On 8/28/05, Han-Wen Nienhuys <[EMAIL PROTECTED]> wrote:
> Trevor Baca wrote:
> > So the question is: is the pair of self-alignment and extra-offset (in
> > the second example) the best way to center markup relative to
> > *notecenter* or is there a way to specify
On 8/27/05, Han-Wen Nienhuys <[EMAIL PROTECTED]> wrote:
> Trevor Baca wrote:
> > TextScript layout objects implement the self-alignment interface quite
> > well. Here's an example:
> >
> > \override Staff.TextScript #'self-alignment-
TextScript layout objects implement the self-alignment interface quite
well. Here's an example:
%% BEGIN TEXTSCRIPT SELF-ALIGNMENT SNIPPET %%%
\version "2.7.7"
\score {
\context Staff = example {
\time 7/4
\override Staff.TextScript #'self-alignment-X = #-2
c'4^\markup {
On 8/26/05, Mats Bengtsson <[EMAIL PROTECTED]> wrote:
> Depends on what you want to use it for.
>
> For a longer section of text, such as lyrics lines for some verses
> of a song, you can actually have a \markup{...} completely outside the
> \score{...}.
>
> Hans de Rijck wrote:
> > Hi gurus,
> >
any of the 3 lists, despite my
settings on the gnu settings pages, so I'm never sure if my posts are
actually mailing to everyone else on the list or whether Mats or HW or
someone has to notice them in the archive first.)
;-)
Trevor.
> Trevor Baca wrote:
> > Why does the seco
Why does the second set of lyrics with \set associatedVoice align incorrectly?
And, in general, should I bypass \set associatedVoice altogether and
insert fake spaces, as in the third set of lyrics (which do work
correctly)?
%% BEGIN LYRICS ALIGNMENT SNIPPET %
\version "2.7.7"
theVo
On 8/24/05, Hans de Rijck <[EMAIL PROTECTED]> wrote:
> Hello.
>
> When I use a \override Voice.Hairpin #'extra-offset LilyPond dies in
> compilation. No errors or warnings. Log says:
>
> # -*-compilation-*-
> Changing working directory to `G:/MusicCvt'
> Processing `G:/MusicCvt/test.ly'
> Parsing
Somewhere in some input I've specified neither ^ nor _ for some script.
Lily then says
programming error: script direction not yet known
continuing, cross fingers
The output is fine. But is there a way to coax Lily to tell me *where*
the script is that has no direction specification (so that
On 8/23/05, Erik Sandberg <[EMAIL PROTECTED]> wrote:
> On Tuesday 23 August 2005 14.38, Trevor Baca wrote:
> > The snippet here correctly renders a slur between voices ... but,
> > unfortunately generates clashing note column warnings in the process.
> >
> > Does
On 8/20/05, Bec and John Silva <[EMAIL PROTECTED]> wrote:
> Hi Brett,
>
> A more GUI-based solution is to output to PDF as normal, then just
> "Save as..." from Preview.app as a PNG.
An even more Mac-ish GUI-ish solution is to output to pdf as normal,
open the pdf in Preview, and then avail yours
The snippet here correctly renders a slur between voices ... but,
unfortunately generates clashing note column warnings in the process.
Does anyone see a way to get the same result but without the clashing
note columns?
Trevor.
% BEGIN SNIPPET %
\version "2.7.7"
wipeNote =
On 8/19/05, VSD <[EMAIL PROTECTED]> wrote:
> On Thu, 18 Aug 2005 01:03:12 +0200, Han-Wen Nienhuys <[EMAIL PROTECTED]>
> wrote:
>
> > I have taken a closer look at tie formatting in the beautiful Wiener
> > Urtext of Brahms op 119 that I have (the piece has lots and lots of
> > ties). I think that
Mats Bengtsson wrote:
> > See http://lists.gnu.org/archive/html/bug-lilypond/2005-06/msg00210.html
> >
> > /Mats
> >
Han-Wen Nienhuys wrote:
> Ah,
>
> but this is a bug, really. Only the staves should be kept on the first
> system, but not the lyrics lines and chord names.
Here's the executiv
Anyone have any idea what's going on with the space between the voice
and the piano staves in the opening of this bit of Mozart?
