ide of the barline.
Changing the X-offset doesn't seem to work and I can't think of what
else to change (other than extra-offset, which won't do what I want.)
--
Knute Snortum
--
William Rehwinkel (any pronouns)
Juilliard School '26 - Oberlin Conservatory '24
will...@willi
^ end section #1
any examples or tips on ow to do this is appreciated
~ SILENT RECORDS, est. 1986 ~
//ambient, drone, experimental, noise, glitch & beyond
--
William Rehwinkel (any pronouns)
Juilliard School '26 - Oberlin Conservatory '24
will...@williamrehwinkel.net -
aderMarkup fields seems like the obvious method. The
titles seem to get updated that way. But the page header doesn't change.
--
William Rehwinkel (any pronouns)
Juilliard School '26 - Oberlin Conservatory '24
will...@williamrehwinkel.net - https://williamrehwinkel.
und
a Firefox bug, source at:
https://github.com/ssb22/mwr2ly/blob/master/lilypond-svg-fixer.py
although I think recent versions of Firefox no longer need this.
I could post my whole .ly file, but it's a bit messy right now
due to the way I edited it from the Mutopia starting point.)
Thanks.
S
x27;
}
>>
Thanks,
-William
On 3/6/25 20:43, Pierre-Luc Gauthier wrote:
Hi everyone,
Is there a way to remove the "spurious" barline at the end of bar 1 of
the second Staff ? Please see the attached image. MWE :
\version "2.25.24"
<<
{ c''4 4 4 4
e \layout {} }
\score
{ \articulate \myScore \midi {} }
--
William Rehwinkel (any pronouns)
Juilliard School '26 - Oberlin Conservatory '24
will...@williamrehwinkel.net - https://williamrehwinkel.net
PGP Public Key: https://ftp.williamrehwinkel.net/pubkey.txt
OpenPGP_signature.asc
Description: OpenPGP digital signature
e for this?
--
William Rehwinkel (any pronouns)
Juilliard School '26 - Oberlin Conservatory '24
will...@williamrehwinkel.net - https://williamrehwinkel.net
PGP Public Key: https://ftp.williamrehwinkel.net/pubkey.txt
OpenPGP_signature.asc
Description: OpenPGP digital signature
s than normal and most users should
expect convert-ly to be needed.
--
William Rehwinkel (any pronouns)
Juilliard School '26 - Oberlin Conservatory '24
will...@williamrehwinkel.net - https://williamrehwinkel.net
PGP Public Key: https://ftp.williamrehwinkel.net/pubkey.txt
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Description: OpenPGP digital signature
I missing?
--
William Rehwinkel (any pronouns)
Juilliard School '26 - Oberlin Conservatory '24
will...@williamrehwinkel.net - https://williamrehwinkel.net
PGP Public Key: https://ftp.williamrehwinkel.net/pubkey.txt
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Description: OpenPGP digital signature
le
\override Staff.KeyCancellation.break-visibility =
#end-of-line-invisible
\key g \major
1 | \break
\key f \major
1
}
HTH
Hans
--
William Rehwinkel (any pronouns)
Juilliard School '26 - Oberlin Conservatory '24
will...@williamrehwinkel.net - https://williamrehwinke
re good things to keep in mind, thank you.
-William
Personally, I'm not sure I could cope with more clefs. I don't envy
tenors having to cope with G, F and occasionally C clefs already.
Cheers,
David.
--
William Rehwinkel (any pronouns)
Juilliard School '26 - Oberlin Conservator
?
At first glance they appear to mean the same.
2) Which musical problem are you trying to solve by these new clefs?
[note I'm not disputing they might be useful, I'm just curious]
Kind regards,
Michael
--
William Rehwinkel (any pronouns)
Juilliard School '26 - Oberli
otmail.com_ <mailto:mur...@hotmail.com>
military account _murray.macken...@forces.gc.Ca_
<mailto:murray.macken...@forces.gc.ca>
--
William Rehwinkel (any pronouns)
Juilliard School '26 - Oberlin Conservatory '24
will...@williamrehwinkel.net - https://williamrehwinkel.net
PGP Pub
n in output. Substituting 0.0
Converting to `KT Tangos dc.pdf'...
