in all of the parts?
Thanks again!
Tom
On Tue, Jul 23, 2024 at 6:32 PM Thomas Morley
wrote:
> Am Di., 23. Juli 2024 um 23:52 Uhr schrieb Tom Brennan >:
> >
> > Hi all
> >
> > I'm notating a sonata for a cello and piano, and I would like to produce
> three
Hi all
I'm notating a sonata for a cello and piano, and I would like to produce
three "artifacts" (products?) from this:
1. A solo cello part (a typical single staff representation)
2. A "study score" where all staves are equivalent sizes
3. An accompaniment part for the piano, where the cello is
Hi all
When using `\magnifyStaff #2/3`, I'm seeing weird transitions between the
staves of a `StaffGroup`. For example,
```
\version "2.24.3"
music = \relative c'' {
\repeat unfold 10 { c4 d e f } \bar "||" c d e f \bar "|."
}
% Weird transition between I and II -- I "wins"
\bookpart {
I just realized that guile 3 is available for 2.24.x, so that's the
workaround. I'll still file the bug, though, for v2.25 in the proper
channel.
Thanks
Tom
On Mon, Jul 8, 2024 at 11:40 AM Tom Brennan wrote:
> Hi all
>
> I came across a bug with grace music containing tu
Hi all
I came across a bug with grace music containing tuplets and I haven't filed
the report yet, because I'm waiting to be added to the bug list to provide
the report there.
However, I'm looking for a workaround for this problem. Here is the report:
```
% Grace note music containing tuplets ca
I think that all sounds good, but that kind of rework is probably
going to involve a lot of regression risk (what are the tests like
right now?), but also a ton of opportunities for improvements to the
extent that it might be a good time to make a break from backward
functional compatibility, maybe
24 at 2:21 PM Tom Brennan wrote:
>
> Hello
>
> I'm going through documentation, refamiliarizing myself with Lilypond,
> and trying to define a process for daily work that I like. One thing
> I'm pretty sure I'll want is to create a shared library that will live
>
Hello
I'm going through documentation, refamiliarizing myself with Lilypond,
and trying to define a process for daily work that I like. One thing
I'm pretty sure I'll want is to create a shared library that will live
in its own repository. Perhaps more than one.
Looking at [this
documentation](ht
Ok, I just noticed that the binary location is wrong -- and I have
more than one install on this computer, so I'm going to remove both
and start with the latest version and see what happens.
On Fri, Mar 22, 2024 at 10:20 AM Tom Brennan wrote:
>
> BTW, for what it's worth it does
ke-editor" pid=65082 comm="sh"
requested_mask="x" denied_mask="x" fsuid=1000 ouid=0
[ 8087.871698] audit: type=1400 audit(177091.247:145):
apparmor="DENIED" operation="exec" profile="/usr/bin/evince"
name="/usr/bin/lilypond-i
Hello
(Note: this email uses markdown formatting.)
It's been a while since I've used lilypond, and I had point and click
working on another system, but I can't remember what I did. I do
remember there were hiccups. Also, it was probably Arch Linux and now
the distro I'm using is Ubuntu 22.04, Lil
TIL
On Fri, May 5, 2023 at 12:47 PM Mark Stephen Mrotek
wrote:
> David,
>
> Your response assumes that all readers of mailing lists know what full
> headers are, where the full headers are, and where in the full headers to
> find the "unsubscribe".
>
> Mark
>
> -Original Message-
> From:
Hello
Are there any large-scale, "real-world" lilypond projects available online
to view so that I can see how they're organized? I know that I've seen some
documentation here and there that describes what you _would_ do if you had
a string quartet project, for example, but I'd like to see someone
Hello
I'm trying to figure out how to temporarily change the stems in a staff so
that they appear like the "aeolian" stems displayed at the bottom of this
video (which has been queued to the relevant segment):
https://youtu.be/9cGJ-Y1EviI?t=57
I've seen how Penderecki tremolos are achieved; is th
Hi Andrew
I'm a professional software engineer, and I recently asked myself most of
the questions you're asking here when evaluating Lilypond, and ultimately,
I decided that for my usecases, it made more sense to use Lilypond, because
I would make a lot of use of the musical modeling/abstractions
That's neat. I checked to see that unicode as well as whitespace seems to
work via quoting, too.
\version "2.22"
"rødgrød med fløde 123
和毛泽东 <<重上井冈山>>. 严永欣, 一九八八年.
久有归天愿
终过鬼门关
千里来寻归宿
春华变苍颜
到处群魔乱舞
更有妖雾盘绕
暗道入阴间
过了阎王殿
险处不须看
风雷动
旌旗奋
忆人寰
八十三年过去
弹指一挥间
中原千军逐蒋
城楼万众检阅
褒贬满载还
世上无难事
只怕我癫痫
" = { a b c }
cla
al sense they make it possible to do (in Clojure, anyway)
"unquote-splicing", obviating using something like `apply`, etc. But since
you're in a lilypond block, it's just not clear to me what is allowed there
in terms of interpolating scheme values.
Thanks again
Tom
On Sun,
I'd like to create a function that would allow me to create a `bookpart`
from a list of arguments. E.g.,
```lilypond
\book {
\custom_bookpart "horn" \hn_movt_one \hn_movt_two
}
```
The reason is because I'd like to reuse header and page info, etc, without
having to repeat those common variable na
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