ing to write the whole << {}
\\ {} >> construct every time. Now, on to figure out how to make a nice
“knee’d” beam (3+3) for those notes.
Thanks for the help!
-E
> On 22 Feb 2019, at 19.26, elmeri wrote:
>
> Hi,
>
> I’m working on a score that has a lot of arpeggi
Hi,
I’m working on a score that has a lot of arpeggios where the first note of the
6-note group of 16th notes is doubled as a dotted 4th note. Having a
macro/function to turn e.g. the pattern "f16 c a f c f,” into “<< { f4. } \\ {
f16 c a f c f, } >>”, or even more preferably “<< { f4. } \\ { f
Hey ML,
I asked a similar question on the Music Practice & Theory Stack Exchange
site, and I was told that the idea of changing clef automatically is - in
most cases - a bad idea, at least musically/practically speaking.
Nevertheless, I would like to ask for pointers as to how to accomplish this
w