Success: compilation successfully completed
Completed successfully in 6.1".
Attempts to cut down the file have not been successful. The typeset
output seems ok. Is there anything that can be done?
Richard Shann
--
William R
alName = "Bert "
Hi, my name is Bert.
} \addlyrics {
\set vocalName = "Ernie "
Oh, ché -- ri, je t'aime
}
>>
}
\score {
\theScore
}
If I uncomment what would be an introduction the names disappear.
--
William Rehwinkel (any p
accomplish?
Thanks,
-William
On 1/4/25 14:42, Frédéric wrote:
I want to show cue notes but only the first voice. Can I use \addQuote
with only voiceOne?
Oh, Copilot seems to have the answer:
voiceOneOnly = \extractVoice #'voiceOne \musicPart
but it seems to be hallucination :=)
--
William
ame from the manual for the
unstable release, I've been using V 2.18.2. I've run out of space on my
local disk, so I cannot upgrade LilyPond without doing a lot of memory
management. I would like to get this fixed as soon as possible to send
to the printer.
Snippet:
image.png
Output curren
Thanks, Robin. I've attached a snippet using the distributed noteheads
solution. Pianists, what do you think?
--
Knute Snortum
--
William Rehwinkel (any pronouns)
Juilliard School '26 - Oberlin Conservatory '24
will...@williamrehwinkel.net - https://williamrehwinkel.net
PGP
pianists reading this: which measure
is the least confusing? I've also attached the code I used to create
the four measures.
--
Knute Snortum
--
William Rehwinkel (any pronouns)
Juilliard School '26 - Oberlin Conservatory '24
will...@williamrehwinkel.net - https://williamrehwinkel.net
PGP Public Key: https://ftp.williamrehwinkel.net/pubkey.txt
>>
\new Staff \scoreABassoContinuoPart
>>
\layout {
\context {
\Score
\consists Span_bar_engraver
}
}
}
% ----
On 12/3/24 08:22, Thomas Scharkowski wrote:
Hi,
I have this Score:
<<
\new StaffGroup
<<
\scoreAVioli
-William
On 12/1/24 16:33, bobr...@centrum.is wrote:
A week ago I was playing a weekend gig in Akureyri, in the north of
Iceland. The final piece on the program was Ravel's "Bolero." It was,
to me, an unfamiliar edition. Photo attached.
Best,
David
--
William Rehwinkel (
(let* ((x_k (car cpt))
(y_k (cdr cpt))
(coef ((bernstein-poly n k) t)))
(set! x (+ x (* x_k coef)))
(set! y (+ y (* y_k coef
(set! k (+ k 1)))
cpts)
(cons x y)))
```
--
William Rehwinkel (any pronouns)
Juilliard School '26
ck-summer-2015-update.html>
Not sure if they were released and under which license.
Kind regards,
Xavier
--
William Rehwinkel (any pronouns)
Juilliard School '26 - Oberlin Conservatory '24
will...@williamrehwinkel.net - https://williamrehwinkel.net
PGP Public Key: https:
}
}
\new Staff {
\clef bass
\time 4/4
\key aes \major
\relative c {
| c=1 |
}
}
>>
\layout
is kind of different bar lengths?
\time 4/2 — does not fit with the measure in T4.
Thanks a lot! Alexander
--
William Rehwinkel (any pronouns)
Juilliard School '26 - Oberlin Conservatory '24
will...@williamrehwinkel.net - https://williamrehwinkel.net
PGP Public Key: https://ftp.
.
I want the text at the end of the 10 bar rest.
Strangely the MM rests are not compressed in your code.
Paul
On 9/29/24 1:31 PM, William Rehwinkel wrote:
Dear Paul,
Is this by any chance the output you were expecting?
-William
\version "2.25.20"
{
\compressMMRests
<&
Text alignment but how can I get
text actually right aligned in a section of music?
\version "2.25.20"
{
\compressMMRests
R1*10^\markup\sans\right-align{ "poco accel." }
\mark \default
R1
}
TIA,
Paul
--
William Rehwinkel (any pronouns)
Juilli
LilyPond and this could be a potential issue.