Clearly the first system is using the spacing of the *second* system,
which looks kinda insane given that the second system has 3 stanzas
while the first system has none
On 8/1/05, Mats Bengtsson <[EMAIL PROTECTED]> wrote:
> Actually, there is a solution available. Since it's possible to
> include a full score in a Text Markup, I figured it should be
> possible to let the .ly file contain a single Text markup, which
> in turn contains a line with the two scores. T
On 8/1/05, Han-Wen Nienhuys <[EMAIL PROTECTED]> wrote:
> Trevor Baca wrote:
> > What's the right way to start a new score in the middle of a line?
> >
>
> There isn't right now. The proper solution would be insert a routine
> before the page-breaking that t
On 7/29/05, dax2 <[EMAIL PROTECTED]> wrote:
> That is good! yes! Tenuto means as long as possible but still with a
> pointed start of the tone (ansats/ansatz in Danish, I cannot find
> the English equivalent)
"attack".
As in, "attack the note directly and with emphasis" or "when we look
at a sp
> Are you using 10.4? (see below)
Yes, 10.4.2.
> > What do these values give you:
> >
> > :set encoding?
>
> Entered in command mode?
Yes, command mode.
> E519: Option not supported: encoding?
> (same result for ":set encoding")
OK, that's just odd. vim definitely takes an encoding and f
What's the right way to start a new score in the middle of a line?
The graphic attached shows the space between the end of the 5th and
the beginning of the 6th of the 69 Bach chorale melodies with figured
bass (Riemenschneider, ed, for example).
Because the 69 chorale melodies are only a couple o
On 7/26/05, Jan Nieuwenhuizen <[EMAIL PROTECTED]> wrote:
> No. VIM is a modern editor, it supports compose character in case
> your operating system does not provide a multi key (I'm not sure if Os
> X supports compose) and save as utf-8.
Yes, you're right. The trick is
set encoding=utf-8
th
Hello,
Is there a way to enter something like
Sch\{AUmlaut}flein
or
Sch\"aflein
or
Sch\[A:]flein
directly in lilypond markup?
[Vim under OS X 10.4 (American keyboard, American install, etc) is
angering me and I'd love a way to work around the editor using lower
ASCII that's guaranteed
Hello,
Looking at spanning barlines, here's a small example with StaffGroup
that does what you'd expect:
\version "2.7.0"
\score {
\new StaffGroup <<
\new Staff {
\clef treble
\time 4/4
\repeat unfold 4 c'4 \bar ":"
\repeat unfold 4 c'4 \bar "|."
Han-Wen wrote:
> > So I suppose the work-around is simply to have Lily bypass the call to
> > gs altogether and always use Apple's "open" utility to create the pdf,
> > at least for this large file ... but two questions:
>
> That surprises me; Apple's PS to PDF convertor consistently crashes on
>
On 7/13/05, Trevor Baca <[EMAIL PROTECTED]> wrote:
> On 7/13/05, Graham Percival <[EMAIL PROTECTED]> wrote:
> >
>
> >
> > > 2. If it's not possible (or worth taking the time to tinker with gs)
> > > could someone offer me a pointer on wh
e ferguson <[EMAIL PROTECTED]> wrote:
> Sounds like what is wanted is a sort of a "snap-to-grid" feature, where
> the grid is a one-dimension, uniform time (metronome time) sequence.
> "Snap-to-grid" is a pretty common feature in graphic design systems, so
>
Hello Lily users,
Is it possible to ensure all measures exactly the same width
throughout a piece, *without the hidden voice workaround*?
What I'm finding is that the hidden voice workaround doesn't *exactly*
get it, especially at small staff sizes, with a large number of
measures per page, with
On 7/13/05, Graham Percival <[EMAIL PROTECTED]> wrote:
>
>
> > 2. If it's not possible (or worth taking the time to tinker with gs)
> > could someone offer me a pointer on what file I can edit to have Lily
> > stop calling gs?
>
> Does "lilypond --ps foo.ly" not work?
Yes! --ps works perfectly
Hi everyone,
I'd like to introduce myself and then ask a question. My name's Trevor
Baca and I'm a composer working in Austin, Texas. I just started using
LilyPond for the very first time at the beginning of July, and I'm
already completelly blown away. I model notatio
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