work
was quite simple.
> Attached is a extension of this which a
harm6 wrote:
>
> Hi,
>
> in the (simplified) example below I can't revert the \override of the
> SystemStartBracket, although I set \once and tried with \revert.
> I want the \override to be printed only at the first time occuring in the
> score.
>
> What am I
Hi,
in the (simplified) example below I can't revert the \override of the
SystemStartBracket, although I set \once and tried with \revert.
I want the \override to be printed only at the first time occuring in the
score.
What am I missing?
Regards,
Harm
\version "2.14.2"
one = \relative c'
Xavier Scheuer wrote:
>
> Hello,
>
> This is maybe a question I have already asked but I cannot find the
> answer (and I'm trying to typeset a score).
>
> I'd like to define a variable that actually consists of a tweak command.
> I.e. to replace
>
> c1-\tweak #'to-barline ##f \< | % it wor
David Nalesnik-2 wrote:
>
>
>
> In the meantime, I've generalized the 'extra-offset approach so that you
> can
> center a grob of your choice between two others. of which centering
> between
> barlines is just one option. I've attached it in case it's useful to
> someone, or anyone has any fe
Trevor Bača-2 wrote:
>
> Hi,
>
> I'm using horizontal brackets in some sketches I'm doing right now. (And
> the
> fact that the brackets nest is proving very useful indeed.)
>
> A simplified example looks like this:
>
> %%% BEGIN %%%
>
> \version "2.15.11"
>
> \layout { ragged-right = ##t }
George_ wrote:
>
> Ah, I see, thank you. Another question, then.
>
>
You should have a detailed look at
http://kainhofer.com/~lilypond/Documentation/notation-big-page.html#text-markup-commands
A.9 Text markup commands
\markup { "xy" \translate #'(3 . 5) "XY" }
\markup {
\vcenter {
George_ wrote:
>
> I know through the docs that using \markup { \dynamic f } will print a
> forte symbol. How do I get the markup to print a mordent symbol, or a
> trill symbol?
>
Hi George,
check:
http://kainhofer.com/~lilypond/Documentation/notation-big-page.html#the-feta-font
Notation Ref
janek.lilypond wrote:
>
> 2011/9/9 Marek Klein :
>> Hello,
>> how can I have barline displayed in this snippet:
>>
>> \version "2.14.1"
>> \include "gregorian.ly"
>>
>> \score {
>> \new VaticanaVoice \relative c'{
>> c d e c \bar "|"
>> e d c e
>> }
>> \layout {
>> }
>> }
>
>
David Nalesnik-2 wrote:
>
>> tweaking the decrescendi like the diminuendi and doing some minor
>> changes, I
>> come up with:
>
Ooops, should be: tweaking the crescendi like the diminuendi
> Looks great! I'll definitely use this, though something tells me I won't
> run into quite as extreme
Hi,
while tweaking hairpins I often use a high zoomed display (Ubuntu 10.04,
Adobe Reader 9 with 6400 %). So I noticed that the hairpins are printed
terraced (using ragged-right = ##f). The markup with draw-line seems to be
much better.
This ugly output disappears, if I switch to ragged-right =
harm6 wrote:
>
> ...
>
The same. Attaching the file.
http://old.nabble.com/file/p32419760/testBrokenHairpin.ly
testBrokenHairpin.ly
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David Nalesnik-2 wrote:
>
> You're very welcome!
>
>
Hi,
tweaking the decrescendi like the diminuendi and doing some minor changes, I
come up with:
\version "2.14.2"
\pointAndClickOff
\paper {
ragged-right = ##f
%right-margin = 30
%indent = 0
}
% Thanks to Mike Solomon and David Na
Jeremy Joseph Boor wrote:
>
> (...)
> I still would like to be able to do it with something more along the lines
> of the divisioMaxima found in gregorian.ly:
>
> divisioMaxima = {
> \once \override BreathingSign #'stencil =
> #ly:breathing-sign::divisio-maxima
> \once \override Breathing
Jeremy Joseph Boor wrote:
>
> In a StaffGroup using mensurstriche barlines, I would like
> to be able to place (dotted) barlines independently in the
> separate staves without having to hide them every time in
> the other staves. It would look something like this:
>
>
>___
Dominicus wrote:
>
>
> Thanks Reinhold!
>
> I'll continue to wonder why Lilypond requires explicit override statement
> to reposition fingerings on a second voice:
> \once\override Fingering #'direction = #UP b-3
> instead of interpreting the single voice notation "b^3" should be explicit
Dominicus wrote:
>
> \version "2.14.2"
> %looking for a way to place fingering at top but under the slur
> \score{
> \new Staff
> << {a''2.^( b''4^)}
> \\ {s2 b'8^\markup{\finger 3}( g') s4} >>
> \layout {}
> }
>
>
>
Or use real fingerings with \set fingeringOrientations.
