David Rogers wrote:
On 2004/01/28, William R. Brohinsky wrote:
...(a very comprehensive answer to the transposition question)...
But, wouldn't he have to transpose DOWN a tone, when moving from a
Bflat-notated instrument to a C-notated one?
So - \transpose c bes,
?
Absol
--- Begin Message ---
Chip,
The important thing to understand about the \transpose function is that
the two note names following the \transpose represent the interval of
transposition. To transpose from music written in C to music appropriate
for a Bb instrument, you must end up with music in
As neuro's post shows, croma and croche are current names for what we in
the US call 'eighth-notes'. If you consider the shape of the note (black
head, stem, one flag), the previous name of this note was 'fusa'.
This name comes from common renaissance usage where the note shape was
used rarely. I
In tab, timing is remoted from the indications of notes: the timing is
relegated to the stems above the letters. Each stem indicates how long
it will be before the next stem (or implicit stem, since tabs often
leave off repeated time-value stems). There is no indication of when a
note is supposed t
Before this becomes something other than the trivial pursuit that it is,
let's lay it to rest once and for all.
Tablature is notation. Every dictionary and encyclopaedia I can access,
physical and online agrees. Music notation on staves with noteheads, in
fact, can be considered a kind of tablitu
This is one that was solved for me a short time ago. There may be a
newer fix, but you don't say which version of lilypond you're using.
This one is good for 1.6.0 and on:
In the paper block, add the following:
\translator{ \ScoreContext
\remove "Timing_engraver"
Uhhhn.
I was doing fairly well, between your response and Laura's and Rune's of
starting to understand this all. Now I've gone braindead again. Perhaps
it's driving 9 hours that did it, but this change leaves me with a bunch
of questions I'd like to get cleared up before I post the source for
od
Wen) wrote:
>
> >>>>> "raybro" == William R Brohinsky writes:
>
> raybro> I can't get a final barline to appear.
>
> Use:
>
> \property Staff.whichBar = "|."
>
> instead of \bar "|."
>
> \bar is a shorthand
I really appreciate the help, Han-wen! Thank you! This was exactly what
I needed, the code fragment was enough to get the entire piece formatted
correctly, except for one minor problem...
I can't get a final barline to appear. The attachment is an abbrevement
of my code, showing the first nine an
Heyla!
I'm still struggling with some apparently fundamental, basic concepts.
The internals for Timing_engraver says that "In order to create
polyrhythmic music, this engraver should be removed from Score and
placed in Staff."
After considerable searching about the tutorial, manual, internals d
I downloaded the entire install yesterday and today (49.2K dialup) and
installed it this evening. The results, in a nutshell? Everything worked
fine.
However.
I did have a few bugaboo's, and am too tired to research the entire
email record of the lists, so consider this raw input:
ly2dvi -p pr
David Raleigh Arnold wrote:
> Thanks much. The scholarly poster is right that there are
> historical instances of putting the first string at the
> bottom, but English renaissance lute tablature and all
> modern tabs have the first string at the top so the
> low notes will be on the bottom. *
Simon Bailey wrote:
>
> On Mon, 2002-07-29 at 22:18, Rune Zedeler wrote:
> > > i know this may seem like a weird question but is there a way to
> > > transpose and generate "lily-input" output?
> >
> > Why would you need that?
>
> one of the projects i'm currently working on is rearranging a m
I downloaded the exp version, which installed without comment (that I
could tell: some of those post-install scripts put up a dos-like window
for a few seconds, wrote something in a few miliseconds and
disappeared!) This is on windows XP, with all of microsoft's updates
installed to date.
When I
Stephen,
I have to admit to some confusion as to what you mean by transcribing
audio to notation. Are you talking about line-by-line transcription of
parts, or reduction to piano staff, done by listening to a recording? Or
are you assisting someone who 'composes' music but doesn't know how to
no
For what it's worth, when I took music theory, we were advised (and this
is in consonance with numerous music copy tutorial books, I can quote
references for some if needed) to keep stems in one direction when
passing through the middle line of the staff.
Thus, for a scale starting on the bottom
Mats Bengtsson wrote:
>
> You really shouldn't send these question to me privately,
> if you keep them on the list, you'll reach Jan and Han-Wen
> who do the bulk of the job and also others who have the same
> questions could see the followups. You may quote my answers
> below on the list if yo
I have downloaded lilypond.ps.gz in the past ( a few months ago ) and
had no problem looking at it in gsview[32], but in the last 2 weeks I've
downloaded it twice, and gotten something that can't be viewed at all.
As a check, I ran it through acrobat 4.0 distiller, and got the
following, which ma
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