I guess I'm wondering if there is a way of writing your LilyPond files
in such a way to make this easier than just manually going through
each part and changing them.
--
William Rehwinkel (any pronouns)
Juilliard School '26 - Oberli
t;
\fixed c'' { << { e8( f~2.) } { e8( f d2.) } >> }
TIA,
Paul
--
William Rehwinkel (any pronouns)
Juilliard School '26 - Oberlin Conservatory '24
will...@williamrehwinkel.net - https://williamrehwinkel.net
PGP Public Key: https://ftp.williamrehwinkel.net/pubkey.txt
OpenPGP_signature.asc
Description: OpenPGP digital signature
of pages...
Fitting music on 1 page...
Drawing systems...
Converting to `my_special_output-scherzo.pdf'...
Finding the ideal number of pages...
Fitting music on 1 page...
Drawing systems...
Converting to `my_special_output.pdf'...
Success: compilation successfully completed
Completed successfully in
n 3/4 time (bar check with 2.24.0 as well!)
% \grace doesn't use up any time before the 2 eighth notes, so if the
time is 3/4, you have only 1 beat in the bar (2 eighth notes).
\oneVoice \grace { c'16*1/8 d e } d8 c |
}
}
HTH
--
William Rehwinkel (any pronouns)
Juilliard
\time 3/4
\relative c'
{c'16 \hf b \hf bes \hf a \hf as \hf g \hf fis \hf f \hf e \hf es \hf
d \hf des | \hf c \hf b }
}
image.png
--
William Rehwinkel (any pronouns)
Juilliard School '26 - Oberlin Conservatory '24
will...@williamrehwinkel.net - https://williamrehwin
n the Reference have no formatting.
I'd like to format the sectionLabel.
I know that I can format a \textMark with e.g.:
\textMark \markup { \box \bold "Chorus" }
Is there a way to format sectionLabel, or is textMark (or something
else) required instead?
--
William Rehwinke
My work day may look different than your work day. Please do not
feel obligated to read or respond to this email outside of your
normal working hours.
--
William Rehwinkel (any pronouns)
Juilliard School '26 - Oberlin Conservatory '24
will...@willia
the notation will be incorrect (see attached image).
Thanks,
-William
On 8/25/24 18:02, Stefano Antonelli wrote:
On Sun, 2024-08-25 at 16:45 -0400, William Rehwinkel wrote:
Dear Stefano,
Hi William,
See the attached example which may fix what you have in mind. In it
the default lilypond procedu
sing it.
I'm also experimenting with voiceTwo because it defaults to stems down.
And I'd like voiceTwo to be stems up.
If it can't be done through contexts, is there any way to force stem
directions for a given voice without adding \stemUp or \stemDown to the
notes themselves?
space character as defined in the used
font, which is usually a different value.
In case it is absolutely necessary to use the font's space character
combined with other text markup, you have to use `\concat` like in the
following example.
```
\markup \concat {
"This is a &quo
y understood to cover European music of the"
\superscript { "15" } "th and 16th centuries." }
}
}
}
"music."
}
Thanks
--
William Rehwinkel (any pronouns)
Juilliard School '26 - Oberlin Conservatory '24
will...@williamrehw
#{ \clef alto #})
(*use-original-clefs* #{ \clef mezzosoprano #})
)
snip -- snip -- snip -- snip -- snip -- snip -- snip -- snip -- snip
Kind regards,
Michael
--
William Rehwinkel (any pronouns)
Juilliard School '26 - Oberlin Conservatory '24
will
item
Itemitem
}
}
\null
}
}
On 8/19/24 07:22, Dimitri Sykias wrote:
How can I align the following table to the center of the page?
\markuplist {
\override #'(padding . 2)
\table
#'(0 0)
{
Item item
Item item
Item
\repeat unfold 3 {c4 d e f c4 d e f \break}
} \break % end relative
} % end TabStaff
} % end variable
\score { \song \layout { \enablePolymeter } }
\score { \song \layout {} }
--
William Rehwinkel (any pronouns)
Juilliard School '26 - Oberlin Conservatory '24
will...@williamrehw
re }
\new Lyrics \lyricsto tune { \set stanza = "2." \ff this is very loud }
>>
}
First, dynamics are entered _behind_ the event they are supposed to
attach to, not before. Second, if you want a context to engrave
dynamics, it needs the respective engravers. Try
ations for Commercially Successful LilyPond and LaTeX
eBooks**
Additionally, if anyone can recommend commercially successful eBooks
that were created using LilyPond and LaTeX, especially those sold on
Amazon, I would greatly appreciate it!