\version
David Nalesnik-2 wrote:
>
> On Thu, Sep 1, 2011 at 2:22 PM, David Nalesnik
> wrote:
>
> I'm attaching the file :)
>
> David
>
>
Hi David,
that's it !!
I had experimented with the hairpin-origin, but I didn't manage to introduce
it correct.
Once more: thanks a lot!
Harm
--
View
David Nalesnik-2 wrote:
>
> Hi all,
> (...)
> I'm wondering why I can't apply this function to 'X-offset rather than
> 'extra-offset. I've attached a version of the file which returns an
> 'X-offset value, and it returns an error (also with 'self-alignment-X).
> Is
> there a way to fix this?
>
Hi Mike, hi David,
thanks a lot for all your help! You're great.
Best,
Harm
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Mike Solomon-2 wrote:
>
> More control over the length is always achievable by overriding the
> stencil, as is the solution to the problem you pose above regarding the
> closing diminuendi.
>
>
Hi Mike,
great work on the closing diminuendi!!
One point left: I want each diminuendo of the bro
Peter Chubb-4 wrote:
>
> Hi,
> I've been trying to work out how to add dynamics to lyrics, to
> give singers guidance.
>
> I tried the obvious:
>
> foo = \lyricmode { start\p quiet -- ly \cresc and get loud -- er \f }
>
> but the dynamics appear to be interpreted
Mike Solomon-2 wrote:
>
> Hmm...I thought that after-line-breaking would be called after the bounds
> were set, but I was wrong.
>
> Try:
>
> #(define (has-interface? grob interface)
> (member interface
> (assoc-get 'interfaces
> (ly:grob-property grob 'meta
>
Carl Testa wrote:
>
> Thanks for the help everyone. I am getting closer. I have one other
> question. How could I set the font-size of the first number to be bigger
> that the numbers of the fraction?
> ...
>
Hi Carl,
try:
\version "2.14.2"
fractionRest = #(define-music-function (parser l
Mike Solomon-2 wrote:
>
> How about:
>
> \version "2.14.0"
>
> #(define (has-interface? grob interface)
> (member interface
> (assoc-get 'interfaces
> (ly:grob-property grob 'meta
>
> #(define (find-system grob)
> (if (has-interface? grob 'system-interfa
David Nalesnik-2 wrote:
>
>
> OK, this should do it!
>
> Now all you have to do is call \eraseBrokenHairpin -- no arguments needed
> -- and it should handle positioning of the whiteout box. I'm guessing
> that
> this would be easily extensible to other spanners?
>
> Best,
> David
>
Hi Dav
harm6 wrote:
>
> Hi,
>
> how can I shorten the first part of a broken hairpin to avoid the printing
> under a new KeySignature (or KeyCancellation, TimeSignature etc) at a
> linebreak?
>
> Thanks!
> Harm
>
It could be done this way:
\version "2.14.2&qu
Hi,
how can I shorten the first part of a broken hairpin to avoid the printing
under a new KeySignature (or KeyCancellation, TimeSignature etc) at a
linebreak?
I tried (with no success):
\version "2.14.2"
\pointAndClickOff
\paper { ragged-right = ##f }
lengthHairpinBoth =
#(define-music-func
PMA-2 wrote:
>
> PMA wrote:
>> ...
>> I've always wished that publishers would format music (solo scores
>> anyway)
>> according to its measure groupings -- i.e., lay it out like poetry, for
>> the same
>> reason.
>>
>> Well o'course they won't. But now with this generous setup of yours, I
>> ca
PMA-2 wrote:
>
> After more docs-sniffing & experiments, I think my recent query
> to Harm probably boils down to --
>
> Given a (global) "short-indent" setting under \paper, is it possible
> to "\once \override..." this value for individual score systems?
>
> Regards,
> Pete
>
Hi Pete,
I'm
oiram73 wrote:
>
> Hi!
> \arpeggioArrowUp don't work in the polyphony!
> \version "2.15.7"
> \paper { ragged-right = ##t }
> \new Staff
> \with
> {
> \consists "Span_arpeggio_engraver"
> }
> \relative c''
> {
> \set Staff.connectArpeggios = ##t
> <<
> {\arpeggioArrowUp ces\arpeggi
oiram73 wrote:
>
> Hi lilyponders!
> In this example the glissando line collide with alteration sharp/flat and
> \finger (left).
> What can I do for resolving this problem?
> Thank's.
>
Hi,
another approach: \once\override Glissando #'(bound-details right padding) =
#2.5
Cheers,
Harm
--
oiram73 wrote:
>
> Hi to all!
> In this example the chord with \arpeggio and finger: collision among
> arpeggio
> and rest.
> But without finger no collision?
> Any idea?
> Thanks
> \version "2.15.8"
>
Hi,
try: \override Score.Arpeggio #'X-offset = #'-1.5
But perhaps there's a better solutio
PMA-2 wrote:
>
> I've tried again with Xavier's "RemoveEmptyStaves" code,
> and that in turn again with James's "Grand" substitutions.
> No difference so-far at all. I reckon my best next step is
> to download 2.14.2.
>
> Each version I've coded two ways -- with the \layout block
> within \sco
Graham Percival-3 wrote:
>
> umm, did you try reading the lines immediately above it?
>
>
> %% Keep the old definitions in here for compatibility (they erase
> %previous
> %% settings to the corresponding context!).
> %% For new scores, one should simply insert the \RemoveEmptyStaves
> %settin
Xavier Scheuer wrote:
>
> \RemoveEmptyStaffContext has been replaced by \Staff \RemoveEmptyStave
> in version 2.13.something.
> Cheers,
> Xavier
>
Hi,
I didn't found \RemoveEmptyStaffContext in the docs, but there is a
definition in engraver-init.ly (version 2.14.2) for it ! So I'm a little b
PMA-2 wrote:
>
> No difference from the original output.
> But thanks for "StaffGroup". I'll experiment more.
>
> P
>
I tested:
\version "2.14.2"
upper = {
\relative c' {
a1\break
b \break
R1\break
R1\break
PMA-2 wrote:
>
> Hi List.
>
> Occasionally one staff in a system,
> either the middle or upper, contains rests only.
>
> I want to exclude such staves from the output,
> and so have defined my \score block as follows,
> following Notation & Snippets Ref. suggestions.
>
> \score {
>\new Pi
u_li wrote:
>
> Am 09.08.2011 02:55, schrieb Reinhold Kainhofer:
>> On Di., 9. Aug. 2011 01:34:02 CEST, David Kastrup wrote:
>>> harm6 writes:
>>>> Yes. But the Notation Reference demonstrates:
>>>>
>>>> \relative c' {
>>&
David Kastrup wrote:
>
> The tie configuration at the time of the tie ending counts, so try
> \relative c' {
> 2~
> \once
> \override TieColumn #'tie-configuration =
> #'( ( 8 . -1)
> ( 3 . 1 )
> ( -3 . 1)
> )
>q |
> ~ q
> }
>
> --
> David Kastru
Laura Conrad wrote:
>
> So it looks similar to an ligature bracket, but doesn't have the line
> between the begin and the end.
>
> I just did a little bit of searching the lilypond documentation, and
> didn't see an obvious example of how to do this. Can someone provide
> one?
>
> Thanks,
> -
pkx166h wrote:
>
> Subject: Nice workaround for simultaneous rehearsal marks – thanks Neil!
>
> Yes once the LSR is updated to 2.16.x (assuming LSR doesn't run unstable -
> this snippet won't work on 2.14.1 (does it on 2.14.2?)
>
> James
>
Hi,
great work!! Compiles fine on 2.14.2!
Cheers,
Tim McNamara wrote:
>
>
> Also, IMHO the syntax for placing a coda, a segno, etc. ought to be as
> elegant and simple as possible (e.g., \coda or \segno instead of \mark
> \markup { \musicglyph #"scripts.coda" } or \mark \markup { \musicglyph
> #"scripts.segno" } Less typing means fewer errors
harm6 wrote:
>
>
> Elwro wrote:
>>
>> Dear Group,
>>
>> I'd like the input
>>
>> \parenthesize R1
>>
>> to produce a whole measure rest in parentheses. (...)
>>
>> Best regards,
>>
>> Leszek.
>&
Elwro wrote:
>
> Dear Group,
>
> I'd like the input
>
> \parenthesize R1
>
> to produce a whole measure rest in parentheses. (...)
>
> Best regards,
>
> Leszek.
>
Hi,
here's another, more elaborated workaround:
\version "2.14.2"
parenthesizeMMR =
#(define-music-function (parser locatio
Phil Holmes-2 wrote:
>
> You need to mark it as a "Standalone snippet" if it's more than one line.
> Now done and approved.
>
Thanks Phil,
I didn't understand that "Standalone snippet"-feature in the LSR.