Thank you very much for your help and advice!
vendredi 12 juillet 2024 à 19:06 -0400, William Rehwinkel a écrit :
The reason is, it appears that old notation fonts have become slightly
broken, especially glyphs relating to numbers (time signatures,
multi-measure rests, figured bass).
This is almost certainly a setup issue. Please expand on
d more updated fonts anywhere,
I'm not aware of such efforts, unfortunately.
or if there are any workarounds to use old fonts (for example, using
`\override BassFigure.fonts.music = "emmentaler"`)?
There aren't such work-arounds, sorry.
Werner
--
William Rehwi
nts.music = "cadence"
}
\compressMMRests \relative c' {
\time 3/4
c4 d e R2.*3
}
% --
--
William Rehwinkel (any pronouns)
Juilliard School '26 - Oberlin Conservatory '24
will...@williamrehwinkel.net - https://williamrehwinkel.net
PGP Public Key: https://ftp.williamreh
rsion "2.25.16"
\score { <<
\new Staff = "a" << { c''4^( \change Staff = "c" c'') \change Staff =
"a" c''4_( \change Staff = "c" c'') } \new Voice s1 >>
\new Staff = "b" s1
g4.
\once \override TextScript.script-priority = #-100
g16.^1^\turn^\markup { \small \sharp }\<
([a32^3\!] c16^5\> bes g^2 e\!) |
puts the fingering (1) above the turn.
How do I relocate it next to the “g”?
Thank you.
Mark
--
William Rehwinkel (any pronouns)
Juilliard School
lower case 'b' and an octothorpe (#).
TIA,
David
--
William Rehwinkel (any pronouns)
Juilliard School '26 - Oberlin Conservatory '24
will...@williamrehwinkel.net - https://williamrehwinkel.net
PGP Public Key: https://ftp.williamrehwinkel.net/pubkey.txt
OpenPGP_signatu
d->
}
Any advice on how to get the notation table back to the default would be
appreciated.
Regards,
Richard.
--
William Rehwinkel (any pronouns)
Juilliard School '26 - Oberlin Conservatory '24
will...@williamrehwinkel.net - https://williamrehwinkel.net
PGP Public Key: https://ftp.williamrehwinkel.net/pubkey.txt
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Description: OpenPGP digital signature
mmon for two clefs to appear side by side at the
start of a piece (e.g. when a piano piece starts with both staves in
bass clef so as to alert the pianist that the upper staff is not in
treble clef).
How is this done in LilyPond?
Richard Shann
--
William Rehwinkel (any pronouns)
Juilliard S
ailed to take notice of some other
note-length command?
regards,
Carl Witthoft
--
William Rehwinkel (any pronouns)
Juilliard School '26 - Oberlin Conservatory '24
will...@williamrehwinkel.net - https://williamrehwinkel.net
PGP Public Key: https://ftp.williamrehwinkel.net/pubkey.txt
OpenPGP_signature.asc
Description: OpenPGP digital signature
rify for anyone following this discussion, it is the
innermost tuplet bracket that disappears for me.
I'm not sure I quite understand the issue, as I can run the code but
don't know what your expectations are.
Cheers,
David.
--
William Rehwinkel (any pronouns)
Juilliard Sc
pref_width extra_pad))
}
% --------
--
William Rehwinkel (any pronouns)
Juilliard School '26 - Oberlin Conservatory '24
will...@williamrehwinkel.net - https://williamrehwinkel.net
PGP Public Key: https://ftp.williamrehwinkel.net/pubkey.txt
OpenPGP_signature.asc
Description: OpenPGP digital signature
rk day may look different than your work day. Please do not feel obligated
to read or respond to this email outside of your normal working hours.
--
William Rehwinkel - Oberlin College and Conservatory '24
will...@williamrehwinkel.net
PGP key: https://ftp.williamrehwinkel.net/pubkey.txt
O
aff-priority = ##f
\sectionLabel "Some section label text here"
\clef alto c2^\markup\whiteout\bold "Text"
}
}
% How the section label would be positioned without the text markup
\score {
\relative c' {
\sectionLabel "Some section label text here"
do I need to invent some preprocessor step that adds a |\midi| block
to a file or perhaps removes one from a file to get png output?
Thank you,
Pete Baughman
--
William Rehwinkel - Oberlin College and Conservatory '24
will...@williamrehwinkel.net
PGP key: https://ftp.willia
work!
thanks!
dirck
--
William Rehwinkel - Oberlin College and Conservatory '24
will...@williamrehwinkel.net
PGP key: https://ftp.williamrehwinkel.net/pubkey.txt
OpenPGP_signature.asc
Description: OpenPGP digital signature
, you can just break into \markup and use any of the usual
markup commands. See "Formatting text" in the Notation manual:
https://lilypond.org/doc/v2.24/Documentation/notation/formatting-text
--
William Rehwinkel - Oberlin College and Conservatory '24
will...@williamrehwinkel.net
PGP key: https://ftp.williamrehwinkel.net/pubkey.txt
OpenPGP_signature.asc
Description: OpenPGP digital signature
I have found how to highlight notes in the music. Similarly is there
anyway to highlight either individual lyric words or perhaps one stanza?
--
William Rehwinkel - Oberlin College and Conservatory '24
will...@williamrehwinkel.net
PGP key: https://ftp.williamrehwinkel.net/pubkey.tx
#x27;t get the warning.
(In all cases the layout is exactly what I'm expecting/wanting).
Please help me see the error of my ways.
Thanks!
-steve
Version Info:
Lilypond: 2.24.3
Frescobaldi: 3.2
Extension API: 0.9.0
Python: 3.10.12
python-ly: 0.9.6
Qt: 5.15.3
PyQt: 5.15.6
sip: 6.5.1
qpageview:
lowing snippet in Lilypond?
I wonder how to create the 'g' note with that special appearance and
with the right duration...
--
Cordialement,
Xavier MAYEUR
Bruxelles
--
William Rehwinkel - Oberlin College and Conservatory '24
will...@williamrehwinkel.net
PGP key
g8 | d4 d4 e16 f
\revert NoteHead.color } >>
a8 r4
} /
This results in the noteheads of /both /voices being colored instead of
only the upper one (in this case):
So, is there any way to achieve my goal of coloring only the upper notes?
Joop
--
Wil
to simply go
with half and quarter notes as tripletted with the tremolo mark, but I
kind of like the composer's notation.
All the best,
Ralph
__
Ralph Palmer
Seattle
USA
(he, him, his)
palmer.r.vio...@gmail.com <mailto:palmer.r.vio...@gmail.com>
--
William Rehwinkel - Oberlin Co
file-1.ly, the footnote number and connecting line is not shown in
the score, but the text still appears at the bottom of the page.
Thanks in advance for your help,
-William
--
William Rehwinkel - Oberlin College and Conservatory '24
will...@williamrehwinkel.net
PGP key: https://
uot;bass" { \bass }
>>
>>
\layout {
\context {
\Score
\override SpacingSpanner.common-shortest-duration =
#(ly:make-moment 1/8 )
}
}
}
I would really appreciate your help.
Best,
George
--
William Rehwinkel - Oberlin College and Conservatory '24
will...@williamrehwinkel.net
PGP key: https://ftp.williamrehwinkel.net/pubkey.txt
OpenPGP_signature.asc
Description: OpenPGP digital signature
\rel-rest( b', 1)
which would place a dotted quarter rest on the indicated pitch (the
equivalent of
b'1\rest
I'm starting with
rel-rest =
#(define-music-function (pit dur) (ly:pitch? ly:duration?)
#{
#pit#dur\rest
#})
but that gives me an error.