Cheers,
Harm
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Christopher R. Maden wrote:
>
> I can’t figure out how to actually get multiple columns
>
Hi,
check http://lsr.dsi.unimi.it/LSR/Item?id=464 LSR-Snippet 464
Cheers,
Harm
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jpatk wrote:
>
> I agree, it's a nice one. I might note, however, that this solution is
> closely connected to the "\break" that precedes the bar line I'm trying to
> color. Remove the break and the coloration disappears. Is it possible to
> color just the initial repeat bar line that occurs
Xavier Scheuer wrote:
>
> Nice one!
> Could you add it to the LSR?
>
> Cheers,
> Xavier
>
>
It is now http://lsr.dsi.unimi.it/LSR/Item?u=1&id=775 LSR-Snippet 775 but
the picture there doesn't show all features. See attachment.
Cheers,
Harm
http://old.nabble.com/file/p32189989/itemsAt
Hi,
I'm quite new to the list, don't knowing where to report a bug, but I didn't
find any reference to it, so here it is:
The combination of setting a high-valued short-indent and a broken
phrasingSlur gives very ugly output:
\version "2.14.2"
\paper {
indent = 40
short-indent =40
ragged
u_li wrote:
>
> Hi list,
>
> I tried to adapt the shapeSlur_rev.ly function recently posted by David
> Nalesik to also work for PhrasingSlurs and Ties.
>
> However, when I use
>
>\once \override Tie #'control-points = #(shape-slur $offsets)
>
> as part of the function, the Tie isn't pri
jpatk wrote:
>
> I would like to color the initial repeat bar line of a volta.
>
Hi,
try:
\version "2.14.1"
#(define (color-at-line-begin g)
(if (and (ly:item? g)
(equal? (ly:item-break-dir g) RIGHT))
(ly:grob-set-property! g 'color red)))
\relative g' {
\repea
Hilary Snaden wrote:
>
> I've now tried everything I can think of, as well as some
> suggestions from others, but none of the tweaking works reliably (or at
> all) if there are more than two voices on a staff.
>
Hi,
the Learning Manual 3.2.2 "Explicitly instantiating voices" says:
"By defau
Carl Sorensen-3 wrote:
>
>
> The syntax of the chord root namer has changed between 2.12 and 2.14. The
> chord root namer now needs both a pitch and a boolean value that says
> whether minor chord names should be lowercase.
> [...]
> HTH,
> Carl
>
Hi Carl,
that clears it up! But I didn't
Hi,
trying to modify chordnames (version 2.14.1) I'm running in a strange
behaviour.
1. Compiling http://lsr.dsi.unimi.it/LSR/Item?id=750 gives:
ERROR: Wrong number of arguments to #pop-markup
(pitch)>
2. So I tried my own definition.
Copying, modifying and simplifying code from chord-name.s
Scott Rippon wrote:
>
> Just want to be able to add some more space between notes so that the
> fingering notation is visible.
>
Also possible:
-"F"
Then you are able to tune both, left- and right-"padding".
Harm
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James Harkins-2 wrote:
>
>
> 1. I'm looking for the tremolo notation, common in string parts, where the
> tremolo's rhythmic value is given by the slashes (easy to do with \repeat
> tremolo) AND there are as many staccato dots attached to the note as there
> are notes that would be played by th
Oops, forgot the "?" in
#(define-markup-command (dynamicStringRight layout props dyn)(string?)
...
Now it compiles as expected !
Cheers,
Harm
harm6 wrote:
>
>
>
>
> Code:
>
> \version &quo
Jay Hamilton-3 wrote:
>
> That produced a new staff (with no other content) with the hairpin below
> it
> so exciting but not the kind of solution I can use.
> Thanks
>
Tweaking the rests is also necessary!
Cheers,
Harm
\version "2.12.3"
\header {
title = "21-03"
% composer = "Jay Ham
Jay Hamilton-3 wrote:
>
> That produced a new staff (with no other content) with the hairpin below
> it
> so exciting but not the kind of solution I can use.
> Thanks
>
Is this output satisfying?
Cheers,
Harm
\version "2.12.3"
\header {
title = "21-03"
% composer = "Jay Hamilton"
% c
Hi,
inspired by the Thread
http://old.nabble.com/Dynamic-%2B-text-aligned%3A-BEST-solution--td31881932.html
"Dynamic + text aligned: BEST solution?" I tried some definitions using
http://git.savannah.gnu.org/cgit/opus-libre.git/tree/bin/markup-commands.scm
dynamic-string
in order to get new c
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