Any suggest
27;4.( d'8 \strike) | c'4c'4d'(e'4) | f'2. \allowBreak \break }
\repeat volta 2 {
\partial 4 f'8g'8 | a'4( a'4\strike a'4\strike) g'8f'8 | bes'2
d''4.( bes'8\strike) | a'4c'&#x
2.24.2 (running Guile 3.0) on macOS Monterey
(ver.12.6.8)
I installed lilypond using Homebrew (4.1.20)
--
William Rehwinkel - Oberlin College and Conservatory '24
will...@williamrehwinkel.net
PGP key: https://ftp.williamrehwinkel.net/pubkey.txt
OpenPGP_signature.asc
Description: OpenPGP digital signature
\override Staff.RehearsalMark.rotation = #'(180 0 0)
c1
\mark \markup { \smaller \smaller \musicglyph
#"scripts.ufermata" }
c
}
>>
}
On 11/12/23 11:20, Johannes Roeßler wrote:
Am 12.11.2023 um 17:10 schrieb William R
ible \mark \markup { \musicglyph #"scripts.ufermata" }
\bar "||" e2
}
What do I need to do?
Best Johannes
--
William Rehwinkel - Oberlin College and Conservatory '24
will...@williamrehwinkel.net
PGP key: https://ftp.williamrehwinkel.net/pubkey.txt
OpenPGP_signature.asc
Description: OpenPGP digital signature
I don't know, but what I meant to say is that this use of \tuplet
outside of \voices or a split into multiple voices seems to me to be
"undefined behavior" ("unspecified"?).
-William
On 10/16/23 19:09, David Kastrup wrote:
William Rehwinkel writes:
Dear David,
Th
e:
Admittedly, this is still better than the warning and crash an earlier
version rather than current master puts out.
But now there is neither warning nor crash.
--
+ --- +
| William Rehwinkel - Oberlin Colleg
ine = ##f }
\score {\new Staff
{\set Staff.midiInstrument = #"acoustic grand" \key c \major
\time 3/4 \clef bass e,4. d,8 c, e, \bar "||"} \layout { \context {
\Score proportionalNotationDuration = #(ly:make-moment 1/2) } } \midi {
\tempo 1 = 72}}
--
+ ---
ocumentation I could find on tagline
was pretty sparse (unless I missed something).
I could fill out an issue if you think it rises to that.
--
Knute Snortum
--
+ --- +
| William Rehwinkel - Oberlin College and |
| Conser
\break
d8^\markup \translate #'(-10 . 0) { \box \pad-markup #0.5 "B" }[ e8
e8] g8[ a8 b8] |
\bar "|."
}
\score {
\new Voice = "mel" { \melody }
\layout {
\autoBeamOff
indent = 0\mm
}
}
ly move the right tip of the slur from "under the note" to "above the
note".
There's definitely room for improvement, both in my example and in LilyPond
proper.
Lukas
--
+ --- +
| William Rehwinkel - Oberlin College an
\override TupletBracket.bracket-visibility = ##f
}
}
\new PianoStaff {
<<
\new Staff = "upper" \upper
\new Staff = "lower" \lower
>>
}
}
--
+ --- +
| William Rehwinkel - Oberlin Co
One c4 r4 c4 r4
}
\new Voice {
\voiceTwo c4 r4 c4 r4
}
}
\new Staff = "upper" \upper
--
+ --- +
| William Rehwinkel - Oberlin College and |
| Conservatory '24 |
|will...@williamrehw
in Choi wrote:
I have a section of a score where all the barlines are absent. How do I
temporarily turn off automatic bar lines?
--
+ ----------- +
| William Rehwinkel - Oberlin College and |
| Conservatory '24 |
|will...@w
en you change staffs? What if the two
staffs are in the same clef and you jump from a note in the bottom
staff to the same note in the upper clef?
Thanks for any information.
--
+ --- +
| William Rehwinkel - Oberlin College and |
|
ile and two PNGs, one with the source file's
output and one that shows how I want it to look. Any help would be
very appreciated.
--
Knute Snortum
--
+ ----------- +
| William Rehwinkel - Oberlin College and |
|
this could be done with substituting a text-interface for the time
signature stencil, but it would be nice if I could put this in my
style-sheet and "set and forget" it.
Thank you,
-William
--
+ --- +
| William Rehwinkel - Oberlin C
up.staff-affinity = #DOWN
}
\new Staff = "men" <<
\clef bass
\new Voice = "tenors" {
\voiceOne
<< \global \tenorMusic >>
}
\new Voice = "basses" {
\voiceTwo << \global \bassMusic >>
27;(4 . 4)
4
\improvisationOff
#})
notes={
\time 3/4
\ras_strum { 8 }
|
}
\new StaffGroup <<
<<
\context Staff \with {
\consists "Span_arpeggio_engraver"
connectArpeggios = ##t
} {
\set strokeFingerOrientations = #'
the docs I couldn't find anything on this. I know you could also do this
with the finished pdf using Adobe Acrobat or something else, but would
like to make this happen automatically.
Thanks,
-William
--
+ --- +
| William Rehwinkel - Oberlin C
anks
Donna
--
+ --- +
| William Rehwinkel - Oberlin College and |
| Conservatory '24 |
|will...@williamrehwinkel.net |
| PGP key:|
|https://ftp.williamrehwinkel.net/pubkey.txt |
+ --- +
Op
My apologies for double-posting...after writing I looked some more and
found that you can use *\char ##x* to enter unicode characters in a
markup block as in here
https://lilypond.org/doc/v2.25/Documentation/notation/unicode
On 5/20/23 23:24, William Rehwinkel via LilyPond user discussion
ll give extra credit):
image.png
Thanks for any help you can provide. I have the Lilypond 2.12 Notation
Reference so if you even point me to the section to reference I'll
work it out.
Kind Regards,
--greg
--
+ --- +
| William Reh
n't seem to work. (3
was just an arbitrary number to see if it would move.) I can nudge the
notes at the beginning of the bar to the left, except the force-hshift
fails to work on the tied d in the bass line.
I'm sure there's a simple explanat
d to give a minimal example without publishing my whole project
in public.
—Joel
--
+ ------- +
| William Rehwinkel - Oberlin College and |
| Conservatory '24 |
|will...@williamrehwinkel.net
png
Thank you in advance for your support,
Vlad
--
+ ------- +
| William Rehwinkel - Oberlin College and |
| Conservatory '24 |
|will...@williamrehwinkel.net |
| PGP key:
til (other-axis axis) -1 lb
vpadding))
stil))
\relative a {
\override Rest.stencil = #(lambda (grob) (wills-bracketify-stencil
(ly:rest::print grob) Y 0.15 0.5 0.2 0.6))
r1
r2. r4
a1\rest
}
%%
--
+ --- +
| William Rehwinkel - Oberl
but the
resolution was not clear:
https://lists.gnu.org/archive/html/lilypond-user/2009-01/msg00725.html
<https://lists.gnu.org/archive/html/lilypond-user/2009-01/msg00725.html>
Thank you for your help!
JD
--
+ ----------- +
|
t I am after is a s4 that takes some space, I am currently
solving it with
things like:
\once \hide Rest r16 \once \hide Rest r16
\once \hide Rest r16 \once \hide Rest r16
which will take some more space, but it is not ideal.
best,
Jaime
On Fri, Mar 24, 2023 at 6:03 PM Willi
ortest-duration =
#(ly:make-moment 1/32)
\override SpacingSpanner.uniform-stretching = ##t
I am also attaching a screenshot so you can see the kinds of results I
am getting.
All the best,
Jaime
image.png
--
+ ------ +
|Wi
cess, or must I link every executable in
/usr/bin or elsewhere, in any location 'touched' by my $PATH ?
regards
dario m.
--
+ ------ +
|William Rehwinkel - Oberlin College and |
| Conservatory
May I have the day to ruminate?
Please take your time, and thanks for working on this!
Werner
--
+ -- +
|William Rehwinkel - Oberlin College and |
| Conservatory '24 |
| will...@williamrehwinkel.net
hether
you structure your input with variables won't make a difference.)
--
+ ---------- +
|William Rehwinkel - Oberlin College and |
| Conservatory '24 |
| will...@willi
Yes, it is. You can define a markup for the copyright section, or any of the
header fields. So you could for example do \markup{\center-column{\line{ line
one } \line{ line two}}} etc.
-William
Sent from my iPhone
> On Mar 21, 2023, at 00:42, Samuel Sloniker wrote:
>
> Hello! Is there a wa
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